• RAUS IN DIE NATUR MIT LSD UND MEINER WINCHESTER •

Fall 2024

A     221

Related tracks: The Sound Of My Heart Beat

Brainwave Technology

Seahnak - Vaal

Khidja continue to develop their tripped out vision with their first full EP for Hivern since 2019's 'Impossible Holiday'. In 'Something In The Water' the Romanian duo presents three new tracks that drift between genres and moods through open minded studio experimentation. “The Future Has Disappeared” and “Back To Vid” rely on contrasting sound palettes and a smart use of the stereo field to build up tension while 'Science of Ghosts' is an expansive number of galactic electro-funk. The 12” features a stripped out mystical remix by Azu Tiwaline while the digital release includes two extra oddball dancefloor cuts.

Artwork by cm-dp.

pre-order 
https://khidja.bandcamp.com/album/something-in-the-water

B1. Khidja - Science Of Ghosts

Train Spotter

Phantom Paradise

A Dreems edit of Jon Hassell. Free DL for the peoples. 

for the wav hit this link :

https://www.dropbox.com/s/5fad2ne9qra343l/Chemistry%20-%20Re%20Dreamt%20by%20Dreems%20%5BPRECISE%20MASTER%5D.wav?dl=0


Jon Hassell - Chemistry (Re Dreamt By Dreems)

An experimental soundtrack, combining dark ambience and noise with amped up synth bass and downtempo beats.
Sometimes words just get in the way 🖤 

Available for download here 💿
https://scratchkelly.bandcamp.com/track/lost-in-translation

Watch the video:
https://www.youtube.com/watch?v=HGOb4uzAv90

Speaking In Dreams

Lost In Translation

Download

une nouvelle version de ce trip hop que j'avais composé en 2022
 PAROLES
Tu restes
 Comme une parole interrompue
 
 A des années lumières
 Comme un cœur en hiver

A des années lumières
 Rien n’efface ton ombre
 Dans l’oubli rien n’est sombre
 Du joli nom d’amante
Ni le thé à la menthe
 Ni les lèvres mi-closes
 Ni le vase ni la rose
Ni la beauté du chant
 Ni le désenchantement

C’est comme si c’était hier
 Hier
 A des années-lumière

A des années-lumière
 Comme un oiseau qui chante
 Le cœur dans la tourmente
 Et moi qui m’impatiente
 Comme si c’était hier
 Hier

A des années-lumière
 D’étoiles la poussière
 Dans les grands yeux gris-verts
 Des enfants de la terre

Et nos mains sur la table
 Jouent au marchand de sable

 Tu restes
 Comme une parole interrompue
Comme les voix qui se sont tues

Dans l’oubli rien ne sombre
 Dans les années-lumière
Rien n’efface ton ombre
 Pour un cœur en hiver
 C’est comme si c’était…
 Hier
_______________________________________________________________
You stay
 Like an interrupted word

 Light years away
 Like an heart in winter

Light years away
 Nothing erases your shadow
 In oblivion nothing is dark
 The pretty name of a lover
Nor mint tea
 Nor half-closed lips
 Neither the vase nor the rose
Nor the beauty of singing
 Nor disenchantment

It's like it was yesterday
 Yesterday
 Light years away

Light years away
 Like a singing bird
 The heart in turmoil
 And I who get impatient
 As if it were yesterday
 Yesterday

Light years away
 From stars to dust
 In the big gray-green eyes
 Children of the Earth

And our hands on the table
 Play Sandman

 You stay
 Like an interrupted word
Like the voices that fell silent

In oblivion nothing sinks
 In the light years
Nothing erases your shadow
 For a heart in winter
 It's like it's...
 Yesterday

À Des Années - Lumière

Ah, the people we meet, and cross paths with, in this life…. So many experiences. How do we respond, especially if life clashes with these chance meetings? And what becomes of it? Once when looking for a place to rent, (25 years ago) I stopped to talk with an old man sitting on a bench. He had so much to say. My partner slowly became furious with me for taking the time to talk with him. We don’t have to wonder how that relationship went. In other words, this song is not about her…. Hee-hee. Or the old man for that matter. However, there are moments when paths cross, sometimes coming from very different trajectories and all of a sudden something wonderful happens in that moment. Gather, you might have experienced that too. This song is about a brief encounter with a kindred spirit, where our life trajectories did not change: A moment in passing. The song also contains some socially relevant thoughts/ lyrics about the world and my experience of it. Thoughts are thoughts though, and I find the more flexibly malleable I am with them, especially when it comes to the relative truths they may, or may not contain, the freer I am. Seems the more I attach to thoughts and refuse to change, the worse off it seems to get… But that’s just me. Hope you enjoy the song, Mark

Lammbone's Album

Moment In Passing

/больно махать с пирона вслед/
drawn people wave to us
from the compartments - carriages

it's time for them

they draw promises - to come back..
and that they already miss you
that they are so sorry..

and on the glass of the heart
they write..
with paper with tears in their eyes

and then erase..

cold or sadness on their faces?

and it seems that they are yearning and suffering
but the train has started moving
and they forget..

drawn people wave to us
from the compartments - carriages

where?
where -
they will go now
so that our love does not burn out..

it doesn't matter to them -
where to draw feelings..
and then erase everything..
erase..

and forget...



нам машут нарисованные люди 
из купе - вагонов

им ехать надо

они рисуют обещания - вернуться ..
и что уже скучают
что им так жаль..

и на стекле сердцА 
выводят ..
с бумажными слезами на глазах

а потом стирают ..

на лицах их простуда или грусть

и будто бы тоскуют и страдают
но поезд тронулся
и забывают..

нам машут нарисованные люди
из купе - вагонов

куда 
куда
они теперь поедут
чтобы любовью нашей не сгореть

не важно

им - где чувства рисовать ..
и всё стирать
стирать

и забывать ...

trains.

Cast of Characters:

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Mysterious Decibel-- @themysteriousdecibel  --MD—effected vocals
J.J. Terrell-- @j-j-terrell—JJ-- organ, trippy synth
Llanpsych-- @llanpsych -- Tez – electric guitar
TexMex Shaman– @texmex-shaman –Stephen– electric guitar, production, mix, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and seed idea 
Composition – The Eclectic Collective

This song began about half a year ago, as part of a three song set that Ken started with some really cool beats. Josh was first to the trough for here, laying in his fretless bass groove to complete the foundation and give it some tonal direction. Stephen came next and laid in the really trippy textural guitar that you hear throughout. JJ was next with his serious, no joke organ playing, which sets the mood for the whole thing. Last, but not least, Tez joined by adding some really cool accent guitar throughout.
  Of course, every great song needs a great producer, so we tapped Stephen to do the honors on this.
  We had originally made this and the other two song with the intention of having The Mysterious Decibel and his friend Modes About Me sing on them. However, life got in the way, so we sat on them. Finally, MD let us know that he wasn't able to complete the project with us, much to everyone's, including his, disappointment. However, MD did lay down a rough vocal demo for us, which Stephen very ably processed to sound almost like another instrument in there. So, we're releasing this song as a tribute to them both, with gratitude, especially to MD for all the great work he's put in with us. If you're not familiar with either of them, do yourself a favor and check them out. Modes about me is at  @modesaboutme and the link to The Mysterious Decibel can be found in the link in the cast of characters above. 
  This is an example of what it sounds like when the whole band composes a song together. We hope you enjoy listening to this as much as we enjoyed making it.

Mysterious Modes (Eclectic Collective)

Arene is bit of a personal change up exploring an older love of mine of Chillstep combined with a simple elegant touch of some symphonic elements.

Arene

℗ © Copyright 2024 Ian Stokes. All Rights Reserved
Recorded, mixed and mastered in Logic.
Guitar played: Taylor 714CE in standard tuning
Photography: 
Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES AND LYRICS: 
It's nice to be recording again with a view to completing my 5th Solo album over the next few months. I decided to go with just guitar and vocals for this song, which I think best reflects the lyrics. For those interested in how I record my acoustic guitar, I have used a slightly different technique for this song, using a blend of stereo small diaphragm microphones, together with Direct Input from my Taylor electro-acoustic guitar, played through a mixer into my audio interface. Hope you like it.

LYRICS:
I watch the dawn approaching 
The earth beneath my feet 
Spins in all it’s silence 
To the sound ….. of my heart beat

And over the horizon
These colours fill the skies 
I breathe in this morning air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

I watch the dusk approaching
The earth beneath my feet 
Spins into the moonlight 
To the sound ….of my heart beat

And I gaze up in wonder 
Beyond these starlit skies 
I breathe in this cool night air
Thankful for my eyes 

For I am but a fellow traveller
As we circle round the sun
For all this life we ever know 
We travel all as one

The Sound of My Heart Beat

The Sound Of My Heart Beat

Come Again

*Listen w Headphones

Check him out!
https://soundcloud.com/frawstakwa

Samples used

(Guitars) Ida Presti - Andaluza
Ella Fitzgerald - Misty
Doctor Mix (youtube) - Charlie's Angels

Remixed by LS/2024.

It's cool Ma (you are at peace now) feat Frawstakwa

Worst Case Scenario

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and foundational rhythm guitar
Llanpsych– @llanpsych –Tez–electric guitar, composition, mix, and production
TexMex Shaman– @texmex-shaman –Stephen– acoustic guitar
J.J. Terrell– @j-j-terrell – organ and electric piano
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass 
Mistermark --  @user-432503709 — Mark — production engineering


This song began its life all the way over in on the other side of the pond, where our frequent collaborator, Artur wrote it on his electric guitar. Being a fan of surf music, he composed this awesome piece with The Eclectic Collective in mind. He shared it with the group through Tez, who was first to respond to Artur's guitar with his own, creating a psychedelic base of sound for the rest of us to add to. 
  Ken was up next, laying down his always exciting drums and percussion. Josh, of course, followed straight behind him, now that he had a beat to play to. JJ came soon after, laying in his ethereal organ and dancing electric piano. Last, but not least, Stephen laid in a really trippy acoustic arpeggio based acoustic guitar part to kick it to the next level.
  Of course, every great song needs a great producer. But before we even started the song beyond what Artur and Tez laid down at the beginning, Mark deftly separated Artur's basic beat from the music. Amazing what technology can do these days! For rest of the production, we tapped the very talented Tez to do the honors, which he did perfectly.
  This song marks about half a dozen we've done with Artur. We're all big fans of his unique surf rock sound, and jump at the chance to collaborate with him. If you like what we've done here, you should check out his page, as it's loaded with gems in the same strain. We hope you enjoy listening to this as much as we enjoyed creating it.

Flow of Life (Eclectic Collective)

Youtube: https://www.youtube.com/watch?v=WCkRmKD_InE
Smart Link: https://cygnusmusic.link/vxoxlbv

Asdeep69 - Spirale

Spirale

Cogito Vestrum is an epic and profound work by DestKorn that takes the listener on a journey of inner reflection and connection.
The title, Latin for "I think of you," conveys a powerful intimacy and contemplation of the unspoken. With a blend of epic sounds and atmospheric arrangements that create a majestic yet vulnerable mood, the track unfolds as a musical meditation. The emotional depth of the piece is carried by the masterful instrumentation, offering a moving and almost cinematic experience. Cogito Vestrum invites the listener to dive into the depths of their own thoughts and experience a connection beyond words.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Cogito Vestrum

Artist: oxymosoon
Title: Come Inside
Label: EYEAR Records
Cat: EE001
Genre: Electronic, Bass, Downtempo, Techno, Dubstep, IDM, Breakbeat
Release Date: November 22th
Buy Link: https://oxymosoon.bandcamp.com/album/narcissism

SoundCloud:
@eyearecords // @oxymosoon

Curator:
Letícia Magalhães

Follow Us:
soundcloud.com/connectch
facebook.com/connectch
youtube.com/connectch
instagram.com/con_nectch

Buy at Bandcamp

PREMIERE: oxymosoon - Come Inside [EYEAR Records]

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

Worst Case Scenario

takechee