Nie ma mnie dla nikogo

100+80

Hip Hop chill songs

Instrumental: https://soundcloud.com/tapeheadloops/love-instrumental

Beat, mixing and mastering by Tapehead.
Vocals from ‘The Love Song Remix Acapella’ by Da Bush Babees, Mos Def and De La Soul.

Visuals: https://youtu.be/JskhIFkB-Hk

This beat was LONG to flip, took me multiple days of working on it for 8+ hours until I was happy it. I’d sped up the sample on my turntable to flip it around 90 BPM (originally it must have been 70 something), and based on the way I chopped it, it was looping at around 94 BPM. It was just one of those samples where it was from a more freeform part of a song which wasn’t necessarily constricted by one BPM or time signature, so even though my chops were looping at 94 BPM, certain notes and areas were out of time, which just took absolutely ages to fix. Essentially I had to listen to the track over and over across several days, working out which chops were out of time, and then chopping them up into one, two or even three more pieces depending on the issue, so I could sequence it myself and slightly adjust the timing to match the BPM and time signature of how I wanted to flip it. It was definitely worth it in the end, I was really happy with how the beat turned out. 

After the length of time it took to flip this beat I was mad grateful that the first acapella I tried over the beat was this one, I had a feeling it would match the tone of the sample. I have no real knowledge of music theory, so it’s always a nice surprise when the key of an acapella happens to be the same as a sample I flip for a beat. This is definitely the best that’s ever come together for me, it feels like every note Mos Def hits in the chorus is in key with the note of the chop which is playing in that moment, I’m just glad I happened to buy the record with this acapella a few days before I sat down to mix and master this beat, which kept it in my mind as a possibility to remix. I think it came together really well, as well as the acapella matching the beat tonally, I think the whole atmosphere, vibe and lyrical content that Mos Def went for perfectly blends with the beat, making it sound a bit less like a remix and more like an original song, which is always mad.

I’m also too happy with how the visuals turned out. There isn’t a video for the remix of The Love Song, so I initially tried using the video to the original, but it didn’t really fit because Mos Def actually spits a completely different chorus in that. This forced me to be more creative, and I was just watching other Mos Def music videos on mute with my beat in the background, seeing which ones fit the vibe best. I ended up choosing the visuals from UMI Says, which I chopped up in Davinci Resolve to play over my remix in a way that made sense. I think this really leveled up the visuals, its mad how well they both work together, but it does make a lot of sense given the themes of both tracks, I’m just happy to have been able to put this together.

Love

Sklejka.
https://soundcloud.com/prosper_mind

jESTEM bOGIEM

2001

Paktofonika - T.J.Telewizor prod. Prosper [Instrumental]

Instrumental: https://soundcloud.com/tapeheadloops/dont-mind-me-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Money Folder Acapella’ by MF DOOM

Visuals: https://youtu.be/a81-toGlUWk

Back when I first flipped this sample I put the acapella from ‘Strange Ways’ over it cause I thought the beat fit DOOM’s style. Looking back though it’s clear that the vibe of the beat doesn’t really fit what DOOM’s talking about on that track, so I switched up my approach for this rework. I thought ‘Money Folder’ fit it way better, DOOM has a sort of carefree attitude on that track which I think goes with the beat, has a sort of go with the flow kind of vibe. I’ve been wanting to make this one for a long time now, I actually first put the Money Folder Acapella over this beat at the very start of the year when I was working on my first DOOM tribute track, and then left it for time as a rough concept idea. Now after spending this year really dedicating myself to music, I felt crazily motivated to revisit this idea and do it justice. I really am too grateful and humbled by all the support I’ve been getting throughout the year, and I’m now more than dedicated to keeping on and growing/improving as much as I can. To me this beat gives of that vibe of contentment and focus: knowing what you want to do and being in a blessed place doing it. It makes sense to me that I set up the ideas for this remix at the start of the year with that focus and grind to music in mind, and am now revisiting and releasing it after spending the year doing what I set out to do, if that makes sense. 

Peace and thank you for all the support and feedback, hope people enjoy the vibe of this one!

Original version: https://soundcloud.com/tapeheadloops/same-game

Don't Mind Me

Beat, mixing and mastering by Tapehead
Vocals from ‘One Love Acapella’ by Nas and Q-Tip

Visuals: https://youtu.be/0CaM6Wp8zDY

I was considering dropping this last Sunday when I hit 1K subscribers, but it wasn’t quite ready, so I decided to leave it until this week. It’s given me enough time to properly arrange and mix this remix, which I was intending on dropping as a thank you to celebrate hitting that milestone, so it was actually nice to have a whole week to work on it after having hit 1k, cause that really put me in the zone to finish up this idea properly and do it as well as I could.

As soon as I started chopping ‘Love’ vocals out of this sample, I had a feeling I’d be remixing ‘One Love’ over it. Honestly, it might be my all-time favourite Hip Hop song, without a doubt top 5, and every time I remix it I want to go all out and make it as emotional as possible really, cause that’s what always stood out to me about this track. The last remix I did called ‘Watch Me Speak’ ( https://soundcloud.com/tapeheadloops/watch-me-speak ) was a remix of the 3rd verse only, and for this one I decided to do the opposite and remix the 1st two verses. I didn’t actually intend this when I made the beat, but I also ended up chopping a melody that used the vocals ‘day’s have gone’, which in the song was talking about a relationship ending, but obviously translates to what Nas is talking about here too, in the sense that being locked up means you’re wasting days that are essentially gone, so it’s cool that it ended up working out like that cause it makes the remix more convincing and effective imo.

There’s a lot of layering in this beat, so much that it definitely won’t fit into a 1 minute short, so when I do a Behind The Beat for it that’ll have to be a normal video, so I might just go in on that one and go in depth on everything to really show the whole process, including drum layering etc. I was so motivated to flip this sample because it had so many nice melodies which were separated and very brief, so I wanted to combine my different flips to make new melodies out of the new melodies I already made and properly extend the parts of the sample which I thought were way too crazy to be so brief in the original song, it’s difficult to write down but hopefully when I show what I did it will make sense.

Peace and thank you for listening! I hope people enjoy this one, I’ve got a lot of music releasing over the coming weeks, including a 4 track EP which will be out on the 18th of February – One Love!

True Love (From The Heart & Soul)

Beat, mixing and mastering by Tapehead
Vocals from ‘Wrong Side Of Da Tracks Acapella’ by Artifacts

Visuals: https://youtu.be/J-sYmg7qlEk

Like the ‘Ill Street Blues’ remix I uploaded recently, this is one of the first remix concepts I put together back when I first started producing. I was too happy with the flip of the sample, and it immediately brought this acapella to mind, so I layered it on top and was mad happy with how they sounded together. Back then I didn’t focus on drums or have any real mixing or mastering experience, so it was very rough and not put together well, but the idea always shone through to me. I actually reworked this beat last year, but pitched it down and only had the Artifacts hook over it because there was so much resonance in the verses, and I had no idea how to mix vocals back then. Now that I’ve been mixing vocals for over a year it felt like a good time to revisit this one and finally do a full rework of the idea, so I decided to have the normal pitch to start and then lower the pitch for the second verse. I also went all out filtering this one, cause to me the sample always stood out for the warm vibe the low end had, and I wanted to really focus and exaggerate that by filtering and boosting those frequencies in this mix.

Original rough mix: https://soundcloud.com/tapeheadloops/wrong-side
2020 rework: https://soundcloud.com/tapeheadloops/wrong-side-1

Peace and thank you for listening!

Wrong Side

Instrumental: https://soundcloud.com/tapeheadloops/top-illin-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Gazzillion Ear Acapella’ by MF DOOM

Visuals: https://youtu.be/xXRrNEMQA6o

This flip took a while to get right, I was trying to be more creative with the way I flipped the sample. It was crazy on it’s own (and I kept longer chops to use with the vocal flip that comes in second), but for the main flip I wanted to make a melody from chops in-between the vocals, which is always fun and gives the beat a very different vibe to the original sample. It also took a long time to layer both the flips I made, but I'm definitely glad I persevered with it.

I felt like the finished beat ended up having a cartoonish vibe with an upbeat melody, so I immediately went to DOOM acapellas which I thought could fit over it. I chose Gazzillion Ear because DOOM is really having fun on that one, loads of cool punchlines different flows and switchups, which I thought would work well here. It just feels like the kind of beat made for an emcee to show skills over without being too serious, just demonstrate some lyrical skill and technical flows. It was long to get the acapella to fit over the beat though cause of how abstract and varied the flows are, so I had to chop it up into loads of different pieces (basically for every line), just to get it to fit in the right places over this beat. I think it was worth it though, I can’t really imagine many other artists over this kind of beat, and I always love remixing DOOM.

Hope people enjoy this one, thank you for listening! Peace

Top Illin'

Always loved this track from ODB, to say it's rugged is an understatement. Had a lot of fun remixing it, when I made this beat I knew the sound would fit a grimey wu tang track and honestly can't think of one much grimier than this. Said it once and I'll say it again, ODBs debut is crazy underrated IMO.

Peace!!

Beat, mixing and mastering by Tapehead
Vocals from Protect Ya Neck II The Zoo by ODB, Buddha Monk, Prodigal Sunn, Zu Keeper, Murdoc, Killah Priest, 12 O'Clock, Shorty Shit Stain

Brooklyn Zoo II

SCOTTY ATL - Life Of The Party

The Hundreds Premiere - http://thehundreds.com/blog/video-premiere-3-days-in-chengdu-by-chinese-american-rapper-bohan-phoenix/

produced by Jachary (https://soundcloud.com/jachary-beats)
art by Mitchell Johnson

lovelove 爱爱
Recorded at lovelovestudios, brooklyn
www.lovelovenyc.com

JALA 加辣 EP

3 DAYS IN CHENGDU

Buy This Song

3 DAYS IN CHENGDU 回到成都 (prod. Jachary)

YOU GOT TO BOUNCE.. MY DAD!!


#ChakraKlan

Earthquake (Prod. By LV Savage)

produced by: @datnigguhx + @prodbywyt
mixing/mastering: @iamrellim

WWW.THEBEAMON.COM 
www.twitter.com/thebeamon
www.twitter.com/ImNot_X


[beamon vocals] 

skinny beamon 
2k18 feel like lonzo ball 
boy back in high school bumpin ye west
posters on the wall 
used to want more money 
put pastelle on me and bapes on 
i know what you love girl it ain't me 
and i been in my zone 
i know what you love girl it ain't me 
and i been in my zone 
october god beamon lounging 
in a penthouse 
flannel got some blue hundreds in it 
girl now what you bout 
i just want my money up i don't wanna 
put molly in mouth
they just woke a monster up i'm sad
i'm sleeping in the house 

[beamon hook]

so much pain 
and it's so much pain
and it's so much pain 
and it's so much pain 

[beamon vocals continued]

i got pain all over me 
i walk around and i see nothing good 
she say switch your attitude up i say girl 
what do you mean 
she say boy you super skinny 
lil beam what do you eat
i say nothing just these rappers 
i'm sad but they on my plate 
dawg they out here rapping 
how they let that lil ho sat on face 
i would rather make a song 
play 2k18 every day 
my depression hurting me 
i felt too much don't say enough 

i like the colder months 
i don't like waking up 
i think i feel too much 
girl you got me fucked up 

[beamon hook]

so much pain 
so much pain 
so much pain 
i just wanna feel rain 
so much pain 
soak up rain 
so much pain 
i just wanna feel rain 
so much pain 
please just stay 
so much pain 
please just stay 
please don't go 
please don't go 
please don't go 
please don't go 

[beamon verse]
please don't go 
thriller jacket like i'm michael 
please don't go 
young beamon feel like michael 
young beamon looking like he prince 
doves crying bitch 
and i feel too much 
so i'm never done crying 
all these nightmares i gotta get em out my house 
i should have millions
purple diamonds in my house 
she say why you screaming 
i say cause they never listen 
i say you would feel the same 
but you too busy talking foolishness



www.thebeamon.com
www.soundcloud.com/thebeamon
and BEAMON on spotify and more
thank you for listening <3

No Happy Songs

thebeamon clothing

Beamon - So Much Pain (produced by jvst x & Wyt)

                              

Big Perc (F*ck Russ) Prod. By Natra Average

Paktofonika - Kinematografia Cała Płyta

Ja się wcale nie chwalę - Kaliber 44 - DJ 600V Hip-Hop Produkcja ( Jasna strona )

115. DJ 600V - Niesmiertelna Nawijka (Prosto Remix) [ft. Fundacja nr 1]

NORMALNIE O TEJ PORZE
... RAZ LEPIEJ, RAZ GORZEJ

Kaliber 44 - Normalnie o tej porze

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace