AN UNINHABITED METROPOLIS ... A POLICE SCANDAL ... TWO PEOPLE WHO SEARCH WITHOUT KNOWING WHO THEY ARE ... THE TENSION, THE FEAR SCANDED BY THE PASSING OF THE INEXORABLE TIME THAT WILL END THIS INTRIGUE.

TIME MACHINE

The Great Escape

Our family mascot in the cover photo is a pottery piece created by me and my wife.

Our Family Mascot

A big Thank You to eddyoffline (https://soundcloud.com/user-705706912) for providing this wonderful guitar 

The picture shows an extract of:
„An operation for stone in the head“ (1563) Oil painting by a follower of Jan Sanders van Hemessen (1500-1566). Source: Wellcome Library, London

Cut In Ego

1
1 had a vision
But it was only a hallucination.
1 had a vision
But that was only a fantasy.
1 had a vision
But it was only a figment.
1 had a vision
But that was only a pipe dream.

ref 1
Its end shall be dramatically
But until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

Take the reject and
Try to reflect that
Cut in ego

2
1 had this vision
But it was only a big misconception.
Thought to be on a mission
But that was only an aberration.
How 1 was wishing
that it had another destination.

ref 2
Its end designed dramatically
But until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

Take the reject and
Try to reflect that
Cut in ego
Cut in ego

3
1 had a vision
But that only turned into a nightmare.
There seemed this mission
But now there is no time left to spare.

ref 3
Its end will be dramatically
And until then
1 can try to stand,
Gain solid foothold again 
And that eventually
Until the end

The end just fatally
And until then
1 can try to understand,
Regain solid mindset again,
Adapt the stand
Until the end

Take the reject and
Try to reflect that
Reflect the act and
Accept the fact, a

Cut in ego
(A cut in ego, at the right time, now…)

Cut In Ego (wt eddyoffline)

Unbreakable

The great Elvin Jones use to drive music with his cymbals and power behind John Coltrane and McCoy Tyler.   Joining me here again on a 12/8 modal groove to celebrate the sound of Trane is Cologne's Georg Boehme, a superb Bari Sax and woodwind player.   https://soundcloud.com/georg-boehme. Together we remember these great moments from the 60s

Here's a playlist of our recordings together:  https://soundcloud.com/jamie-rhind/sets/grooving-with-georg-boehme

Thanks as always for your generous time listening, for your comments and for your shares

Step Out - Georg Boehme / Jamie Rhind

This track was made on an ipad with the korg gadget 3 app in a night.
I could do some remixing but the point is to rather create a new track instead :)

A big thank you to the talented Wikiloops Musicians

https://www.wikiloops.com/backingtrack-jam-290184

As of 6.6.2024 you can now a reel & decent cover
https://www.instagram.com/p/C72YcLEO2B2
https://www.youtube.com/watch?v=i6WlY8MygMk






Presenting - Till I Get Over You

Vocals - Heidi-Marie - first take
Original Lyrics as I sung

Choose another road
Walk another path

Time to clear the mind
Time  to the cleanse the soul

So let me take another road

Does it really matter
Which way I go

Not sure what I'll


Till I get over you

Produced in the ARAPA Music Studio,
Sydney - Australia

Till I Get Over You

"Paperback Writer" by Lennon & McCartney performed by James Nesser.

Epiphone Casino
Epiphone Viola Bass
Addictive Drums 2 - Black Oyster

"Paperback Writer"

Cast of Characters:
The Mysterious Decibel-- @themysteriousdecibel –MD-- vocals and lyrics in the choruses
TexMex Shaman–@texmex-shaman –Stephen– guitar, production, and mix
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocalized tones at the end, verse lyrics and melody, composition
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, vocals on the verses

This is a song that originated with Ken several months ago. He wrote the whole thing on piano, guitar, and drums and presented it to the rest of the band. Of course, everyone was very excited to add their spin to it. Josh added his bass part first, as the foundation. Then JJ added his dynamic piano part, which ended up being both foundational and stylistic. Stephen added his solid foundational guitar to it, too, soon after. Then it sat, stalled out for need of some vocals. Of course, we asked TMD to add some, which he did in grand fashion. All that was left were the verses. Ken wrote lyrics, and gave Josh an idea for the melody, so he sang the verses to wrap it up. Of course, we asked Stephen to produce and mix it for us, which he did so well, as always.

  We hope you enjoy listening to this song as much as we enjoyed making it.

Unbreakable

takechee