I play in that Frenzal Rhomb band your Dad used to hate. I used to be that guy on triple j. And now I get to ask awkward and awesome questions to people and put the results up here!

me gusta  el rock y la musica electronica 

Sometimes people inconvenience my day by inspiring me with things they say and do.  It is on those days that I then have to sit down and reflect on whatever the hell it was that they said or did that made me sit down and reflect.  The only way that I know how to do that is by playing music, so that is what I do.  I hope that anyone is courteous or curious enough to listen appreciates it on some level.  And if I'm lucky, I may inconvenience your day too.  


OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

'Shadows and Shinings' OUT NOW! www.drapht.com

Music taste is like a spread of different cheese, enjoy

Bad//Dreems were born during an Adelaide heatwave in the summer of 2012. Ben Marwe, Alex Cameron, James Bartold & Miles Wilson began playing together in a whitegoods warehouse on the banks of the River Torrens, a drop punt away from the West End Brewery. 

Their first release, the Badlands EP led to attention from TripleJ & US college radio. The debut LP Dogs At Bay (2015) & follow up Gutful (2017), both produced by Mark Opitz, cemented their place as one of the most exciting Australian guitar bands of recent times. They’ve toured extensively both in AUS and abroad, appearing at Splendour in the Grass, Falls & Laneway festivals & supporting acts such as Midnight Oil, At The Drive In, The Avalanches, Wolf Alice, Scientists & Cold Chisel. 
2019 saw the addition of long time live member engineer Ali Wells to the band. 

Their 3rd album, ‘Doomsday Ballet’ is due for release October 18 2019, which was recorded in Adelaide with production from Burke Reid & Jack Ladder.

https://www.facebook.com/badbaddreems | http://baddreems.com/

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