Satsanga

TNTS002 – Innersection – Kinetics [snippet]

My music career began at the age of 6 when I received a guitar from my parents. I learned two chords and formed my first band. Our equipment was a puppet piano, two washing drums and a guitar. Between the ages of 12 and 15 I played in several bands with friends. Big role models were Jimi Hendrix, Doors, Janis Joplin, Alwin Lee etc. I was mainly influenced by Krautrock bans like Can, Groschnitt and Eloy. In the meantime I was able to improvise a few barre chords, mainly using the blues scale. But practicing was never my thing. So I automatically only progressed a step further when I liked a new riff. Music has always been an integral part of my work with children and people with disabilities. In 1990 I founded the band “Kroklowafzi” with friends, and later I played in the “Karl Grass Companie” purely for the joy of music, without any professional ambitions (audio samples are available on YouTube on my SoundCloud channel). During this time I had the opportunity to record my music in multiple tracks for the first time. Everything was still very amateurish and chaotic. After a divorce, I ended up on the streets and went into a psychotic episode. I now had 6 children to support but couldn't work. During this time, my brother gave me a music program that I could use to remaster my recordings from the last few years.

SYCORAXX
.
.
.
iNTHENiGHTiBECOMEALiVE.
iNTHENiGHTUNSPoKENCOMESTOLiGHT.

Raving since 2001
DJing since 2022
Producing sice 2025

Vejo a desconexão do comportamento laboral cotidiano, incentivo a sintonia mental caótica, me comunico silenciosamente pelo olhar, pelo cheiro, pelo toque... pela dança.

Olho hoje para o passado e deste para o futuro. Tribos atemporais das mais diversas origens fundem-se libertinosamente. A chuva e os trovões contorcem aqueles que dançam ao ritmo dos tambores de Shango. “Cabio Sile Shango” todos cantam em um ritual lisérgico sem fim.

Rupestre, high tech, bucólica ou citadina. A caverna escura, os vultos e os ecos deturpam o senso de realidade do ser humano. O que resta é o intenso deleite fugaz, aqui e agora. Sigo intermitentemente.

Prazer,

Tantša ea Mokha
__

Demos: label@tantsa.com

With a deep passion and desire for electronic music ever since childhood, Tyler Watkins fell in love with the darker side of techno music. With his deep love for techno Tyler brings a unique and selected sound into his sets and his productions and setting himself a high bar and dreaming big.  

With early support into his musical journey from Rebuke, Mha Iri and playing at well established venues around Melbourne such as New Guernica, Circus, La Di Da, Poison, Inflation and Empire and supporting some of the biggest acts in Melbourne and releasing music on international labels Renesanz, Reload and Reboks he brings an exciting energy into his music and sets that moves people from start to finish. This is only just the beginning of his journey as he aims for the stars.

With an obsession for the deep, dark and driving side of techno Tyler aims to create music that simply turns heads with a musical vision attempting to encapsulate a dark, emotional and moody vibe through his music and sets that takes his listeners and dancers on a journey.

For bookings or other enquiries contact: tylerwatkinsmusic@gmail.com

Official Colorful Brains(CB) Family ⭐

♪ All Genre Accepted ♪

About Us:

Devious Dreams is a worldwide music promotion network. We are dedicated to put your music in front of millions of active SoundCloud users and give you the recognition you deserve.

A curiosidade sonora é a motivação para Jonas Lira, DJ de São Carlos, interior de São Paulo. 
Tendo seu primeiro contato com a música eletrônica tocada nas rádios no começo dos anos 2000, foi por acaso em um comercial de TV da marca Semp Toshiba que o interesse pelos beats mais undergrounds surgiu. O comercial em questão tinha como trilha sonora a faixa Space Is, do produtor brasileiro Renato Cohen e a partir dela a compulsão pela pesquisa musical se desenvolveu. Tal pesquisa fez com que muitos estilos influenciassem seu gosto e consequentemente seus sets.
Iniciando sua carreira tocando House, hoje o Techno é a sua linha de discotecagem principal e é nele que Jonas conduz passeios em diversas facetas do estilo.
Idealizador do núcleo Ponto Triplo, produtora de eventos e de conteúdos sobre a cena para o interior, o rapaz tem como foco levar a música eletrônica para o maior número de pessoas, fazendo-as compreender melhor a beleza e complexidade dos sons feitos digitalmente.