Slowly bringing back my catalogue....

Producer, Remixer, DJ, Performer, Music Guru. AKA The Melker Project & Gelt Group.

Booking - greg@datatouring.com

Scott Melker has played alongside legends from nearly every musical genre, including Enrique Iglesias, Future, Snoop Dogg, Wiz Khalifa, Crosby Stills & Nash, Neyo, Sheryl Crow, T.I., Jason Derulo, Public Enemy, Kanye West, DJ AM, Justin Timberlake, Rihanna, Steve Aoki, A-Trak, Lupe Fiasco, Prince Royce, J Balvin, Joey Montana and more. With over 30 million streams on soundcloud alone (before being forced to remove the music for copyright issues), his genre busting production has captured the attention of the music industry as a whole, including some of the largest online platforms including Dancing Astronaut, Billboard, VH1, Pigeons And Planes, Fuse TV, Prefix Magazine, The New York Times, The Wall Street Journal and Paper Magazine (to name a few). He has played huge venues, events and festivals around the world, including a 30 stadium tour in Japan with Toshi Kubota, Camp BIsco, The Summer Haze Tour (with Slightly Stooped and G Love), The Keep Calm & Twerk Tour (with Ying Yang Twins & FKI), Estadio Felix Capriles with Enrique Iglesias and countless college headline concerts. Scott has also performed at private events around the globe for celebrities and public figures including Billy Joel, Donna Summer, Britney Spears, Mariah Carey, Bette Midler and even President Barack Obama.  He was the official DJ for both Target and The Food & Wine Network.

I walk in dreams and dream waking. Who am I?

Thank you, SoundCloud. Now Goodnight.

NOAH BERNSTEIN is a saxophonist and composer active in the boundless expanses of the Portland, OR music scene. As a freelance musician, Bernstein finds himself in a plethora of musical backdrops. Current projects include his own sextet with saxophone quartet, bass, and drums (which just released its debut album "Six"), avant-garde champions Get Smashing Love Power, contemporary jazz/groove crooners Darren Kleintet, and bebop/free-jazz fusers Free-Bop Quartet. Most recently he can be found touring the world with the Oakland-based indie rock band tUnE-yArDs.

Bernstein holds degrees in jazz saxophone performance from Oberlin Conservatory and in creative writing from Oberlin College (’06). During his tenure he had the honor of studying under such venerable jazz innovators as Gary Bartz, Robin Eubanks, Billy Hart, Donald Byrd, and the late Wendell Logan.

A respected advocate for live music, Bernstein spent a year after graduation forming a Sunday night jazz series at The Feve in downtown Oberlin. (The series continues to this day.) Upon moving to Portland in late 2007, he devoted three years to curating shows five nights a week at the Camellia Lounge in Portland’s Pearl District. His efforts transformed the venue from an obscure tea-house/bar to one of the more well-respected hosts of jazz performances in the city.

Bernstein grew up in rural Vermont. He carries with him its brooding forests and rolling hills wherever he goes.

Im looking for a female DJ for a few nights in Sydney, any takers?


"No city is more inclined than Eusapia to enjoy life and flee care. And to make the leap from life to death less abrupt, the inhabitants have constructed an identical copy of their city, underground. All corpses, dried in such a way that the skeleton remains sheathed in yellow skin, are carried down there, to continue their former activities. And, of these activities, it is their carefree moments that take first place: most of the corpses are seated around laden tables, or placed in dancing positions, or made to play little trumpets. But all the trades and professions of the living Eusapia are also at work below ground, or at least those that the living performed with more contentment than irritation: the clockmaker, amid all the stopped clocks of his shop, places his parchment ear against an out-of-tune grandfather's clock; a barber, with dry brush, lathers the cheekbones of an actor learning his role, studying the script with hollow sockets; a girl with a laughing skull milks the carcass of a heifer.

To be sure, many of the living want a fate after death different from their lot in life: the necropolis is crowded with big-game hunters, mezzo-sopranos, bankers, violinists, duchesses, courtesans, generals - more than the living city ever contained.

The job of accompanying the dead down below and arranging them in the desired place is assigned to a confraternity of hooded brothers. No one else has access to the Eusapia of the dead and everything known about it has been learned from them.

They say that the same confraternity exists among the dead and that it never fails to lend a hand; the hooded brothers, after death, will perform the same job in the other Eusapia; rumour has it that some of them are already dead but continue going up and down. In any case, this confraternity's authority in the Eusapia of the living is vast.

They say that every time they go below they find something changed in the lower Eusapia; the dead make innovations in their city; not many, but surely the fruit of sober reflection, not passing whims.

From one year to the next, they say, the Eusapia of the dead becomes unrecognizable. And the living, to keep up with them, also want to do everything that the hooded brothers tell them about the novelties of the dead. So the Eusapia of the living has taken to copying its underground copy.

They say that this has not just now begun to happen: actually it was the dead who built the upper Eusapia, in the image of their city. They say that in the twin cities there is no longer any way of knowing who is alive and who is dead." - Invisible Cities

https://www.instagram.com/jacoomusic/
Email jacoo.official@gmail.com

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