DOOMSDAY IS HERE and on this occasion bunnyhug beats brings us a MF Doom flip by an OG of the fam, Flavour Symmetry. 

YOUTUBE LINK
https://youtu.be/JjJV9riNnh8

@flavoursymmetry
@flavoursymmetry
@flavoursymmetry

(V)ILLIN'

Instrumental: https://soundcloud.com/tapeheadloops/used-to-love-her-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘I Used To Love H.E.R. Acapella’ by Common Sense

Visuals: https://youtu.be/J_b2wfQjntQ

This original track from Common is an absolute classic, being the lead single to ‘Resurrection’, which is my personal favourite of all his albums (which is pretty difficult to say because he has so many great ones). Also an interesting fact on this song is H.E.R. is an acronym for Hearing Every Rhyme. For a fan of 90s Hip Hop, this is really is the perfect track and the perfect album from Common, I can’t really say too much aside from highly recommending listening to the full thing back to back. I personally don’t think there’s a weak track, all the production from No ID is so crazy, one of the best ‘jazzy’ Hip Hop albums of the 90s for sure. I’d say this is up in my top 10 favourite albums, and definitely in my top 10 most played albums over the years, and every time I always enjoy it just as much. I actually vividly remember playing the tape for the first time on the way to school and I was bugging out on it, and just played it again and again throughout the day whenever I could. It really was crazy to be listening to these classic albums for the first time, and this is without a doubt one that I have the most vivid memories of, in terms of being blown away by how unique the sound was, and also how dope Common was as an emcee. His style is definitely unique, it’s hard to pinpoint cause it’s not crazily out there or mad abstract, he just has charisma and a very very mad outlook on things, which gives him such a good perspective and presence as an emcee on the mic. I guess that’s shown clearly in this song, it’s a very powerful song and message, which is executed in such an interesting way that works well and has definitely stood the test of time, I’m pretty sure Kanye West even referenced the opening lines to this song in one of his tracks. 

When I originally made the first beat in this remix I instantly thought about putting this acapella over it, and did a very rushed remix which was mixed very badly. The levels on the drums are all over the place and the acapella sounded horrible, but I was really gassed off it at the time as a concept, and wasn’t really experienced in mixing and mastering so just put it out as it was: https://soundcloud.com/tapeheadloops/what-i-loved-most 

I’ve wanted to revisit this idea for a while now, but always felt like the beat wasn’t enough on it’s own to remix more than one verse, so every now and then I’ve been experimenting with other beats that would blend well with this one. I wanted to keep the first beat as it was for the first verse, because that’s where Common is setting up his love for Hip Hop, so I thought a beat with less emotion and more of a straight up Hip Hop vibe would work for that. When I started thinking about that, I was then thinking on what would work well for the later verses in the track, and I definitely wanted to focus on the way Common gets a bit more ‘emotional’ as he starts talking about how Hip Hop changed, making him fall out of love etc. Cause of this I wanted a more emotional beat, but kept it as a piano so the switch up wasn’t too jarring, and I think it worked out OK. I was mad happy with how they blended together at the end of the track too as an outro, it’s just dope when things come together like that, I was thinking the way Common reminisces saying ‘I used to love her’ at the end, made perfect sense to then bring that first beat back, and I’m just glad they blended together OK making that possible.

Peace!

Used To (Love Her)

thank u caramia222 for the banner !! 

here comes the last track for the year. I really appreciate all the support etc. over the last few months with my other tracks and the album!! <3

hope u guys have a great break and look forward to what i got next. a lot cool tracks coming up 2022. 

- Ultimis

worldview

Beat, mixing and mastering by Tapehead
Vocals and scratches from ‘It’s On Acapella’ by Naughty By Nature

Visuals: https://youtu.be/23KpyhbQYfQ

I deliberately waited until the start of 2022 to make this beat. I found the sample a while ago and was crazily gassed off it, there was just so much potential for layers, basslines, vocal chops etc, and the energy was just too positive, exactly the kind of motivational feel which I thought would be dope to start the year off. I really wanted to take my time to flip it properly, I chopped it up into a crazy amount of pieces to get the flow right (which I’ll definitely be showing in a behind the beat video soon). The song is actually a love song talking about not being able to stop your feeling of love for someone, but I wanted to change that and only take the vocals about not stopping, that way it can be about anything really. For me it’s absolutely about making music and staying motivated with that, but it can be about whatever anyone’s passionate about really, as long as it’s true to you and what you love to do, then just about focusing, learning and staying dedicated. 

Because I’d been planning the beat in my head for so long it came together well and pretty much as I’d planned, but I never really thought about what acapella could work over it. It was definitely difficult at first cause I couldn’t really think of any songs which fit the upbeat vibe of this beat, I was initially trying Onyx acapellas cause their loud style kind of fit with the horns in the sample, but their voices and subject matter are always so grimey and hardcore sounding, which was a bit too much for this beat. It took a lot of trial and error and none of the acapellas I was trying sounded that good on the beat, for sure the flow was nice on a lot of them but it just didn’t match up the way I wanted. I just kept going and when I tried this Naughty By Nature acapella everything fell into place. It makes sense now, cause they have a very upbeat style similar to Onyx but more ‘friendly’ and less over the top, which is exactly what I thought would work well over the beat. Their flow has mad bounce to it too which fit the sample well especially the horn melody, and to top it off the scratching of ‘on and on’ for the hook fit the ‘can’t stop’ vocals from the sample perfectly. It’s dope when I think that I made this beat to express the feeling of staying motivated and dedicating yourself to something no matter what, and then had to do exactly that when I was working to find the right acapella for the remix. I guess it shows that it’s universal and constant really, that need to work never goes away, but in my opinion hard work and dedication will always pay off, and as long as you’re happy with what you made then you achieved something worthwhile for sure.

Peace!!

Can't Stop (It's On)

Spotify: https://open.spotify.com/track/1xDNBkF4XqdLHKlXtdtu9k?si=d7bceb5fdce14a0c
Apple Music: https://music.apple.com/us/album/when-i-die-instrumental/1607325495?i=1607325498
Bandcamp: https://tapehead.bandcamp.com/track/when-i-die-instrumental

Instrumental for: https://soundcloud.com/tapeheadloops/when-i-die

This beat was a lot of fun to make. I remember I'd just finished a university coursework deadline and was excited to have some time to produce again, cause I'd been sitting on this piano sample for a day or so and knew there were some crazy chops to be flipped. My first flip was the second melody, which I was unbelievably gassed on, particularly the emotion that the keys had and the overall atmosphere. I flipped the first melody to act as an intro/interlude to the main one, sort of giving the track room to breathe and then have the main melody hit harder when it came back in. Cause of that when I remastered and re worked this beat I went all out on the bass for the main flip, wanting it to hit crazily hard to emphasise that emotional weight and impact. 

Peace!!

When I Die (Instrumental)

[95]

Soulmates

arima

Spotify: https://open.spotify.com/track/2pfX7KvFHiIIRAF5VKQ4se?si=0e060facf2ff4a10
Apple Music: https://music.apple.com/us/album/got-to-stop-you-dont-care-instrumental/1615183082?i=1615183084
Bandcamp: https://tapehead.bandcamp.com/track/got-to-stop-you-dont-care-instrumental

Behind the beat: https://youtube.com/shorts/-ACvmnNwTwY?feature=share

Instrumental for: https://soundcloud.com/tapeheadloops/got-to-stop

With this one I was trying to focus on the emotional release in the sample, the vocals are almost screaming there’s so much pain in them, so I was motivated to flip this in a way that focused on the heartache and manipulation of emotions. I flipped a bassline and then layered the vocals on top for the first beat, and I was gassed off of how that emphasised the vocals by having the bass hitting hard underneath. I knew I had to switch this one up too, it was just too crazy not to do it, I thought it was cool how the first beat acts as a build up, setting the vibe for the 2nd which is a real release of emotion, like I said the vocals are fully screaming it's nuts. Hope people enjoy listening to this beat - Peace!

Got To Stop (You Don't Care Instrumental)

payu

*****G-FUNK/R'N'B*****

♫♪♫└A FUNKY CALI BABY♫♪♫

(*$*)Real G-Funk & Gangsta Dope(*$*)

L.A/Bay Area Representz 

CALI BOUNCE HOMIE

Daz Dillinger Feat Quictamac, Tha Hookstah & RBX West In Me (OGFUNKWEST Remix)

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace