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Miami Horror - Real Slow 
Out NOW 2013
iTunes: http://www.smarturl.it/RealSlow

The Making Of Album #2 (Pt 1): www.youtube.com/watch?v=WXZt_zAaPKE

Vocals by Sarah Chernoff and Aaron Shanahan
Cover Design by Rohan Newman
Produced by Miami Horror
Mixed by Cassian Stewart- Kasimba & Benjamin Plant
Mastered by Cassian Stewart-Kasimba






"Real Slow" Tour Dates:

LIVE 20-Sep-2013 Jose Cuervo Salon, Mexico City, MEX
LIVE 21-Sep-2013 Neon Fest, Guadalajara, MEX
DJ 28-Sep-2013 Boatylicious, Long Beach, CA
LIVE 29-Sep-2013 Folsom Street, San Francisco, CA
LIVE 2-Oct-2013 Le Poisson Rouge, New York, NY
LIVE 3-Oct-2013 Three Points Festival Launch@ Bardot, Miami, FL
LIVE 4-Oct-2013 Le Belmont, Montreal, QC
LIVE 5-Oct-2013 Wrong Bar, Toronto, ON
DJ 10-Oct-2013 Culture Collide- The Echo, Los Angeles, CA
LIVE 11-Oct-2013 Culture Collide- The Echoplex, Los Angeles, CA
LIVE 13-Oct-2013 Bodega La Mision, Mendoza, Argentina
LIVE 14-Oct-2013 The Park, Buenos Aires, Argentina
LIVE 17-Oct-2013 Chimkowe, Santiago, Chile
LIVE 19-Oct-2013 Teatro Metropol, Bogota, Colombia

www.miamihorror.com
www.facebook.com/miamihorror
ww.twitter.com/miami_horror

Buy on iTunes

Miami Horror - "Real Slow" (ft. Sarah Chernoff) - (Radio Edit)

Timber

Buy "Timber"

Artist: All The Colours
Song: "Shame (That's Nice Remix)"

Hypem <3: http://bit.ly/1AyAHKR 

Buy iTunes : http://apple.co/1LJ5vJw

All The Colours: 
- Facebook: https://www.facebook.com/Allthecolours
- Soundcloud: https://soundcloud.com/allthecolours

That's Nice :
- Facebook : https://www.facebook.com/thatsniceofficial

Lyrics:
Shame when the art is gone
won't buy a ticket to your next show
slave with your feathers on
is it worth it when the moneys gone?

I wont do it, I wont do it, I wont do it, too much to think about
I wont do it, I wont do it, I wont do it, too much to think about

tattoo your eyes to know you've lost again, you lost again
tattoo your eyes to know you've lost again, you lost again

slave not a chosen one
you fell in love with the golden sum
take like a cheap victim
I bet you deserve a bullet of cum

FREE DL

All The Colours - Shame (That's Nice Remix)

Save it on Spotify ❤︎

Skogsrå — Now You See Me

This is my first release of 2014!
As a celebration of being cancer-free for 1 year now! 
Thanks for all your support, in both dark times and sunny days. I hope this track will take you back to the wonders of summer, and bring warmth to your hearts! <3

T

Tobtok - Savanna

Heavens Above Part 2 - DomoBeats

Sounds from Sunday afternoon

Miguel Migs delivers this tasty little deep and dubby summertime treat for the dance floor with 3 versions to choose from including a lovely piano driven interpretation. 

The original chopped up vocal hook fades and filters in and out creating a hypnotic atmosphere hovering over dynamic layered drum textures while packing plenty of big bassline impact with warm melodic synth elements to smooth things out. 

...hope you enjoy!

www.miguelmigs.com

Miguel Migs - I Can Feel It (Piano Love Mix) PREVIEW

Breakbot - Lazy Sunday Selecta

This remix was part of the 2004 Japan only Soul Source Remixed Boogies CD (http://www.discogs.com/Various-Soul-Source-Remixed-Boogies/release/854086) It is a shorter and much stripped down version that features a lot of unheard original vocals from Sylvester's backing vocalists Martha Wash & Izora Armstead AKA Two Tons Of Fun. The longer, fuller, Maxi Disco Blend version came out initially as a Japanese Red promo 12", then on a "Faux" Fantasy Promo 12" and was finally made more widely available on my In The House Of Love compilation with Defected in 2006

Sylvester-I need you Dimitri From Paris Sunday Morning (extract)

03-Johnny Mathis &amp; Deniece Williams Too Much Too Little Too Late

Sylvester - I Need You (Tam Tam tribute to Dimitri from Paris Maxi Disco Blend)

Meth Lab Zoso Sticker

Bonnie pointer - heaven must have sent you (mAshjAn remix)

Rare Earth - Happy Song Or Dance (François Kevorkian Remix)

Bonnie Pointer - Heaven Must Have Sent You (Benny Edit)

Disclosure - Latch Ft Sam Smith (T.Williams Club Edit)

FKJ - Lying Together

Timmy Regisford KISS Club Mix

4th Single off 'Based On A T.R.U. Story' Produced By DJ Mustard
Purchase "I'm Different" Now On iTunes: http://smarturl.it/imdifferent 
Purchase 'Based On A T.R.U. Story' Deluxe On iTunes: http://smarturl.it/btsdlxit

2 Chainz "I'm Different"

Out now on Excellent! Buy it on Beatport...

Black Van - Inside (Oliver Remix)

&#13;
Greetings good people...&#13;
&#13;
I wanted to share with you this little bootleg I did as a stocking stuffer! I actually created this bootleg remix the day Michael Jackson passed away as a tribute to all the amazing music he shared with the world. Every time I play it out people ask me about it so i wanted to simply give it away to anyone who wants it. &#13;
&#13;

&#13;
Thanks and happy holidays to everyone. &#13;
Much love!&#13;
Migs

MJ - Rock With You - Miguel Migs Tribute Bootleg

BILLIE - FEVER (DJ.DOUBLE.O RE-FIX)

Donald Byrd and 125th Street NYC-Love has come around (My edit)

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


JEAN CARN - WAS THAT ALL [SNIPPIT]

This is my remix for Lykke Li "I Follow Rivers"

Enjoy !
The Magician

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© 2011 The Magician

Lykke Li "I Follow Rivers" (The Magician Remix)

Flowriders - Soul searchin

02 All Over Your Face (Jm After-Session M&m Mix)

Original By I Blame Coco. Remix by Shook. Free downloads for you all. 
Please follow me on: www.facebook.com/shookshookshook


I Blame Coco - Quicker (Shook Remix)

NYC PEECH BOYS - life is something special (WMD!! Two Hearts Love Theme Re-Touch)
special thx to The Candle Family (Chris Brann & Katja Gowin)

*****************************************************************
WE MEAN DISCO!! AND SPREAD THE MESSAGE:
http://www.facebook.com/wemeandisco
http://www.mixcloud.com/midnitetraffic77/
http://www.youtube.com/user/WeMeanDisco

CONTACT: wemeandisco@yahoo.com



stay tuned for upcoming WE MEAN DISCO!! Re-Edits, DJ-Mixes & more

. 

NYC PEECH BOYS - life is something special (WE MEAN DISCO!! Two Hearts Love Theme Re-Touch)

For bookings and remixes contact paul@theunityagency.co.uk

Here's a re-jig of an old Sylvester Edit I did a while back.

Enjoy :)

I Need You (Fingerman's Disco Dub)

REMIX / PRESS ENQUIRIES: mail@thereflexmusic.com
JOIN THE REVISION CLUB - Access to all HQ downloads, freebies and exclusives. http://eepurl.com/Hd8J1 The Reflex Revision is a remix entirely done from the original multitracks or stems, no sound or instrument added unless specified.

Sylvester - I Need You (Tam Tam tribute to Dimitri from Paris Maxi Disco Blend)

TamTamNetwork