Who doesn't have fond memories of basement parties? Aluminum foil on the walls, styrofoam ceiling, disco ball and light organ. And late in the evening you dance tightly embraced to slow music. And besides the usual drinks, there was always a small group preparing egg pancakes in the kitchen 🤣 - Disco time, when the parents were out of the house, first love and lots of fun. What wonderful times back then...
🪩🕺🏼💃🏼💋💏

Basement Party

PHONO sessions #7 w. HEUN & Der PETER

I woke up in a dystopian, bleepy mode and decided to go hunting down some replicants.

01. Biosphere - Tranquilizer [Origo Sound - 1994]
02. Rydims - Nice And Slow [Nu Groove Records - 1995]
03. The Black Dog - Techno Playtime [Black Dog Productions - 1990]
04. The Future Sound Of London - 1 In 8 [Jumpin' & Pumpin' - 1991]
05. SP23 - R U Receiving Me [Labworks Germany - 1993]
06. Chameleon - Zero Is My Country [Underground Resistance - 1998]
07. Clock DVA - Re-Entry [Contempo Records - 1993]
08. Bleep - The Operator [SSR Records - 1989]
09. Sweet Exorcist - Testone [Warp Records - 1990]
10. LFO - Probe [Warp Records - 1990]
11. Biosphere - Baby Interphase (Remix) [Apollo - 1993]
12. Dominic Glynn Justin Mackay - Dreamscape (A) [Chappell Recorded Music Library - 1993]
13. Project 86 - Industrial Bass [Nu Groove Records - 1990]
14. The Orb - A Huge Evergrowing Pulsating Brain (Orbital Dance Mix) [Distance - 1997]
15. Avionique - Die Schallmauer (Mach I) [ZYX Music - 1992]
16. Cybertrax - Illusion [Rising High Records - 1994]
17. React 2 Rhythm - I Know You Like It (Fabio Paras Remix) [Guerilla - 1992]
18. Technoline - Don't Give A Fck (Remix) [!Hype - 1991]

Hjärngymnastik 253: Buckofaryngeal Replikantjakt

P H O N O Collective bereitet seit 2019 musikalische Ausflüge in elektronischen Gefilden und beglückt Freunde des akustischen Exzesses sowie der 'keep on Groovin' Crowds zum Tanzbeinschwingen mit großen Blumenwiesen musikalischer Ausrichtung.

Unsere ehemalige Homebase & Spielwiese, das "PHONO 107" im Kreativquartier Ückendorf wird mittlerweile nicht mehr bespielt. 
Die zukünfitgen  P H O N O - Events finden in Off-Locations statt. 
Hierzu werden zeitnah zum Event Infos rausgegeben. 

Folgt uns gerne auf Instagram. 

LG Das  P H O N O - Team.

Kontakt:  phonorecords@yahoo.com


Engish Version:


P H O N O Collective has been preparing musical excursions into electronic realms since 2019 and delights friends of acoustic excess as well as the 'keep on groovin' crowds to dance with large flower meadows of musical orientation.

Our former home base & playground, the "PHONO 107" in the creative district of Ückendorf, is no longer used.
The future P H O N O events will take place in off-locations.
Information on this will be released shortly before the event.

Feel free to follow us on Instagram.

LG The P H O N O - Team.

Contact: phonorecords@yahoo.com

Gigs? PM.

Hjärngymnastik is my weekly digging project where I search for electronic music released before year 2001, sourced from vinyl, CDs and digital.

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

New tracks tagged #zyxrecords