Shin Omatsu (DJ Stanllie) DJ Duo Kulage with DJ Barbie.
Fukuoka → Tokyo Japan  DJ / Track Maker  
Techno. Hard Techno. Tech Provgressive
Beatport
https://www.beatport.com/artist/kulage/717772
Facebook
https://www.facebook.com/stanllie.shin
Twitter
@DJstanllie
Instagram
kulage_stanllie
stanllieshin

BOYS LIKE GROOVE is a techno label founded by ATT in 2023.
https://attdj.bandcamp.com/
https://www.beatport.com/artist/att-double-peace/1150591

Q'HEY's Upcoming Gigs
Wed 01 Jan, 20 
Tokyo After Hours 2020 -New Year's Day-, R-LOUNGE, Tokyo, Japan

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Q'hey (Masaya Kyuhei) started DJing in 1989 and ever since has been one of the few key individuals of Japan’s club scene (alongside mainstays Takkyu Ishino, Ken Ishii and Fumiya Tanaka). With a lot of determination, focus, hard work and with the support of loyal fans he has been one of Tokyo’s Techno milestones for many years. From club events to massive outdoor music festivals, Q'hey is the artist who always delivers.

In 1995, Q'hey's time was spent producing tracks and introducing his music to the Asian and European clubbers. Around the same time his Tokyo underground techno party was created, REBOOT at Maniac Love. With a solid line-up of DJs and with Q'hey as the main organizer of the monthly party it has been going strong for more than 14 years. Needless to say, the remarkable music quality plus the powerful fan base, is the fuel for this great everlasting party.

In 1998, after a few releases from several prominent labels he started his own label "Moon Age Recordings". This was a time for more hard work and international exposure. In a matter of months his releases were charted on the play lists of big DJs such as Sven Vath and Marco Bailey.

Until now, he released 3 mix CDs "Sound Republic" (KSR) "Reboot #001" (KSR) and "NYSO Vol.1 DJ Q'hey" (Yenzo Music). In 2006 he released the first album from Moon Age Recordings - Q'hey + Reboot "Electric Eye On Me".

His works have been some very unique projects and again delivering many superb re-mixes and productions. These were released by MB Elektronics, Pornographic Recordings, Rhythm Convert, Omega Audio among others. Also some releases from BluFin as Q-Ram in collaboration with Ramon Zenker from Hardfloor.

On a more technical side, he reviews DJ equipment for music magazines such as "Sound & Recordings" and "Sound Designer". With his extensive knowledge of DJ/production equipment, he also got involved in the development of MC-505 and MC-909 for Roland, providing advice and support for Yamaha and Vestax.

Q'hey has been lucky enough to DJ in countries such as Taiwan, China, Hong Kong, Singapore, Malaysia, Belgium, Spain, Luxembourg, Germany, France, Holland and Poland. In between long hours in the studio and DJing domestically he is continuing to add some more international gigs to his list.

After the earthquake disaster in Japan, Q'hey established charity project "BPM Japan - Be Positive by Music Japan" and continues working to make donations for the victims by making compilation albums, releases and events.

OWLS RULE. 

The label "abend kollektiv" was evolved in 2011 from techno party "abend" which started in 1999. 
Our basic colour is TECHNO in the broadest sense of the word, and as long as it's electronic music with a dance element, there are no restrictions on the form of our expression. The tempo of the releases is very gradual. Like an owl on the hunt, if something catches our fancy, we immediately take action, if not, we wait quietly and patiently for the right moment.

Inspired by the electronic sounds of Mixture Rock, which I was absorbed in when I was a student
He begins to take an interest in Techno.
He started his career as a DJ in 2008
In 2009 he started his own organized "dirty party".
He released Mix CDs and Original Tracks and performed DJs in numerous regions.
From 2014, he formed a DJ unit "KDZ" with his old friend Gedz.
KDZ has many styles to enjoy experimental sounds such as Grime, Indstrial Techno, Electronica, UKG, 2step, etc.
He plays with top domestic / overseas artists.
Since 2015, he has launched his own label "dtpt records" and has released works by various artists in addition to KDZ.

In recent years, in addition to DJing, he has been energetically performing Techno Live using Modular Synthesizer.

block.fm 3.0, a media platform that allows you to enjoy the best of music and culture with top artists all around the world.

Electronic music label run by Masanori Nozawa.

ATT (BOYS LIKE GROOVE / BUZZx3 / FREAKS COME OUT)
Japanese Techno/Hardgroove and House DJ
the Founder of BOYS LIKE GROOVE
https://attdj.bandcamp.com/

Loud magazine's Japanese DJ ranking
23rd (2007)
24th (2008)
49th (2009)
47th (2012)

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ATT (BOYS LIKE GROOVE)

テクノの聖地「MANIAC LOVE」アフターアワーズのレジデントで躍進し以降のアフター文化に貢献。LOUD主催の国内DJランキングには3度ランクインを果たす。 
自身のマッシュアップ/リエディットを多用した独自解釈のハードグルーヴテクノは独創的かつグルーヴ感に溢れる。
「BUZZx3」@R LOUNGE、「FREAKS COME OUT」@AiSOTOPE LOUNGEのレジデントを務め、台湾、韓国、マレーシアなど海外パーティーへの出演も多数。
2023年よりテクノレーベルBOYS LIKE GROOVEを主宰しATT & DOUBLE PEACE名義でハイペースなリリースを続ける。他、Rawsery (UK)、RHYTHM RECORDS (ポルトガル)、PLUS RECORDS、秋葉原重工などから楽曲をリリース。

TAKAMI is following