Spotify: https://open.spotify.com/track/2eI0R64DEMhcDjDJSOC88Y?si=2c70467dd1eb46a9
Apple Music: https://music.apple.com/us/album/scars-instrumental/1579972136?i=1579972137

Instrumental for: https://soundcloud.com/tapeheadloops/artifacts-chat

This is a rework of the first beat I ever recorded a song over back in December 2017( https://soundcloud.com/tapeheadloops/scars ). Recording over this beat back in 2017 was a huge moment in my life, in terms of working out what I really wanted and who I wanted to be. I was bugging back then, but that experience opened a lot of doors mentally, and helped me rediscover a passion which I was losing. This beat was actually really difficult to remix and remaster, the levels on the original flip are really really bad so it took a lot of work to get it to fit with the sound of my newer drums, which are mixed in a very different way. I think it paid off though and I’m a lot happier with how the beat sounds, especially the way I layered the sample in the chorus to give the track a bit more variation, because it is just a 2-bar loop, so I decided to filter it for most of the track and bring in the highs occasionally, so the loop didn’t get boring.

Peace.

Scars (Instrumental)

Instrumental: https://soundcloud.com/tapeheadloops/freestyle-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Freestyle Acapella’ by Masta Ace

Visuals: https://youtu.be/mitXyIvjWdU

Always love remixing Masta Ace acapellas, and I was very lucky to find the acapella LP whilst out digging recently. I’ve always thought this acapella would be a great one to remix, cause the fact that Ace is freestyling means that the style is really open to interpretation and could work in different ways on different beats, cause it’s more of a raw verse showing skills rather than a polished song which was written with a specific beat and vibe in mind. I chose these beats cause they both feel like ‘freestyle’ beats to me, by that I mean they’re beats which aren’t too focused on one specific emotion, and are more just about capturing that East Coast Hip Hop vibe, which always fits Ace super well, and I thought with this acapella in particular it would work well. 

Peace and thank you for listening!

Original mixes of these beats:
https://soundcloud.com/tapeheadloops/come-get-it-rmx
https://soundcloud.com/tapeheadloops/underground-science

Freestyle

Instrumental: https://soundcloud.com/tapeheadloops/stop-fakin-instrumental

Beat, mixing and mastering by Tapehead
Vocals from 'Fakin' Jax Acapella' by Pete Rock and INI

Visuals: https://youtu.be/KVoufTJXd1M

When I originally came up with the concept for this remix I called it 'deceiving, achieving nothing', which I still think is the hardest hitting line for sure. This might be my favourite verse Pete Rock has done as an emcee to be honest, his lines are just mad creative here. 

I switched the name up to Stop Faking just cause it sums up the whole vibe of the track better, this track never feels like an angry one to me, INI always have that laid back style which fits Pete Rock's jazz heavy production, and on this track they sound more fed up then anything with all the artists faking, but again not in an annoyed way, more like they're saying it's plain to see, why even front and fake when it's that obvious. That's the aspect of this track which I rate the most personally, and wanted to bring that out in this remix. 

Peace!!

Original version: https://soundcloud.com/tapeheadloops/deceiving-achieving-nothing

Stop Fakin'

Instrumental: https://soundcloud.com/tapeheadloops/dont-mind-me-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Money Folder Acapella’ by MF DOOM

Visuals: https://youtu.be/a81-toGlUWk

Back when I first flipped this sample I put the acapella from ‘Strange Ways’ over it cause I thought the beat fit DOOM’s style. Looking back though it’s clear that the vibe of the beat doesn’t really fit what DOOM’s talking about on that track, so I switched up my approach for this rework. I thought ‘Money Folder’ fit it way better, DOOM has a sort of carefree attitude on that track which I think goes with the beat, has a sort of go with the flow kind of vibe. I’ve been wanting to make this one for a long time now, I actually first put the Money Folder Acapella over this beat at the very start of the year when I was working on my first DOOM tribute track, and then left it for time as a rough concept idea. Now after spending this year really dedicating myself to music, I felt crazily motivated to revisit this idea and do it justice. I really am too grateful and humbled by all the support I’ve been getting throughout the year, and I’m now more than dedicated to keeping on and growing/improving as much as I can. To me this beat gives of that vibe of contentment and focus: knowing what you want to do and being in a blessed place doing it. It makes sense to me that I set up the ideas for this remix at the start of the year with that focus and grind to music in mind, and am now revisiting and releasing it after spending the year doing what I set out to do, if that makes sense. 

Peace and thank you for all the support and feedback, hope people enjoy the vibe of this one!

Original version: https://soundcloud.com/tapeheadloops/same-game

Don't Mind Me

Feeling this one if i do say so myself ;D Hope everyone is doing good

Peace x

S t o n e s

SLEEPDABEAT x earfluvv - Lunar

SENTIMENT

Dust

Kent Tales

Light My Pillow

Pride
[prid noun]
1. Pride is a psychological emotion characterized by a sense of self-satisfaction or worth derived from one's achievements or qualities. It can foster confidence and motivation, but excessive pride, known as hubris, may lead to arrogance, entitlement, and a lack of self-awareness

tracks by KPGohan and Krispy

mixed and mastered by DERAILED

cover art by KP4ART

Bandcamp

Thank You (prod. TBOOGSTA)

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace