This is an older remix I produced some time ago. 

Thanks Anni for this great inspiration. This track sounds so deep and atmospheric, because of your wonderful soundscapes you gave me.. I hope you are well!

Have fun, people..

Hamburg, 2021

Anni Elea - Night Ride (Tantze Knut Remix) (remastered 2024)

Still feeling overwhelmed by this special night... I'm stoked to finally  premiere my New Liveset for 2022. I'm feeling super happy that I got the chance to play a main time slot at this beautiful festival, especially after the up and downs in the last 2 years. 

Hope to see you on the road on my first album tour in November, find all the dates below! xx Brian 


Tickets/Tourdates: https://www.bandsintown.com/de/a/9128355-fejka
contact: paul@ki-records.com

2023 Tourdates: 

25.3 Berlin/ Watergate 
30.3 Tokyo/ Baia 
08.4 Singapore/ Sandbar
14.4 Charleroi/ Charleroi
19.5 London/ E1
30.6 Sierre/ festival week-end au bord de l‘eau
22.7 Hamburg/ habitatfestival 
23.7 Würzburg/ Exit am Stein 
30.7 Aarau/ Backyard Festival

Tickets/Tourdates 2022

Fejká LIVE @ Nation of Gondwana 2022

This time Tantze Knut tried something different from what he usually produces musically. This live set was composed for his good friend Seb Agnew and great photographer for his exhibition on the day of the vernissage at Fabrik der Künste, Hamburg. Date: 17.03.2023  

Some parts, however, are also improvised.

https://seb-agnew.com/

Tantze Knut steps out of his usual path and dives into the world of ambient electronica.

Love and peace 

Knut

Full Live Perfomance @ Fabrik der Kuenste, Hamburg - 17.03.2023 - ambient electronic music

♬ Click for more ☞ https://trndmsk.de

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2

Get @last-gentleman-on-playa's track on @itsgoodtobeatree here: 
➟ Bandcamp: https://bit.ly/3wYm8Rf

It's Good To Be A Tree is a deep and organic record label that focuses on tracks with downtempo grooves with trippy atmospherics, and the imprint is back with the third instalment of its annual various artist compilation.

'G2B3:comp-03' features nine tracks by artists including Fawno Feat. Dilob, Xente, Last Gentleman On Playa, Betelgeize, Daniel Hokum, Yassen, Valique, Kapchiz, DIBIDABO, Waxwood and Begiroquai.

Many of the artists on this release have featured on previous It's Good To Be A Tree releases, but others such as Fawno and Begiroquai are making their debut on the imprint.

Collectively the artists on this release have individually featured on other respected record labels such as Leveldva, Underyourskin Records, LNDKHN, kosa, Cafe De Anatolia, Baikal Nomads, Bar 25, Cosmic Awakenings, Pipe & Pochet, and Shango Records.

Last Gentleman On Playa’s track "Moloca Sunrise" which has chugging guitar chords and ambient bird sounds layered with shamanistic vocals.

Picking up the pace as it builds from start to finish, this is a masterfully curated compilation that is packed with DJ-friendly gems, but played as a single stream of music, it’s also a perfect home listening experience.

🎧 More Music in our Playlists on Spotify ⤵
💃 It's Time to Dance: https://spoti.fi/2FjcR9k
⚡ Melodic & Deep House: https://spoti.fi/2JVCgJH
🌃 Mosaic: https://spoti.fi/2qMavuY
🍍 Organic House & Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Yoga Electronica: https://spoti.fi/2qJt0A9
💥 White Ocean (Burning Man): https://spoti.fi/2vrVN0W
🌌 AfrikaBurn: https://spoti.fi/2qMRUOy

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Last Gentleman On Playa - Moloca Sunrise [it's good to be a tree]

1 Henry Saiz, Romina (AR): Les Chants des Baleines
2 Sebastian Sellares: Uncertainty
3 Moe Turk: Trippin (Deep Dub Mix)
4 Cadillac Express, The Cobb: Latlal
5 Neuralis: Daydreaming - Dany Dz Remix
6 Dowden: Mycena
7 Nikko Mavridis: Giola - VegaZ SL Remix
8 Juan Deminicis: Two Walls
9 Ric Niels: Morning Dew
10 Around Us: Invisible Time - Freedo Mosho Remix
11 Dofamine: Zeal - Imran Khan Remix
12 Taylan: Melancholy - Fran Garay Remix
13 Evren Furtuna, Serious Dancers: What Carmen Needs

Tracklist @ beatport:
https://www.beatport.com/chart/change-of-air/805891

Change of Air (Mar. 2024)

Artist: https://soundcloud.com/betelgeize
Label: https://soundcloud.com/itsgoodtobeatree

It's Good To Be A Tree is a deep and organic record label that focuses on tracks with downtempo grooves with trippy atmospherics, and the imprint is back with the third instalment of its annual various artist compilation.

'G2B3:comp-03' features nine tracks by artists including Fawno Feat. Dilob, Xente, Last Gentleman On Playa, Betelgeize, Daniel Hokum, Yassen, Valique, Kapchiz, DIBIDABO, Waxwood and Begiroquai.

Many of the artists on this release have featured on previous It's Good To Be A Tree releases, but others such as Fawno and Begiroquai are making their debut on the imprint.

Collectively the artists on this release have individually featured on other respected record labels such as Leveldva, Underyourskin Records, LNDKHN, kosa, Cafe De Anatolia, Baikal Nomads, Bar 25, Cosmic Awakenings, Pipe & Pochet, and Shango Records.

First on the release is Fawno's track "Cumbinsqui" that also features Dilob and Xente. Cumbinsqui is a dreamy track with live percussion and trippy vocal tones sequenced into a downtempo groove.

Track two is Last Gentleman On Playa’s track "Moloca Sunrise" which has chugging guitar chords and ambient bird sounds layered with shamanistic vocals.

Betelgeize's "Svoboda" is third on the release, and it's got a hallucinogenic vocal sample layered over the shuffling rhythms of heavy percussion.

Daniel Hokum's "Holy or Sinner" is the fourth track, and it has soulful vocals layered with an acid bassline as the foundation of its stripped-back groove.

Fifth on the release is Yassen's "Pantheon" which unfolds with building suspense as the sweeping pads flow between the dynamic percussion.

Valique's Karivarg is the seventh track, and it’s got an upbeat vibe with a pulsating bassline and a fluttering flute that combine to create an experimental groove.

Track eight is Kapchiz's "Largo," which has an uplifting vibe with a chugging groove, trippy vocal textures, and cosmic synths.

DIBIDABO's "Trismegist" is the penultimate track on the release, and it lifts the tempo with psychedelic guitar chords and haunting vocal textures that create a mesmerising groove.

Waxwood and Begiroquai collaborate on the release's final track "A Calendar of Wisdom" which is a soothing cut with feel-good piano melodies, and uplifting vocals that bring the release to a close.

Picking up the pace as it builds from start to finish, this is a masterfully curated compilation that is packed with DJ-friendly gems, but played as a single stream of music, it’s also a perfect home listening experience.

Release: G2B3:comp-03
Type: V.A. Compilation
Release Date: 7.03.24

G2B3:comp-03

DOWNLOAD

PREMIERE│Betelgeize - Svoboda [It's Good To Be A Tree]

Collect

Fawno - Cumbinsqui Feat. Dilob, Xente

Toronto based @Dacou serves up the latest instalment in the Sinchi Edits series.

Words from the man himself...

'Kenedougou Foly' is a song kindred to its composer, Neba Solo - both are rooted in the historical and cultural legacy of Mali and Western Africa. Hailing from the Kenedougou region of southeastern Mali, Solo and the balafon (modified xylophone) masterclass he provides on the title track of his debut album are a fitting tribute to his homeland, the historic Kenedougou Kingdom of the Traorè dynasty.

The song begins with an invocation or call to attention "Ayeh Na”, as Neba Solo begins to provide commentary on the socio-economic issues faced by the people of Kenedougou. The song also speaks about the environmental degradation of the land and acknowledges the struggles faced by its people, while calling for collective action from the world to address these issues facing Western Africa.

I chose this particular song because I’ve always appreciated the sound and emotional response of West African music, Mali in particular. From Oumou Sangare and Fatoumata Diawara to the Tuareg sounds of Bombino and Tinariwen, Malian sounds resonate worlds over despite people not immediately understanding the words being spoken. Kenedougou Foly is such a track that just elicits a heartfelt feeling, stemming from Neba Solo’s infectious vocals, a call and response from backup vocalists, as well as his prodigious bafalon playing that is at the core of his genius.

My approach was quite simple. As folk songs of this archetype are usually bereft of electronic or Western dance elements, I added what I felt was necessary to provide a high-energy and hard-hitting version to be played out and played loud. Starting and ending with Neba Solo’s call for attention seemed fitting, sandwiched between Italo-style arp bass, some 303 acid sounds, and a 4/4 beat to tie everything together.

Free Download

SINCHI EDITS 23 - Neba Solo - Kenedougou Foly (Dacou Edit)

King of Kings EP is a reminiscence of a period (1980 - 1991), prior to the economic liberalization of India. A closed economy with nearly 200% tariffs or outright bans on all foreign electronic equipment’s including synthesizers, sequencers, drum machines and computers due to west’s antagonizing behavior towards India for not opening its market for foreign colonial corporate actors.

This did not deter musicians to get their hands on the machines despite all the stumbling blocks placed in front of them. Defiance and persistence gave birth to Indian acid and electro synth pop created under our own terms becoming not only father of the machines once we couldn’t own but with our playful ragas giving birth to genres such as acid house.

India thus opened another node in the global cultural flows of electronic music. Cumulatively, this period contributed to the triumph of import substitution in cultural production. An attitude was born to why import when we can make it on our own. A major shift in a mind colonised and slaved for 400 yrs.

This an honest attempt to show the world, how Indian musicians undeterred by barriers made their own mark with western synthesizers and drum machines while staying true to their ethnic identity. A period of Computer Love.

“King of Kings” which translates literally from Tamil (Rajadhi Raja) is a true endeavor to demonstrate to the world how Indian musicians have overcome racial and political boundaries to achieve their sonic mission of expressing our artistic autonomy filled with purpose, perseverance and avant-garde excitement. A musical piece that aims to represent the idea, “In order to become who you are, you need to first overcome who it is they said you are”. A true King of Kings.

Remixes come from analogue master and self-proclaimed synth fetishist, Italo Brutalo and multi-cultural musical trifinium thePhilosophica.

BUY on BANDCAMP

PREMIERE : Hary Shanthi - Kings Of Kings (thePhilosophica Remix)

INCOMING : Hary Shanthi - King Of Kings (Italo Brutalo Remix) #Sinchi

Release date : 2023-04-26
Buy : https://haryshanthi.bandcamp.com/album/king-of-kings

King of Kings EP is a reminiscence of a period (1980 - 1991), prior to the economic liberalization of India. A closed economy with nearly 200% tariffs or outright bans on all foreign electronic equipment’s including synthesizers, sequencers, drum machines and computers due to west’s antagonizing behavior towards India for not opening its market for foreign colonial corporate actors.

This did not deter musicians to get their hands on the machines despite all the stumbling blocks placed in front of them. Defiance and persistence gave birth to Indian acid and electro synth pop created under our own terms becoming not only father of the machines once we couldn’t own but with our playful ragas giving birth to genres such as acid house.

India thus opened another node in the global cultural flows of electronic music. Cumulatively, this period contributed to the triumph of import substitution in cultural production. An attitude was born to why import when we can make it on our own. A major shift in a mind colonised and slaved for 400 yrs.

This an honest attempt to show the world, how Indian musicians undeterred by barriers made their own mark with western synthesizers and drum machines while staying true to their ethnic identity. A period of Computer Love.

“King of Kings” which translates literally from Tamil (Rajadhi Raja) is a true endeavor to demonstrate to the world how Indian musicians have overcome racial and political boundaries to achieve their sonic mission of expressing our artistic autonomy filled with purpose, perseverance and avant-garde excitement. A musical piece that aims to represent the idea, “In order to become who you are, you need to first overcome who it is they said you are”. A true King of Kings.

Remixes come from analogue master and self-proclaimed synth fetishist, Italo Brutalo and multi-cultural musical trifinium thePhilosophica. 
crédits

☎ Connect ☎
https://soundcloud.com/haryshanthi
https://soundcloud.com/italobrutalo
https://soundcloud.com/sinchicollective

INCOMING : Hary Shanthi - King Of Kings (Italo Brutalo Remix) #Sinchi

Artist: AmuAmu (Essen, Germany)
Name: A constant stream of little anecdotes [May, 2024]
Genre: Downtempo / Organic House
Release Date: 01.05.2024
Special for Deep House Moscow

AmuAmu: www.facebook.com/AmuAmuMusic
Soundcloud: @amu_amu
Instagram: www.instagram.com/marcus_sur

CONTACT (DHM):
Email — deephousemoscow@hotmail.com

Follow us:
www.facebook.com/deephousemsk/
www.instagram.com/deephousemoscow/
vk.com/deephousemsk/

AmuAmu ‒ A constant stream of little anecdotes [May, 2024]

Tantze Knut, civil name Knut Kintscher began playing drums at the age of nine. 
Four years later he founded the Instrumental Rockband "Hermelin" with some friends from Hannover. 
Since he discovered electronic music and music production he enjoys steadily increasing audience with his releases.

He is also co-founder of the Hamburg indietronica band Good Aftermoon


Tantze Knut, mit bürgerlichem Namen Knut Kintscher, fängt mit 9 Jahren das Schlagzeug spielen an. 
Seit seinem 13. Lebensjahr spielt er in der hannoverschen Instrumental Rockband Hermelin. 
Erst später entdeckt er die elektronische Musik und das Produzieren für sich und erfreut sich seitdem zunehmender Zuhörerschaft durch seine Veröffentlichungen.


Past Shows:

14.11.15 Monovalent w/ Phil Lux/ Tantze Knut (Live) @ Purgatory, Hamburg
05.12.15 Monovalent w/ Phil Lux/ Tantze Knut (Live) @ Purgatory, Hamburg
29.01.16 GB29 w/ Phil Lux/ Tantze Knut (Live) @ Purgatory, Hamburg
25.03.16 Monovalent - Phil Lux & Friends @ Wasserschaden, Hamburg
19.04.19 Toom Peerstall, Hamburg
17.03.23 Fabrik der Künste Dämmerschlaf Vernissage Seb Agnew

Full Live Perfomance @ Fabrik der Kuenste, Hamburg - 17.03.2023 - ambient electronic music

Tantze Knut

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