This one is definitely harder-hitting than the first version, which I think fits both the song and the character better

this track clocks in at 132bpm. However, it was written in 105bpm, because I was a dipshit that'd only just figured out how to make things.

Use this one instead: https://soundcloud.com/tahutoa2/sets/midi-t-r-s-w-b-midi-w-m-b-m
It's just this playlist but better. And up--er, MORE up-to-date than this one.

tahutoa's stuff

Arrangement of a MIDI that I got at http://www.aquarianage.org/lore/holst.html

The original plan was to have all Wario Land 4 (because Saturn is my favorite planet), but some instruments just don't translate. I brought in Mother 3, then Pokémon Emerald, and Monster Tale.

*Imagines showing this to Gustav Holst because I respect him & would want his validation, realizes I'd have to explain a lot.
*Imagines at 6:06 having to explain the cellists aren't bowing the note over and over, it's just the sample's duty cycle.
*Starts ruminating on a 1900s-friendly explanation for how digital sampling works.

Saturn (Mother 3, WL4, Pokémon Arrange.)

Sonic Galactic OST - eggman boss - "Cosmic distortion" <by: Sean Evans>

Chapter 5 UST based off of kris_piano_shop.ogg
Screenshot from Deltarune

Captive Audience

Warning: contains Since When Were You the One in Control?

I'll be more thorough with the description later but know that my cousin was 3 years old when Undertale came out. I've actually wanted to do this for a year or two. I figured her very neutral temperament was going to be good for Chara, but I was surprised at how perfect her interpretations of some of the lines were.
Because this was a once-in-a-lifetime opportunity, I had her record all of Chara's dialogue. I don't know how I'm going to post it all yet.

Happy 10 years, Undertale. I wouldn't have gotten a music degree if it weren't for you.

Chara Monologue (10th Anniversary dub)

Watch the short film with this music featured: https://youtu.be/wC84FmoW-jY

Completed as my Capstone project for my bachelor's degree at Berklee College of Music.

During this part:
Buster loads the last of the furniture he bought (including a vase that he breaks and an extending rack), is given an address card for some reason, then rides his horse through town. Along his way, a dog bites him when he makes a turning signal. He puts a boxing glove on, then makes an extending arm device to do further turn signals for him. It punches out a traffic cop as he's turning.
After getting out of there, Buster wearies of how slow his horse is and takes a nap. The horse soon stops. When whistling doesn't get its attention, Buster puts headphones on it, connected to a telephone.
Later, Buster realizes this horse is terrible at its job and tries to show it what he wants by example, attracting a few bystanders. He takes the horse to a gland specialist.
The horse charges back out of the building after him, because it was taken to a goat gland specialist. Buster makes a sheepish pout after he realizes, then goes back inside with his head low. He forgot his hat.

This cue is probably my favorite of the bunch. (It's also the first track of the bunch to have a listener!)

Cue 2A - Riding a Five-Dollar Horse

Chevry Records releases its third compilation, featuring 12 tracks from artists of Chevry Agency, founded in 2018. Over six years, the agency has built a dynamic ecosystem promoting its talents and spreading its vision of electronic music across Europe. The compilation brings together a close-knit artistic family, reflecting both diversity and unity through refined, detail-oriented productions. Blending house, minimal, and melodic sounds, it stands as a statement of collective energy and a commitment to nurturing a shared creative vision.

HERR KRANK:
https://soundcloud.com/krank0001
https://instagram.com/herr.krank

CHEVRY RECORDS:
https://chevryrecords.bandcamp.com/
https://soundcloud.com/chevryagency
https://www.instagram.com/chevry_agency

BUY:
https://kuronekomedia.lnk.to/ConnectedSouls

PREMIERE: Herr Krank - Retro Dance Machine [Chevry Records]

A different spin on "Your Best Friend" made for SourAppleStudios' "Horrortale" AU. 
Something simple, but classy.

Your Only Ally

An updated version; the bass-line is more noticeable now.

"The Black Hole Theme" by John Barry in the style of "sans."

v.i.n.cent. (Old)

An experiment in progressively adding more instruments to something. The melody is simple, but catchy. 

Fun fact: this song came into being when I first began work on 'We're the best'; I thought it was neat, so I saved it as a separate little project before getting back to work. Of course, due to the similarities, I'm going to add it to the playlist, because I'm lame and can only come up with completely original things when I sleep (true story). 

I guess (parts of(?)) this would play for whatever the equivalent of the Undyne chase sequence is; probably the bit towards the end where V.I.N.CENT and Maximilian finally duke it out. Depending on how far into the chase you were, a different part of the song will play (the first part playing at the beginning, the last part playing towards the end, obviously).

Run away! (Partially original)

I like this song. I also like transcribing songs that I like. Hence, this thing. The original is better, I feel, but I think this sounds close enough to the original to warrant uploading.

Telstar (The Tornados) Arrangement

* See this here sound machine? I fixed it usin' bits and pieces from the drawers in my station. It's power is self-replenishing! Well, for th' most part.
* I've only ever used it when none of the other robots are around. They'd only see it as a sign of weakness.
* I like listenin' to it. Calms m' nerves.
* ...
* Please don't break it.

Poor B.O.B.

((Did you think the Sans date would be with V.I.N.CENT? Psych! This isn't your everyday Undertale re-skin, no sir!))

I think this is my favorite song I've done for this little project.
Also, while I know that B.O.B. only has the voice of a cowboy, imagining a song for him with a western leitmotif was too cute to pass up :P

It's Raining Back On Earth

After I went online to try to find Les Musiques de MediEvil (yes I have the title memorized) again to have on my laptop, I couldn't find it anywhere, which sort of forced my hand. 
So, now that I've sent it over from my PC, I've decided to upload it. As a result of having these tracks in my possession, in addition to regular tracks from other sources, I now have HQ versions of every track.

Notes:
1. Tracks with legitimate titles come from Les Musiques. Otherwise, it comes from another source (possibly khinsider but I do not remember).
2. The formatting of the titles is a bit inconsistent, but it was decided entirely by which formatting looked nicer.
3. Tildes (~), or in the case of GBOSS, semicolons (;) denote the different places in which a song will play.
4. Morten the Worm was the song that played in the original version of Inside the Asylum, where you spied on monks using that worm in Dan's head. As this is the case, I've put it directly after the Asylum Grounds in the playlist, because it'll always be the real track to me, at least in spirit.
5. RIP Mr. Apple

(All rights go to Sony, S.N.A., Bob and Barn, and Joypad magazine)

"MAP" - Land Map

"OPT" | Title, Menu

COMPLETE TRINITY - SONIC HEROES Original Soundtrax

Mystic Mansion

I got really bored, wanted to do an SPC700 thing to keep my skills up a bit, this is the end result

34.0kb worth of samples on the dot at best, 80ms echo delay, 2377 bytes total sequence data.

SPC; https://www.dropbox.com/s/ngrw1mcmixj22hu/Sonic%20Heroes%20-%20Mystic%20Mansion.spc?dl=0

Sonic Heroes - Mystic Mansion (SPC700 Arrange)

"Massive Fähigkeit"

(If you enjoy my tracks, be sure to h'whack that like, repost, and share it too.)
You've reached the home of the so-called "epic Wario" thing. I've a massive catalogue of waamixes and waarangements for yon nigras to peruse with hearty contentment, as they eat whole garlic loaves and shoulder bash their computer.

Sorry if uhhh the volume for tracks varies, or is just relatively all-over-the-place. Even though I usually keep my system vol. at 52, there have been times where I've changed it and forgot that I did, then started working on a project.

https://www.youtube.com/channel/tahutoa300

Q: Why do I use the Wario Land 4 soundfont to some capacity for so many tracks?
A: Because I love the way it sounds, obviously. Half the reason why I'll start making a MIDI in the first place is that I want to hear what it'd sound like with the Wario Land 4 soundfont.
Q: Wo, Tahutoa, youre music sure is good! :))
A: DON'T CAPITALIZE MY NAAAAAME AaRRGHKKhH IT LOOKS SO HEINOUS I CAN'T STAND ITTITTI hawhawtitits?? Thank you, though

One wonders how much of their fanbase thinks of ol' typhoidoa as "epic Wario man, *and ig some other stuff*" - the same sort of typecasting that has felled a number of UT Remix artists over the years.

v.i.n.cent. (Old)

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