Beautiful tune ❤️ Congrats Talla&Clara

Bester Moment mit dieser nicht üblichen Melodieführung. Genial 😊💪

Marvelous!!! Brillance voice !! Fantastic atmosphere...excellent piano part ............❤

get it here: https://bit.ly/talla_Clara_btl

That’s Trance is slowly becoming one of the strongest trance imprints with series of successful releases on download portals and support by the A-List trance DJ in their online DJ streams like ASOT. The latest one is the collaboration between the master of trance and electronic music pioneer Talla 2XLC and the beloved singer Clara Yates who had previously collaborated with Giuseppe Ottaviani, Ashley Walbridge, Sun Decade and many more. Back to Life combines the fat bouncy body shaking tough basslines, euphoric colorful synthy stabs and hair-raising strings with the melancholic tones of Clara’s delivery of the so inspiring vocals that we all need to have in our minds and carry on our lives. That’s Vocal Trance for sure to light up the dark times!

buy here

Talla 2XLC & Clara Yates - Back To Life (original Mix)

Talla 2XLC is one of the first pioneers of electronic music and in his career as a DJ, producer and eventmanager with over four decades of experience he has released numerous albums singles and remixes under several aliases.

He played in clubs and at festivals worldwide, being known for his high-energy DJ sets and his ability to get crowds moving on the dance floor.

His style is characterized by driving beats, melodic synths and uplifting melodies, but he has reinvented himself many times and plays masterfully in different electronic music genres like Techno, Trance and Progressive.

In addition Talla 2XLC is also the founder of the Technoclub, the most popular electronic music event in Germany. Therefore he brought many international artists to Germany, consistently pushing the global dance scene and bringing excitement to the electronic community.

Comments

Juergen Schuetz

Alexandra

Annaagk Piotrovski

moreno

Marcel Gei

GeorD

RenatA

Juergen Schuetz

Mariusz. S .