winter 2025

Energy (249)

Energy (252)

CAN YOU DISPLAY THIS SUBWAY JOURNEY?

Energy (255)

Energy (257)

𝐏𝐚𝐬𝐬𝐢𝐨𝐟𝐥𝐨𝐫𝐚 new

I Am

I Am Earth, Wind, Water, Fire

Good Old Days

We all got them, some just can’t be seen……………cheers for having a listen


A constant reminder
A memory from afar
Now etched in time
My permanent scars

There’s another side to me
That you don’t really know
But if you look real hard
There’s a story to be told

And if it’s not what you wanna see
You can look away
They’re always gonna be there
My scars are here to stay

They been years in the making
Star of their own show
I can’t ask them to leave
Like me they got nowhere to go

A constant reminder
A memory from afar
Now etched in time
My permanent scars

My Scars

Live Reflexion#015

The third song from my new instrumental EP called INK. A soundtrack for dark nights and bright lights.

Quill

Feel 4 U - Inderlude - Production by Fire Ark Radio

Feel 4 U - Interlude

Based on a collaboration of Indii Wild Moon and Nathaniel Ehrnman found here:
 
https://soundcloud.com/nathaniel-ehrnman/blue-september

Blue September

There are many versions and different traditions of the story of the Magi and about their journey. And about their origin. Pictured on the cover is a drawing found in the 'Catalan Atlas,' a map of the world dated to the late 14th century. Pictured here are the three kings. The caption reads: “This province is called Tarshish, from which came the Three Wise Kings, and they came to Bethlehem in Judaea with their gifts and worshipped Jesus Christ, and they are entombed in the city of Cologne two days journey from Bruges.”
But where was the city (or the country) called Tarshish (Tarsis, Tharsis), whose king was already mentioned in Psalm 72?
No one, exactly, knows.

----

I recorded the guitar part in 2018, when bought a Guild (my Washburn had become mute ...), so the track has a lot of noise and imperfections. Then there were several attempts to organize the piece and arrange it. This could be the last one. It came rather long and slow. But long and slow was also that improbable (and hardly true) journey - perhaps one could imagine it by closing the eyes and listening to the music.

----

Composed by Michele Ansani (2018-2024).
Bansuri is courtesy of Aaroh; female vocals of Function Loops.
posted on SoundCloud: 2024, December 31

Traveling from Tarshish to Bethlehem * 🎧

The second track from my Echoes From The Wastelands EP!
And the first track to feature sounds from my new synth, the Arturia Microfreak!

Guitars used:
Gibson Les Paul Studio 
Yamaha Revstar 
Fender Precision Bass 

Novation Launchkey 49 MK3 midi keyboard 

Plugins used:
Tonex - Mesa Boogie Reference Signature Collection
Neural DSP Mesa Boogie MKiiC+ suite
Line 6 Helix Native
Arturia Analog Lab V
Spitfire Audio - BBC Symphony Orchestra 
Spitfire Audio - Labs Cassette Synth
Drums - EZ Drummer 3 - Dark Industrial 

Cover photo generated by A.I. 

Bandits

Come Home

Before the Storm

A song about the ultimate bond, one of unconditional love and complete surrender. 

Singing video: https://www.instagram.com/p/DKe2HPgoxd5/

Vocals (Composition, Arrangement & Performance): Elpiverse
Keyboards (Composition, Arrangement & Performance): @counterworlds-voltage
Mix, Mastering: Elpiverse (with valuable guidance from @counterworlds-voltage)
Production: @counterworlds-voltage, Elpiverse
Lyrics: Elpiverse
Cover Art: Elpiverse

Floating
Drifting
Soft 
And warm

Floating
Drifting
Soft 
And warm

Breathe

Dreaming of the light 
Sleeping by your side

Breathe

Breathe

Umbilical Love

Beginnings

Buy link: https://tinyurl.com/52u3d9j3

https://soundcloud.com/pippiciez
https://soundcloud.com/damirichi
https://soundcloud.com/iothelabel


> Follow Pippi Ciez 
https://instagram.com/PippiCiez

> Follow ASKAR
https://instagram.com/Askar_journey

> Follow I:O
https://instagram.com/IO_the_label

Electronic Groove promotes the latest music, artists, brands, and worldwide festivals.
Premiere Request: https://bit.ly/2P2PTYU

Visit us:
https://electronicgroove.com
https://facebook.com/electronicgroove
https://instagram.com/electronicgroove
https://tiktok.com/@electronicgroove
https://mixcloud.com/egpodcast/stream
https://open.spotify.com/user/egpodcast
https://soundcloud.com/egroove
https://soundcloud.com/egpodcast
https://soundcloud.com/egesp

Release info.

Premiere: ASKAR, Pippi Ciez - New Beginning - I/O

It's strange... but it always made me think of frogs... :-) real groove control  ;-)

Freaky Frog

Original track here: https://soundcloud.com/user-659662265/make-some-noise

Make Some More Noise

crunchy (instru)

Banda Sonora Original del cortometraje 'No veo otra forma' (Gorka Cazallas, 2024)

Samira

Stop n Think

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Ramiro Moreno, Sofiya Nzau - Baobá (Stefan Obermaier Remix) [Camel VIP Records]

Buy on Beatport
https://www.beatport.com/release/afro-hits/4964163

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Ramiro Moreno, Sofiya Nzau - Baobá (Stefan Obermaier Remix) [Camel VIP Records]

Hey everyone! Let’s dive into the production of my song, Reason.
We built this track on a foundation of smooth, mid tempo drums, nothing too aggressive, but just enough to keep the groove moving. The kick and snare are tight and punchy, while the hi-hats add a bit of swing to keep things dynamic. There are also some soft percussive layers in the background, giving it a touch of organic feel.
The bassline is one of my favorite parts, it’s deep and warm but never overpowering. We used a mix of a soft sub-bass and a slightly plucked synth bass, making sure it sits just right in the mix. It glues everything together while adding that necessary emotional depth.
The chords are a mix of gentle electric piano and some atmospheric pads, creating that lush, floating vibe. There’s also a light guitar melody weaving in and out, adding a bit of an organic touch to contrast the smooth synth textures.
For the vocals, we went for a really close, intimate sound. There’s a slight reverb and delay to give it space, but we kept the main vocal crisp and upfront. The harmonies are soft but powerful, creating a layered effect that builds emotion throughout the track.
You’ll hear little details like soft vocal chops in the background, light reverb tails that add depth, and some reversed synths swelling in and out. These small elements make the track feel alive and evolving.
Overall, Reason is about capturing that late night, introspective energy, smooth, soulful, and full of feeling. Hope you guys love it as much as I do!

Tasha - Reason

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four string fretless bass, Sigma acoustic guitar, PRS SE semi hollow body guitar, composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
J.J. Terrell-- @j-j-terrell—JJ-- organ
Mistermark-- @user-432503709 -- Mark – VST horns - trumpet, bone, & sax, latin drum ensemble, and editing production
TexMex Shaman– @texmex-shaman –Stephen– Production, mix, and mastering

This song began in the dead of winter on a cold night with Josh sitting in his studio with his acoustic guitar playing along to a looper beat. He loves Bossa Nova music and wanted to write a song in that style. Of course, he wrote it with the Eclectic Collective in mind.
Josh also came up with the bass line to the looper, but changed it once Ken weighed in with his perfectly suited drum kit. Ken also added the solid percussion keeping things tight. Then JJ got involved and laid down that wonderfully melodic organ part you hear in there. Josh, having not laid down a lead guitar part yet, used JJ melodic idea for the first verse, too, because it's so strong. Mark was last to the table, bringing several really stunning parts that added a lot of depth to the whole thing. He's responsible for the horn arrangements that joins in from JJ's organ around the middle, those funky percussion flourishes and fills, and then creating that percussion breakdown near the end, playing everything you hear in that break. 
This is an example of Josh exploring a less typical type of music, and it being picked up on and carried through expertly as a group unit. We all love bringing in different influences in the EC, and this fit the bill. We hope you enjoy listening to this song as much as we enjoyed creating it.

And here’s a short excerpt of the the rhythm section with all the percussion action more isolated:

https://on.soundcloud.com/z7WcB9VvfZWHgAUu8

Meet The New Bossa (The Eclectic Collective)

Time For A Revolution -with AnandaTuk

Here's a track featuring the sublime vocals of https://soundcloud.com/ipg1

You can find his original vocal here;

https://soundcloud.com/ipg1/play-on-vox-140-bpm


And his original track here;

https://soundcloud.com/ipg1/play-on


Artwork created with https://www.canva.com/

IPG1 x RiZLiX - Play On

Cast of Chracters:
Sean Smith /|||||| Orange Paperbacks -- @the-orange-paperbacks — acoustic guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-  four string fretted bass and organ
Llanpsych -- @llanpsych -- Tez – electric guitar
TexMex Shaman–@texmex-shaman –Stephen– electric guitar, mix, mastering, and production

This song began when Sean, who is a superb writer of catchy pop songs, was inspired by the classic surfer movie, The Endless Summer. He wrote it on his acoustic guitar with a mind to sharing it with Eclectic Collective. He first shared it with Ken, who promptly provided driving drums and invited the rest of us to play on it, too. Josh hopped on first, adding his bass and completing the rhythm section.
  About this time, Tez got involved, laying down the Ventures-esque melodic electric guitar you hear throughout. Right after Tez did his thing, Stephen came along soon after and completed the lead part with his fuzzy, adventurous guitar. 
  At this point, it still felt very stringy, so Josh decided to lay down the organ part you hear in there, too. Once it was cooked, we tapped Stephen to do his expert brand of production, mix, and mastering to get it ready to serve. 
  This is the second time Ken and Josh have collaborated with Sean, the first being almost two years ago on a song called Diamond Marigold. When Sean approached Ken with a second song, not only Ken was thrilled, but Josh and the rest of the gang were, too. Sean has a lot of great, catchy, accessible music on his page that is all worth putting in your ears.
  We hope you enjoy listening to this as much as we enjoyed creating it

Favorite Pair Of Sandals-Eclectic Collective/Orange Paperbacks

Climax

Piano Day is celebrated every year on the 88th day as a piano has 88 keys. So this year is not a leap year so it falls on March 29 (2025). Like almost all of my other solo piano songs, this is a sit down and make it up on the spot song. Improv. I wish I had the patience and the attention span to write a song over a 6 month period. I wouldn't even know where to start to be honest with you. But thank you for listening and have a happy Piano Day 2025!!

Piano Day March 29 2025 - Journey's End

ex display

Song composed by: awfullybriskious
Genre: Hard Trance
Release date: 27/03/2025

On the Rise!

thanks to Martin for the work done on this loop

https://soundcloud.com/mkandersson1982

https://soundcloud.com/mkandersson1982/marty-andersson-from-the-archives-story-time-with-marty-mcmuphin


Lyrics
A young man, making his way to South Town by Bicycle, was abruptly stopped in his tracks
by a wandering tortoise.
The Bicycle jerk forwarded his suddenly pushed on the brake, an open can of energy drink
was then flung from his free hand, spilling over the tortoise.
The tortoise became super charged and sped away, clocking 100 miles per hour.
Ostropper, what he just witnessed, the man fainted, falling sideways from his bicycle,
later awakening in his basement with tabs of LSD, littered



Un jeune homme, se dirigeant vers South Town à vélo, a été brusquement arrêté dans son élan.
par une tortue errante.
Le crétin du Vélo a présenté sa soudaine pression sur le frein, une canette ouverte de boisson énergisante
a ensuite été projeté de sa main libre, se répandant sur la tortue.
La tortue est devenue super chargée et s'est enfuie, atteignant 100 milles à l'heure.
Ostropper, ce dont il vient de voir, l'homme s'est évanoui, tombant de côté de son vélo,
se réveillant plus tard dans son sous-sol jonché des comprimés de LSD,

BREAKING NEWS.  🎧

CAN’T YOU SEE
Vocals: Melissa (Ghosthack) Can’t you see
Brandon (Ghosthack) I don’t wanna go
https://www.ghosthack.de
Lillithe: Arrangement and Production
Paploviante: Remastering


Can't you see

please use headphones to get optimized sound impression

Froggynation

When The Wind Blows

When https://soundcloud.com/dneye asked me for a track to play his fantastic guitars on, I brainstormed this 5/4 piece with odd chord set in order to make it difficult to him and thus get the best from his skills. After programming it, I added some organic solos (yep I played keys) to make it seem more friendly ;))))

And he... succeeded in the challenge, overcoming all my expectations !!!

Five by D'n'Eye: guitar1, guitar2, guitar3, guitar4, harp.
Five by E-Ruizzo: piano, bass, mellotron, organ, drums.

Hope you'll enjoy this our first post in the new year !!


High Five !! (with D'n'Eye)

Now is time for Reggae. Good mood time. Special important in these crazy days.

Open collab by @specialvocals 

Open collab song: https://soundcloud.com/specialvocals/vocals-special-cecilia-rebound-rebound-cant-keep-a-good-man-down-time-of-crisis

Lyrics & Vocals: Special Cecilia  
Music & Arrangement: OMCB

Cover Picture: Pixabay https://pixabay.com

LYRICS

Life is not always bed of roses
Have to go often through time of crisis

But can't keep a good Man Down
He is got heart and he is strong
Can't keep a good Man Down for long
He can rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & rebound

No turning back
Keep moving Ahead
No carrying regrets
Keep moving for best

Got to let go sometimes
Leave Illusions behind
Enjoy our Simple Realm
Still Following our Dreams

Can't keep a good Man Down for long
He is got heart and he is strong
Can't keep a good Man Down for long
He can rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & rebound

No turning back
Keep moving Ahead
No carrying regrets
Keep moving for best

Got to face Reality
Still have space of fantasy
Can still believe in Miracles
Better Thinks could Happen

Can't keep a good Man Down for long
He is got heart and he is strong
Can't keep a good Man Down for long
He can rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & rebound
Rebound & rebound & reborn

Can't keep a good Man Down
He is got heart and he is strong
Can't keep a good Man Down for long
He can rebound & rebound & rebound
Rebound & rebound & rebound & reborn

Climax

takechee