altered

Track 2 from the DOOMSDAY Tribute Album: https://soundcloud.com/tapeheadloops/doomsday-tribute-tapehead-remixes-full-album

Instrumental: 
https://open.spotify.com/track/1cQ5UmSzuM6xDDB1oCkd66?si=3e3458bdae304ac6
https://music.apple.com/us/album/doomsday/1651521860?i=1651521862
https://tapehead.bandcamp.com/track/doomsday

Beat, mixing and mastering by Tapehead
Vocals and scratches from 'Doomsday' by MF DOOM & Pebbles the Invisible Girl

Visuals: https://youtu.be/qaCxnfm04k0

This was a really difficult track to remix, the original is such a classic so I wanted to make sure I showed respect to that whilst trying to do something different. I didn't want to have the whole album be too melancholic, but for this track it felt like the best direction to go in order to do something different. Although the original beat definitely has a hint of sadness to it, I made it more upfront here with the strings and melodies. I also kept that smooth vibe, choosing this sample for that reason, the bassline especially had a nice flow from the chops I sequenced. 

I knew I was going to sample Sade for this beat to keep the atmosphere and vibe reminiscent of the original, and tried flipping tracks from all of her albums. This was like my 4th attempt at and it was by far my favourite, definitely a chilled vibe to calmly reflect on the classic track that I'm remixing. I put it at the start of the album for that reason, wanted to gradually build into the rest of the project which had higher energy and a bigger focus on celebrating DOOM. Hope people enjoy this one as it's own track!

DOOMSDAY

Instrumental for: https://soundcloud.com/tapeheadloops/doomsday-1

Spotify: https://open.spotify.com/track/1cQ5UmSzuM6xDDB1oCkd66?si=3e3458bdae304ac6
Apple Music: https://music.apple.com/us/album/doomsday/1651521860?i=1651521862
Bandcamp: https://tapehead.bandcamp.com/track/doomsday

Although the original beat for Doomsday definitely has a hint of sadness to it, I made it more upfront here for my remix with the strings and melodies. I also kept that smooth vibe, choosing this sample for that reason, the bassline especially had a nice flow from the chops I sequenced. 

I knew I was going to sample Sade for this beat to keep the atmosphere and vibe reminiscent of the original, and tried flipping tracks from all of her albums. This was like my 4th attempt at and it was by far my favourite, definitely a chilled vibe to calmly reflect on the classic track that I'm remixing. I put it at the start of the album for that reason, wanted to gradually build into the rest of the project which had higher energy and a bigger focus on celebrating DOOM. Hope people enjoy the instrumental of this one!

DOOMSDAY (Instrumental)

Instrumental for: https://soundcloud.com/tapeheadloops/bad-dreams-gas-drawls

Spotify: https://open.spotify.com/track/2u15R5jB37CQe0LXGEdYIH?si=b6c9d8364a7c4df5
Apple Music: https://music.apple.com/us/album/bad-dreams-gas-drawls/1651521860?i=1651521864
Bandcamp: https://tapehead.bandcamp.com/track/bad-dreams-gas-drawls

One of my personal favourite beats from the album, I knew I wanted to remix Gas Drawls and I had a rough idea of the kind of beat I wanted to make for it. The first flip I worked out with just the bassline reminded me of the laid back intro to Gas Drawls with the Steely Dan vocals, but I knew I wanted to switch it up in a big way to create some proper atmosphere for DOOM's verses. This sample was perfect for that, the melody of the strings was crazy to me, but it was those echoing sounds which I layered ontop that really made the beat for me, I love adding elements like that to beats and especially in this case I thought it worked perfectly with adding to that grand sort of vibe. The mix ended up really really thick here too, I wanted to make the drums fat so had to layer up the sample too, definitely ended up with a hard hitting sort of feel.

Bad Dreams [Gas Drawls] (Instrumental)

Instrumental for: https://soundcloud.com/tapeheadloops/hoe-tapes

Spotify: https://open.spotify.com/track/27QL9nmJE5xrwKAYqmn9sc?si=93a9e4743ada4f8d
Apple Music: https://music.apple.com/us/album/hoe-tapes/1651521860?i=1651521866
Bandcamp: https://tapehead.bandcamp.com/track/hoe-tapes

I was really happy with the change in vibe for this beat, even though it's from a Soul/Funk sample I took these synth chops to make a very chilled almost video game sounding beat. The layering levelled this one up for me, added a lot more atmosphere and weight to the soundscape especially on the low end, and also gave the track more variation. Went for that bouncy vibe on the drum groove here to match the flows of the melody, wanted this to be a track you can chill/zone out to, with some emotive elements to the sample too especially the layering.

Peace!!

Hoe Tapes (Instrumental)

[makesnosense] bolognaise

https://open.spotify.com/intl-pt/track/3BnzH8cPwXxJTF5l3MWCjn?si=2eaea2927dc748f8

051122 ( now on spotify )

FROGX SESSIONS - EAST COAST HIP HOP TYPE BEAT (17)

«Музыка слов» — авторский музыкальный проект личного продюсирования, в котором классическая русская поэзия встречает современное звучание.
Это не просто песни, а переосмысленные эмоциональные пространства, где стихи Бродского, Цветаевой, Пастернака, Маяковского и других художников слова оживают в новой музыкальной реальности.

Каждая композиция — диалог между эпохами: между аккордами синтезаторов и дыханием фортепиано, между электронными битами и живыми струнными, между внутренней тишиной и импульсом ритма.
Звучание — чувственное, атмосферное, экспериментальное: смесь арт-попа, трип-хопа, неоклассики, эмбиента и инди-электроники.

В альбоме сочетаются личная исповедь и культурная память — это музыка для тех, кто ищет не просто мелодию, а отражение своего внутреннего мира.
Современная форма. Вечные слова. Честное чувство.

[EN] - - - - - >>
“The Music of Words” is a self-produced musical project where classical Russian poetry meets contemporary sound.
These are not merely songs, but reimagined emotional landscapes where the verses of Brodsky, Tsvetaeva, Pasternak, Mayakovsky, and other masters of the word come alive in a new musical reality.

Each composition is a dialogue between eras — between the chords of synthesizers and the breath of piano, between electronic beats and live strings, between inner silence and the pulse of rhythm.
The sound is sensual, atmospheric, and experimental — a fusion of art pop, trip-hop, neoclassical, ambient, and indie electronica.

The album intertwines personal confession and cultural memory — music for those who seek not just melody, but reflection of their inner world.
A modern form. Eternal words. Honest feeling.

Переживи (Иосиф Бродский)

[NOIRE] - w. Upper class

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

DOOMSDAY (Instrumental)

Tapehead

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