voyager
dresden waltz
the panic
nothing
aviary dreams

the panic (EP)

$ad - Severed (prod. By ObscureDwella)

Spotify: https://open.spotify.com/track/4HXXXVWoRG9ubvDXklIvzs?si=fbfd3fedb20b446f
Apple Music: https://music.apple.com/us/album/just-zone-instrumental-instrumental-single/1578517704?uo=4&app=apple+music

Instrumental for: https://soundcloud.com/tapeheadloops/just-zone-1

Memories of making this beat are mad vague and hazy. It was either late 2016 or early 2017, and I was too excited over the sample. Being a very old beat the drums were terribly done, so I've added news drums and balanced out the levels on the sample a bit better.

Just Zone (Instrumental)

Spotify: https://open.spotify.com/track/3eF4my1AZU4hQIUnIdEMxL?si=d01f135283c04370
Apple Music: https://music.apple.com/us/album/suite-for-double-k-instrumental-instrumental-single/1580205984

Instrumental for: https://soundcloud.com/tapeheadloops/suite-for-double-k

This was one of those beats that was just mad fun to make. It's always dope when you get a piano sample which is so crazy that you just stay motivated to get it chopped up asap, to flip whatever it was that made it stand out to you. With this beat the sample was so nice I ended up making a couple of loops, pitching my chops up and down to experiment with different sounds. The chops at the normal pitch were shorter, which made for a more upbeat, choppy kind of vibe. To contrast against that, I then pitched the sample down loads for the second flip, which came out more smooth and fluid cause of the chops being much longer, which worked well for the second part of the track. It obviously makes a huge difference having more than one flip in terms of variation and song progression, and it's something I always try and do now when flipping a sample.

Suite For Double K (Instrumental)

Instrumental: https://soundcloud.com/tapeheadloops/gettin-mines-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Raid Acapella’ by M.E.D and MF DOOM

Visuals: https://youtu.be/QpNRJ8FqVyg

I’ve been feeling particularly motivated recently, and this verse from M.E.D. off Raid really resonated with me. I was originally trying to put a DOOM acapella over this beat but couldn’t get anything to work, and while I was tryna flip DOOM’s verse on the Raid acapella I thought I’d see how M.E.D.’s verse sounded. I’ve definitely always overlooked this verse because it’s crazy, so to the point and the imagery in his lyrics is mad effective to me (I tried to pick out my favourite examples of that in the visuals for this one). The general outlook of the verse is crazy inspiring, it gives off such a raw energy of focusing on yourself and what you love, no matter what might be around you tryna drag you down or throw you off that path. I was gassed with how this came out, and would definitely like to add a DOOM verse to this in the future, so I left that intro from his Raid vocal so I don’t forget (I’ve got plans to absolutely do something with that on the DOOM album I’m working on, at the moment I’m thinking of doing a beat switch into some hard hitting beat where DOOM just goes crazy hitting all the kicks or something). 

Here's the original mix I had of this beat for anyone interested: https://soundcloud.com/tapeheadloops/flavs-bout-to-drop 
I still like how the Biggie verse flows over the beat so I wanted to do something different here (not just re do that mix), and thought the mix of the beat itself could be a lot better, particularly the low end, and the resonance on the snare.

Thank you for listening, I really appreciate all the feedback and support. Peace!

Gettin' Mines

Instrumental: https://soundcloud.com/tapeheadloops/relaxed-instrumental

Beat, mixing and mastering by Tapehead
Vocals and scratches from 'Relax Your Mind Acapella' by T-Max

Visuals: https://youtu.be/FvWxa4CYFaI

It's always nice when you get 2 flips from a sample which gel together. Here I filtered both flips to act as a bassline for the beat in different parts of the track, giving the sample more weight and flavour by combining the best bits of each, it's something I've been trying to do in most beats I make now and I definitely focused on it here, trying to give the track more variation and progression as well as building the vibe of what made the sample stand out to me.

When I made this beat I knew I'd need a laid back acapella to go over it. I tried a few Masta Ace verses from the acapella LP but I wasn't really sure. I tried this acapella from T-Max and was gassed with how his flow sounded, it fit well with the drums and sounded very very different to the last remix I did with the acapella, and it fit the laid back vibe of the beat perfectly. I was considering making the drums laid back but I decided to make them hit hard, partly cause the sample didn't have much low end so I needed the drums to fill out the mix. 

Peace and thank you for listening!

Relaxed

collabo with @scabbeatz 

 "Scab x earfluvv - Escape the City"  beattape  with @c3lab will drop in october on all digital platforms and as cassette :)

scab x earfluvv - Caveman

Don't Stop

Rosemary

Allegro IV, KOII, KAOS & FX PAD's,S-1, and Monotron.

Trek

whoa more 4 mask

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace