Name: Fuchikomatose by Tape Lab in CD+ Plus More
Duration: 6 min 24 s
Description: I thought what I'd do was, I'd pretend I was one of those deaf-mutes.

CD+ Plus More

“Collidescope” is a straight-up banger from CD+, an instrumental hip hop track built to rattle walls and wobble speakers. The beat is heavy, layered, and unapologetically bold, driving forward with precision and power. Its textures collide and twist into each other, creating a kaleidoscopic rush of sound that feels both chaotic and tightly controlled. Every drop lands with weight, keeping the energy surging from start to finish. “Collidescope” doesn’t just play—it crushes.

Collidescope

A Baoa Qu is a space fortress featured in in Mobile Suit Gundam. It was Principality of Zeon's last defense line in the One Year War. 

A Baoa Qu was the Principality of Zeon's largest and most powerful asteroid base. A Baoa Qu was a fusion of two asteroids into one, forming an "umbrella"-like shape; its size is about 33.75km tall and 22.5km in diameter. A Baoa Qu was built in the opposite L2 point orbit, placing it directly opposite from the Zeon Homeland in Side 3. A Baoa Qu provided rear defense, while the Zeon's Solomon space fortress served as a frontline base.

The space fortress served as the Zeon Military Force's general headquarters for their space fleet. It also was used as a mobile weapons production factory. It was the scene of the titanic Battle of A Baoa Qu, one of the greatest battles of the One Year War. Unlike the earlier battle of Solomon, it was a hard-fought victory for the Federation.

After the One Year War, A Baoa Qu was kept by the Republic of Zeon following the signing of the Treaty of Granada. Later, in June U.C. 0087, the Republic of Zeon would hand it over to the Earth Federation's Titans special force, who would rename it the Gate of Zedan. The space fortress was completely destroyed in U.C. 0088 when the mobile asteroid base Axis rammed and broke the Gate of Zedan into two.

A Baoa Qu

I thought what I'd do was, I'd pretend I was one of those deaf-mutes.

Fuchikomatose

Pistes audio d’accompagnement de la « Méthode d’arabe - arabe littéral V1 » de Luc-Willy Deheuvels (éditions L’Asiathèque, 2021).
Enregistrements (Voix): Amandine ADWAN, Rania AYOUB, Dounia BADINI, Hanin BARAZI, Abdennour BOUTAHYRY,  Faten CHAKROUN, Luc DEHEUVELS, Hédéya el-CHARKAWI, Maamoun HAMAD, Dalal Kleiche, Maged MANSY, Jean TARDY. 
Réalisation technique : Inalco/Unité TICE/Thierry Djikine
Musique : Qaïs SAADI

216 L19 - Exercice II - 1

Introducing N@T* - the iconic start to the album

All I Ever Wanted

macroMINI [RELUX REWIND]
Original Release: November 12, 2019

Tracklist:
1. macroMINIntro
2. Reccordion
3. Keep Tellin U
4. BIG MACRO
5. Wiiano
6. Last Rounded

Recordion

FREELOADED [RELUX REWIND]
Original Release:

Tracklist:
1. Freeload'in
2. Phal Co.
3. FREELOADED (Single)
4. Down + Outro

Freeload'in

Wovor empfindest du den größten Ekel? | Folge 2770

05-13-25 JSS Full Show

06-06-25 JSS Full Show

Juxtapositions of Decisions and Motivos

Disco Day

Kallimni ‘Arabi

An Intermediate Course in Spoken Egyptian Arabic 2 

By Samia Louis, with Iman A. Soliman

The complete series of innovative new coursebooks in Egyptian colloquial Arabic

The accompanying audio carries recordings of the dialogues and exercises in each chapter, made by Egyptian native speakers. From the basics of communicating (asking directions, the language of shopping) to more advanced conversations (future plans, hobbies, and free time), Kallimni ‘Arabi is structured so that students learn Egyptian Arabic using real-life situations and expressions. The key topics covered gradually lead students to understand, use, and speak Arabic, rather than simply memorize fixed phrases.

Kallimni 'Arabi - Book 2 - Module 5 - Track 18

CD+ - Pikmania (+ instrumental [++ Pikmin3 sample])

Aretha Franklin should be on the 100 dollar bill.

Pikmania

Doap-hop

Welcome to #TapeLab—stay a while and listen. Founded in 2017 by lifelong friends, Tape Lab is a collective of artists and a hub for innovation, always open to collaboration. With the zeal of a self-published memoir, our sound is our own, but you can be the decider. We make music and art that sounds like it was fun to make and stands out in a sea of bland beats. 

As independent artists, we are always exploring new ways to expand our audience and find new creative outlets—especially with other undiscovered artists!

#TapeLab is currently based out of two headquarters in Durham, NC, and The Hamptons, NY.

Fuchikomatose

Tape Lab

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