𝗔𝗟𝗟 𝗠𝗜𝗫𝗘𝗦 𝗢𝗡 𝗠𝗘!!

16.10 Sets

Techno

At Unsound 2021, Shackleton and Wacław Zimpel will present a new work entitled ‘The Spirit Still Remains’, an Unsound-commissioned performance involving alto clarinet, electronics and voice. Broadly understood as ritual and devotional music, the work will explore transcendence, love and death.
As part of the Unsound podcast series, Shackleton and Zimpel were asked to make a mix that would somehow connect to this project, to perhaps reveal some of its inspirations and reference points.
Shackleton and Zimpel say: “Over the course of the past couple of years, we have often recorded or rehearsed together. Generally at the end of the day, we might get a couple of beers in and listen to other people's music. Some of it is stuff we both know and like, some of it music that one of us thought the other might like. When we were asked to do the mix, we thought it might be good to select music that we had listened to together. Then we decided to expand the scope a bit to fit more of a common theme. Broadly speaking, the mix is intended to be ritual, sacred or meditative music in various forms, something we are trying to achieve with our project. We hope you enjoy it.”

Tracklist:
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku -  Music of Auspicious Clouds (part 1)
Johnny Cash Reads The New Testament - Mark Chapter One
Brast Burn - Debon - Debon Part 1
Six Organs Of Admittance - Nightly Trembling - Redefinition Of Being
Ormatan Tarawangsa - Panimbang - Limbangan
Catherine Christer Hennix - The Deontic Miracle - Selections from 100 Models of Hegikan Roku - Music of Auspicious Clouds (part 2)
Sequentia (Barbara Thornton & Laurie Monahan) - Hildegard Von Bingen - Canticles of Ecstasy - O Vis Aeternitatis
Johnny Cash Reads The  New Testament - Mark Chapter Two
Sleep - Holy Mountain - Holy Mountain
Johnny Cash Reads The  New Testament - Mark Chapter Two
Shun-Nohden Satto - Anthologie de la musique traditionnelle japonaise (Mono Version) Entenraku -  Nokorigaku Sanben (Hyojo)
Terry Riley - Songs For The Ten Voices Of The Two Prophets - Chorale Of The Blessed Day
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 1)
Ustad Bismillah Khan - The Shehnai Legend: Bismillah Khan & His Ensemble - Raga Bhimpalasi, Aochar, Gat In Slow Ek Taal, Gat In Fast Teen Taal
Technical Space Composer`s Crew (Holger Czukay & Rolf Dammers)	 - Canaxis 5 - Boat Woman Song (part 2)
Alemu Aga - Éthiopiques 11, The Harp Of King David - Man Yemèramèr 
Alice Coltrane - Universal Consciousness - Oh Allah
L. Shankar, Zakir Hussain, Vikku Vinayakram - Ragam Abheri
Johnny Cash Reads The  New Testament - Mark Chapter Two
Robbie Basho - Art Of The Acoustic Steel String Guitar 6 & 12 - Pasha II

Unsound Podcast 71: Shackleton & Zimpel

Hailing from France, via Berlin and now currently based in Brussels, he crafted his sonic aesthetic as a vinyl selector, spinning vinyl and going through all kinds of Techno. From 90s oldies, early 2000 dancefloor burners, trancy pieces, jungle and breaks, he always stands out with his records selection to maintain a buzzing electric dancefloor up for hours.

He has since produced his own signature sound that has led to the release of his debut album on Lobster Theremin alongside precious releases on notable imprints KAOS and A.R.TS.

In 2021, Julian has launched his own label “NALI” with the aim to push his vision and creative spirit to support artists to grow within the strength of a unique creative platform.

Soundcloud: https://soundcloud.com/julian_muller
Instagram: https://www.instagram.com/julianmuller__/

NAKT 019 - Julian Muller

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @mattikk

RRFM • Quantum Electronica w/ Mattikk • 10-03-2022

first contact for Booking:
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Jaques Raupé - Knochentrocken

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

@Mikeburns

Mit freundlicher Unterstützung und Förderung der Stadt Wien Kultur/ MA7

Video-Stream

Mike Burns - 14/04/23

DJ T. @ 8 Years Groove Magazin/HR3 Clubnight Spezial @ Stammheim (28.08 1998)

Julian pumping it up, and closing it down hard. 

"Summer dances are the best" 

__ 
Date | 15/07/2023 
Location | De Binnenplaats, Amsterdam 

I N T E R C E L L 
Website - www.intercell.events 
Events - www.intercell.events/events 
Socials & more - www.intercell.events/links

Julian Muller at Intercell Summer Groove 2023

Staub

Heulsuse 007

Mirco Niemeier & Tony Casanova - Laika`s Journey
1. Gordo
2. Gordo (Kevin Over Remix) 
3. Laika
Tape: 05.05.15 Digital: 29.04.15
Beatport: https://pro.beatport.com/track/gordo-kevin-over-remix/6594888

"She is adventurous. She is restless. She is on the move. The seventh Heulsuse by Berlin-based Tony Casanova and Mirco Niemeier goes by the name "Laika's Journey" and includes a stunning Kevin Over remix. Both originals are pure dancefloor-oriented firebugs that boast with unique rhythms and some extra fancy basslines. You better beware - Laika's rocket was just launched. "



Gordo

Beatport

Mirco Niemeier & Tony Casanova - Gordo (Kevin Over Remix)

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Elektrochemie LK - Schall (Jaques Raupé Edit)

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TAECHNOPOD#16 - Arts & Leni (june2015)

Hooligan @ MAYDAY "Twenty Five"

Charly Lownoise & Mental Theo @ MAYDAY "Twenty Five"

free download - unreleased bonus track from Aktion Mekanik Theme Versions

Terence Fixmer | Aktion Mekanik Theme (Kobosil Dub Mix) | o-ton 088 bonus

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[Live - Mitschnitt] Pappenheimer @ Echelon Festival 2017

Das war Kerstin Eden und mein Closing auf dem Century Circus der diesjährigen NATURE ONE! Einen besseren Abschluss hätte ich mir nicht wünschen können! Auch wenn 1,5 Stunden einfach nicht ausreichen, um Kerstin und mich zufrieden zu stellen, war es einfach wieder grandios und absolut überwältigend, dass der Century Circus um 7:30 immernoch komplett voll war!? Ich danke euch für das wahnsinnige Wochenende! Teilt das Set mit euren Freunden! Viel Spaß.

[Live - Mitschnitt] Pappenheimer b2b Kerstin Eden @ Century Circus Closing Nature One 2017

Alexia K. @ Techno Rulez, Fusion Club Münster 02.09.2017

Don't say we aren't good to you. Ending the year with a bang we bring you a special mix from the one and only Steve Rachmad, the longstanding Dutch techno veteran. A pivotal figure in dance and electronic music, he has cast a spell upon techno in a manner unlike any other, his music championed far and wide by a sprawling array of dj's. Never one to stand still he has channeled his creativity across a number of personalities and guises having released as A Scorpion's Dream, Adverse Match, Black Scorpion, Continuous Cool and of course Sterac. 

His music is machine driven, drawn on a wealth of experience and experimentation through hardware and analogue equipment whilst in the booth his approach as a dj is versatile and constantly changing. 

This mix was recorded at Thuishaven as part of the close of their winter season.

Read & Download

Steve Rachmad: The Ransom Note Mix

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RAWCAST031 • Julian Muller

Next up in the Audio Series we present: Julian Muller

Julian Muller’s progression into the techno scene has been marked by an eclectic odyssey through genre-defying soundscapes.
Hailing from France, via Berlin and now currently based in Brussels, he crafted his sonic aesthetic as a vinyl selector and has since produced his own signature sound that has led to the release of his debut album on Lobster Theremin alongside precious releases on notable imprints KAOS and A.R.TS.
Julian is currently preparing the launch of his own label with the aim to push his vision and creative spirit to support artists to grow within the strength of a unique creative platform.

Links:  
https://soundcloud.com/muller-julian
https://www.instagram.com/julianmuller__/
https://ra.co/dj/julianmuller
https://www.facebook.com/julianmullerito/

Graphics by Melina Stehr

Fast Forward Audio Series #57: Julian Muller

that guy who came to the Loveparade with a tank, first resident of Tresor, Berlin

Staub

Tanith