hophipzzz

Lofi,chill beats and trap I vibe to(part 2)

The Upload

Tapehead

MF DOOM Remix Album Out Now: https://soundcloud.com/tapeheadloops/doomsday-tribute-tapehead-remixes-full-album

How I made this beat: https://www.youtube.com/watch?v=ksFaqiPbBLs

Instrumental: https://soundcloud.com/tapeheadloops/ladies-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘My Favourite Ladies Acapella’ by MF DOOM

Visuals: https://youtu.be/Vd0ugttJjbs

Remixing DOOM is so bittersweet these days. It always hits me so hard how talented he was, and the dedication to music just shows so clearly in his verses, it’s hard to describe but I always get goosebumps, like I can hear his soul and passion in the rhymes. It really is an honour to be able to use this verse for a remix, I’m too grateful for being able to put my own spin on them, the subject matter really resonates with me, and I really wanted to remix this track with my own perspective on ‘ladies’ in mind. Even though he’s clearly having fun with the metaphor on this track, a lot of the lines are mad deep and have a proper realism to them, so I wanted to try and really bring that out in this remix. What DOOM’s talking about is deep at the end of the day, a relationship with drugs is a serious topic and in this generation, I’d say it’s widespread, and to be honest I see it as completely endemic of being unable to face reality and it’s problems, and trying to escape them, choosing an easy route that only keeps you trapped and crushes ambition. That’s just my outlook though, but I really hear that pain and sorrow in DOOM’s verses, and I wanted to build on that and bring it out more by making the beat mad emotional, using vocals (which are actually a mans but sped up) that kind of give the ‘ladies’ a presence behind DOOM’s vocals. The piano is layered from the same sample, which is another melancholic melody that I layered over the vocals/bassline to try and build on that vibe of the track. Overall I’m pretty gassed with what I made here, it’s really different to the original track but I’m happy with that, I just wanted to tap into what I rate and hear in the verses and build on that, which I think I did here.

Peace

Ladies

Instrumental: https://soundcloud.com/tapeheadloops/guitar-swing-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Hail Mary Acapella’ by 2pac and The Outlawz

Visuals: https://youtu.be/-1YU8xoWj7U

I vividly remember making this beat, I’d probably been producing for about 3 months, and was showing someone who was getting into old school hip hop how the beats are produced etc. I was tryna make a simple beat so it would be quick and not too time consuming, to clearly demonstrate the process without spending too long chopping up samples etc. This guitar sample instantly stood out to me, and I chopped it up and made this 2 bar loop instantly, the whole process of flipping the beat defo took under 30 minutes which is crazy quick for me. It’s always fun when beats just turn out naturally like that, cause to me it shows how pure the inspiration is from the sample, and the result is as organic as possible.

Originally I had Havoc’s verse from Hell On Earth over this beat, but seeing as I remixed that recently I thought I’d try something different. I haven’t remixed Tupac vocals that often, and I thought his voice and style would fit this beat, the sample has a west coast kind of feel to it, even if the drums are NY boom bap sounding. 

Peace and thanks for listening! Really appreciate all the feedback and support I've been getting.

Hail Mary

Instrumental: https://soundcloud.com/tapeheadloops/when-i-die-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Suicidal Thoughts Acapella’ by The Notorious B.I.G.

Visuals: https://youtu.be/P6gDNFEKKKc
 
I don’t think I’ve actually ever remixed this acapella before, it’s such a serious verse and subject matter so I’ve always been hesitant about working with it cause I wouldn’t want to do something that didn’t work. I had a few other beats that I was trying this verse over, all of them were sad piano melodies, but I felt like this one fit the acapella best. Originally I don’t think the beat was super sad, I actually originally made it to celebrate finishing a coursework deadline, but I pitched it down to fit the tone of Biggie’s vocals better, and with this verse ontop it really brought out the sadder side to the melody I flipped for the beat. 

I remember when I first heard this track when I was younger it sounded pretty over the top, and I didn’t really understand what made it so powerful, but it was definitely hard to listen to. Now I’m older the track still stands out, but I get why Biggie made it, and it for sure wasn’t to be shocking or over the top, you can tell he was just using lyrics and spitting as therapy to the fullest, really going deep on it. That’s something I can relate to crazily, whenever I write lyrics I’m always looking at the negatives just to come to terms with what I’m feeling and express the emotions to get them off my chest. I’ve never felt like Biggie did on this track, and it’s sad to hear he had suicidal thoughts of course, but in my opinion, it’s mad inspiring and positive that he made a track about it, 100% way better than keeping the feelings inside and not speaking on it, and to be honest, without that inspiration I’m not sure if I ever would have been as vivid and honest with myself in how I write my own lyrics. I wanted to try and build on that emotional release in the beat I chose to remix this over, and really went all out on the low end to try and emphasize the weight of what he’s saying, and how hard it must have been to actually write and record too. Hopefully that shows in the remix, peace.

Here's the original mix of the beat for comparison: https://soundcloud.com/tapeheadloops/proud-to-be-alive

When I Die

Beat, mixing and mastering by Tapehead
Vocals from ‘Meat Grinder Acapella’, ‘Raedawn Acapella’, and ‘The Time We Faced Doom’ by MF DOOM/Viktor Vaughn

Visuals: https://youtu.be/9BO7hPGEwj8

I can’t think of anything to say about DOOM that hasn’t been said before, all I can do is thank him for inspiring me and countless others. There’s no doubt that I would never have thought about making music if I hadn’t heard his work, the way he approached Hip Hop was so unique and interesting, it really made it clear that anyone can do music if they want, no need to feel constricted by ‘rules’ or trends or anything, just do your own thing. Ontop of that, his workrate was crazily inspiring to me, I just couldn’t believe the amount of music he had out under different names, a lot of it released really close together too. When I first discovered DOOM and really looked into his discography I must have almost exclusively listened to his music for a year, it was that crazy to me and there really is that much of it ( I also was playing a lot of MF GRIMM, Quasimoto and Monsta Island Czars as a part of looking into artists he was affiliated with). 

I reworked these beats this time last year and just dropped that instrumental, but I’ve learnt a lot since then about mixing and mastering, so I thought I could improve on it a lot after relistening. The main thing that made me sure I wanted to use these beats though, was the way both creepshow flips blended together when I layered them, cause I knew it would elevate the potential of this remix, which I always thought was solid conceptually, cause DOOM really fits the comic style of the creepshow sample well. When I first made the beat years ago I had Meat Grinder over it, then when I reworked it I changed it to a Viktor Vaughn acapella, so for this upload I wanted to combine the two, updating the Meat Grinder remix and then having Viktor Vaughn over the switch up. What got me the most excited though was how I managed to fit ‘The Time We Faced Doom’ over the beat at the end, seeing as that’s the intro to my personal favourite MF DOOM album, it felt like a nice way to end this tribute.

Here's the older versions for comparison:
https://soundcloud.com/tapeheadloops/change-the-beat-creepshow-mix
https://soundcloud.com/tapeheadloops/meat-grinder

Really hope people enjoy this one, all I’m trying to do here is honour DOOM as an artist and pay respect to the music he made, and just show how much he always has, and continues to inspire me.

Peace

DOOMSDAY

Instrumental: https://soundcloud.com/tapeheadloops/dont-mind-me-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Money Folder Acapella’ by MF DOOM

Visuals: https://youtu.be/a81-toGlUWk

Back when I first flipped this sample I put the acapella from ‘Strange Ways’ over it cause I thought the beat fit DOOM’s style. Looking back though it’s clear that the vibe of the beat doesn’t really fit what DOOM’s talking about on that track, so I switched up my approach for this rework. I thought ‘Money Folder’ fit it way better, DOOM has a sort of carefree attitude on that track which I think goes with the beat, has a sort of go with the flow kind of vibe. I’ve been wanting to make this one for a long time now, I actually first put the Money Folder Acapella over this beat at the very start of the year when I was working on my first DOOM tribute track, and then left it for time as a rough concept idea. Now after spending this year really dedicating myself to music, I felt crazily motivated to revisit this idea and do it justice. I really am too grateful and humbled by all the support I’ve been getting throughout the year, and I’m now more than dedicated to keeping on and growing/improving as much as I can. To me this beat gives of that vibe of contentment and focus: knowing what you want to do and being in a blessed place doing it. It makes sense to me that I set up the ideas for this remix at the start of the year with that focus and grind to music in mind, and am now revisiting and releasing it after spending the year doing what I set out to do, if that makes sense. 

Peace and thank you for all the support and feedback, hope people enjoy the vibe of this one!

Original version: https://soundcloud.com/tapeheadloops/same-game

Don't Mind Me

New album cuz we cool like that yea



0:00-1:44 untitled intro because I'm an uncreative bastard

1:44-4:29 Leg Out

4:29-7:08 In This Game

7:08-10:03 SHINE!

10:03-12:48 Lean Wit Me

12:48-15:08 Wraith

15:08-17:31 Servant

17:31-20:20 Who You Know?

20:20-22:46 "Life Is Amazing"

22:46-24:39 All Is Lost

24:39-28:09 Smoke With Me, Darling

28:09-END This Life Is Something Huh

Epiphany

All. Love. In. Complete. Encompassment.

Related Series: "The Duke Of Death And His Maid"

SOUNDCLOUD: https://soundcloud.com/azurenova
YouTube: https://www.youtube.com/c/AzureNova/featured
Twitter: https://twitter.com/AzureNovaOST
Bandcamp: https://azureillustrations.bandcamp.com/

#ALICE #thedukeofdeathandhismaid #valentinesday

ALICE

@khloeautumn @na_yr ya'll always keep me going💖💖💖
1. Tryna Beat A Case W/KhloeAutmn
2. Show Me W/Nayr
3.  In The Club
4. I Get Those

DREAMS (TAPE) W/ KHLOEAUTUMN & NAYR

Beat, mixing and mastering by Tapehead
Vocals from ‘Wrong Side Of Da Tracks Acapella’ by Artifacts

Visuals: https://youtu.be/J-sYmg7qlEk

Like the ‘Ill Street Blues’ remix I uploaded recently, this is one of the first remix concepts I put together back when I first started producing. I was too happy with the flip of the sample, and it immediately brought this acapella to mind, so I layered it on top and was mad happy with how they sounded together. Back then I didn’t focus on drums or have any real mixing or mastering experience, so it was very rough and not put together well, but the idea always shone through to me. I actually reworked this beat last year, but pitched it down and only had the Artifacts hook over it because there was so much resonance in the verses, and I had no idea how to mix vocals back then. Now that I’ve been mixing vocals for over a year it felt like a good time to revisit this one and finally do a full rework of the idea, so I decided to have the normal pitch to start and then lower the pitch for the second verse. I also went all out filtering this one, cause to me the sample always stood out for the warm vibe the low end had, and I wanted to really focus and exaggerate that by filtering and boosting those frequencies in this mix.

Original rough mix: https://soundcloud.com/tapeheadloops/wrong-side
2020 rework: https://soundcloud.com/tapeheadloops/wrong-side-1

Peace and thank you for listening!

Wrong Side

Laidback

Squidward’s Tiki Land Remix | Trap Instrumental Beat ( Tiki Tiki )

Musashi’s Meditation

ネオンサインが呼んでる (Sui Uzi Remix)

ネオンサインが呼んでる (SUI UZI Remix)

| سلام.|

J.H. Drums Vol 1 ZIP >> www.patreon.com/posts/j-h-drums-v…
source=storefront

28th tape.
Wise words at the start are from Jay Dee
Purchase > https://jordan1852.bandcamp.com/album/cassette-28

Cassette #28 (Beattape stream)

You are worth it all

Beat, mixing and mastering by Tapehead
Vocals from ‘One Mic Acapella’ by Nas

Visuals: https://youtu.be/H3ITC_LUFYI

This year I’ve been making sure I release a brand new beat every 2 weeks. I always have Wednesday off work so the way I’ve been doing this is I make the beat Wednesday, mix it the Wednesday after, and release it the week after that, making the next new beat the week I release the last new beat I made. I spend the 2 weeks between making new beats digging through samples to prepare and get an idea of what I might be making for the next one, and for this one I worked it out instantly. I was actually really struggling with what I was going to do because I hadn’t really found anything that was properly inspiring me, and I’d been pretty busy so I hadn’t had as much time to properly go through my unlistened records to see what I could find. On the Tuesday evening on the way home from work I put on a compilation of Jazz greats, and luckily there was a lot of traffic so I ended up listening to the whole thing. This sample was the 2nd last track, and as soon as I heard it I was gassed and after a few listens I’d worked out the rough areas I was going to chop up, and also immediately thought of putting ‘One Mic’ over it, cause I was hearing how I could layer and build up the sample in a way that would match what Nas does with his vocals on that track. This got me so motivated and the next day I was just set on making the idea a reality, and I couldn’t have been happier with how it turned out. This really feels like the beat was made for the vocals to me, and I guess in essence it was, because all the time when I was making it I was thinking about this acapella and how it would flow over it. A lot of the time it’s difficult to know what acapella would work for a remix straight away, so times like this are dope for creating something really convincing and concise. 
I also thought it was funny how I sampled from a song about ‘Mrs Jones’ with the intention of remixing One Mic, seeing as Jones is Nas’ real surname, I only just realised that now, maybe that subconsciously made me think of Nas acapellas straight away when I was listening to the sample.

I really hope people enjoy this one, I’ve been really excited to share it, and I’m way too excited about the next one which I made this week – Peace!!

One Mic (Tapehead Remix)

Anotherfromthevault

[Free Download] https://mrwaxmusic.bandcamp.com/track/fvkc-dis
+++
My next single "Set Me Free" is out March 20th on major streaming platforms and music stores! <3

Follow me:
https://open.spotify.com/artist/4fhQIaIpj7OfmMqHmt81yP
https://twitter.com/mrwaxwave
https://instagram.com/mrwaxwave

The best seapunk spotify playlist:
https://open.spotify.com/playlist/1pdJtLerkcR1mE8jNhpdZu

fvkc dis [Free Download]

Pastel Banger (feat Chieko) SAILORWAVE III OUT NOW

NYC.

Mz Boom Bap X Large Pro - Hip Hop Hardcore

Feelinlonely

asbeluxt x S Ō M A - movin' a kilo

"This is a song demo that Gil Cang  and James Mcmillan and Maryanne Morgan wrote with Amy back in the day" 
(Released by GilCang's YouTube channel)

Lyrics : 

I’ve never been in love before
Such a foolish thing to be 
Seems to me the price is high
So I’ll keep my own company
And I’ll do what I want 
When I feel

Watch them fall so easily
Temporary insanity
Some say that true love is blind
Me I like to clarify
While I 
I just take 
My own time
And I 

I’ll go my own way 
I walk when I wanna 
Talk talk when I wanna
Finding my own way
I walk when I wanna talk talk 
When I wanna

Seems to be illogical
Love that’s unconditional
Give your heart to someone else
But save a little for your self
That’s why I’m 
I’m taking my own time
And I 

I’ll go my own way
I walk when I wanna 
Talk talk when I wanna
Finding my own way
I walk when I wanna
Talk talk when I wanna

Don’t get me wrong 
It’s kinda cynical
But it scares though
So I’m careful with my heart
It’s the only one I got
I cannot 
commit to that shit

Ill talk when I wanna
Finding my own way
I walk when I wanna
Talk talk when I wanna
I’ll go my own way
And I’ll walk when I wanna and tell u
When I wanna
My own way my own way
When I wanna when I wanna

Amy Winehouse - My Own Way (song demo)

Instrumental out now on Spotify and other streaming services:
https://open.spotify.com/track/4HXXXVWoRG9ubvDXklIvzs?si=fbfd3fedb20b446f&nd=1
https://music.apple.com/us/album/just-zone-instrumental-instrumental-single/1578517704?uo=4&app=apple+music

Remixed and Remastered.

Instrumental: https://soundcloud.com/tapeheadloops/just-zone-instrumental

Youtube:
https://www.youtube.com/watch?v=krt3oKLg0-I&lc=Ugzs4B0w07jS99VzL8Z4AaABAg

Original upload (2018):
https://soundcloud.com/tapeheadloops/just-zone

Memories of making this beat are mad vague and hazy. It was either late 2016 or early 2017, and I was too excited over the sample. Being a very old beat the drums were terribly done, so I've added news drums and balanced out the levels on the sample a bit better.

I've always loved how the Shootouts acapella sounds over this beat, especially this verse, so I've kept that the same, but added the chorus at the start and the end of the track. I don't know why I didn't use the chorus before, because it sounds dope, but then again I was bugging back then. The decision to put Shootouts over this beat was a dope one though, and I'm glad I've got the track to a place where it now sounds a lot better.

Peace.

Just Zone

@wwwoooxxx and I produced 18 beats on my MPC 1000.
He made some cuts, I mastered the tracks and now you can buy it on black and colored vinyl!
Pre-order your copy of "Dusty Bits And Gritty Pieces" LP via 
https://dezi-belle.bandcamp.com/album/dusty-bits-and-gritty-pieces

WOX & asbeluxt - Think Twice

Fakin' Jax

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace