We dropped our skulls to the floor
Just to stop you from talking
It’s been days since the low
Such a fever should dull
At the foot of it all
This test should end here
But then we see the back of it’s neck
Something in the way that it steps
Oh it moves us
Like fire 
Like fire 
Like a fire
It’s been
Days and days and days and days and days and days and days and days
Since we last left
Maybe we should go on from this one
Maybe we should not
But it still
Gives the same answers
Oh it moves me
Oh it moves me
Oh you move me
Like fire
Like a fire
Like a fire
Oh you move me
Like a fire
Like a fire
Like a fire

Faces

Darkness

"In a Bar" from Tango with Lions' debut album "Verba Time", released by InnerEar Records on June 21st 2010

In a Bar

"The Woods Are Gone" is the second single from 'Monochromatic Memories', the new album by Solander!

www.solander.se
www.facebook.com/solandersweden
www.tenderversion.com

Pre-order album!

Solander - The Woods Are Gone

Agnes Obel, Anne Müller, Mika Posen
Live at Polish Radio Trojka-CABLE 13-10-2013
www.polskieradio.pl/9/200/Artykul/946184

Agnes Obel - 09 - Run Cried The Crawling (Live At Polish Radio)

Opening track from the debut album 'White Water'

Playing live throughout 2015 - www.theslowshow.co.uk/tour-dates/

ALBUM RECORDSTORE po.st/OAibfn
ITUNES ALBUM UK po.st/5JCzr9
AMAZON ALBUM UK po.st/Ynt2YP
SPOTIFY ALBUM po.st/8UhlQ1

www.youtube.com/watch?v=wdlLaUEHmNg

www.theslowshow.co.uk

www.faceboook.com/theslowshow

www.twitter.com/theslowshow

Dresden

Phosphorescent "Los Angeles" (Live) off 'Live At The Music Hall' 3XLP live album out 2/17/15, Pre-order: http://smarturl.it/phoslive_scd?iQid=sc.la

Amazon: http://smarturl.it/phoslive_amazon?iQid=sc.la
iTunes: http://smarturl.it/phoslive_itunes?iQid=sc.la
Indies: http://smarturl.it/phos_indies?iQid=sc.la

Phosphorescent Online:
Site: http://phosphorescentmusic.com/
Twitter: https://twitter.com/Phosphorescent
Instagram: http://instagram.com/phosphorescentmusic
Facebook: https://www.facebook.com/Phosphorescentmusic


At the end of December 2013, Christmas looming and the New Year just around the corner, Phosphorescent played a four-night stand at the Music Hall Of Williamsburg in Brooklyn; and for four-nights running, blew the roof off the place.  Matthew Houck, fronting his seven-piece band, plus an auxiliary string trio deployed throughout the set, played for more than 10 hours, all recorded and eventually edited down to the 19 tracks that appear on the new three-album set, Phosphorescent Live At The Music Hall, out 2/17 on Dead Oceans.

Inspired by live albums such as Bob Dylan’s Hard Rain, Houck envisioned an album that, rather than play like a greatest hits collection, would present songs from throughout his catalog in new ways, representative of how the songs have grown and transformed over the years in the live setting. Phosphorescent were coming to the end of almost a year of hard touring behind 2013’s Muchacho before the four Brooklyn Music Hall shows, (one of which was a solo performance by Houck), and the ability of Houck’s songs to morph and expand is showcased here through these revelatory performances. 

Live At the Music Hall spans nearly 10 years and four Phosphorescent albums total, including 2005’s Aw Come Aw Wry, 2007’s Dead Oceans debut Pride, breakout 2010 album Here’s To Taking It Easy, and ultimately, 2013’s transformative Muchacho. The Phosphorescent live line-up here features Ricky Ray Jackson on guitar and pedal steel, pianist Scott Stapleton, drummer Christopher Marine, bassist Rustine Bragaw, percussionist David Torch and organ / keyboards player Jo Schornikow.

“Playing those four shows, it was clear something special was going on,” says Houck. “After eight months of touring, we’d gotten to a really good point where we weren’t quite exhausted yet with the material, but we’d had enough time to really grow with the songs. So we were in that sweet spot where we were pulling something great out of the songs every night.” Without a doubt, Live At The Music Hall is an inspiring document of a band at the peak of their powers.

LIVE AT THE MUSIC HALL TRACKLISTING
1. Sun Arise! (An Invocation, An Introduction)
2. A New Anhedonia
3. Terror In The Canyons (The Wounded Master)
4. The Quotidian Beasts
5. Tell Me Baby (Have You Had Enough)
6. Nothing Was Stolen (Love Me Foolishly)
7. Dead Heart
8. Down To Go
9. Song For Zula
10. Ride On / Right ON
11. A Picture of Our Torn Up Praise (Solo)
12. Muchacho’s Tune (Solo)
13. Wolves (Solo)
14. Joe Tex, These Taming Blues
15. Los Angeles
16. A Picture Of Our Torn Up Praise
17. South (Of America)
18. Wolves 
19. At Death, A Proclamation

Live at the Music Hall

Los Angeles

Pre-order on iTunes

Phosphorescent - "Los Angeles" (Live)

Release Date : 23rd February 2015

Grasscut, the duo of Andrew Phillips and Marcus O’Dair, return in February with a new single, Curlews/September Night’s Sky – the first single from the band’s forthcoming third album, Everyone Was A Bird, to be released by Lo Recordings in May 2015. 

Whilst first performed in collaboration with the Kronos Quartet to over 4,000 people in a warehouse in Poland, Curlews origins lie much closer to home. It’s meditative piano intro, soaring strings and sense of open skies and distant horizons inspired by the British coastline. “I’d started it on the train from Birmingham to Wales,” say Phillips, “and as I reworked it later for the album the music, especially the piano and string rhythms, kept pulling me back back to the Mawddach Estuary. I kept stripping layers and layers away, till eventually the melody, mood, and words were exposed – like they'd always been there.”

“The poet Harriet Tarlo cautions against the lazy use of ornithological metaphors for human emotion, but watching the curlews on the estuary, I really thought: this is me, digging around in the mud till I find it. I hope that's not lazy.”

That sense of place and belonging resonates throughout much of Grasscut’s work, and the forthcoming album features liner notes from the renowned landscape writer Robert Macfarlane. 

Alongside Curlews comes September's Night Sky, a story of a spring equinox in the Southern Hemisphere. Scored by fragmented keyboards, guitars and sweeping strings it brings to mind the sense of both majesty and fragility that a starry night can inspire.

http://www.grasscutmusic.com
http://www.lorecordings.com  


www.grasscutmusic.com

www.facebook.com/GrasscutMusic
www.twitter.com/GrasscutMusic
www.youtube.com/GrasscutMusic

iTunes

Curlews

The original version of this song, folk with soundtrack vibes.  I hope you like it!

Forever Lost

First track off Flunk album 'Chemistry and Math', to be released September 29, 2017.
Pre-order/pledge on Kickstarter:
https://www.kickstarter.com/projects/226334113/flunk-chemistry-and-math-new-album-on-cd-and-vinyl