Except the lead true Hip Hop heads will recognize the samples here
Thanks to Goldswingmusic to giving me the possibility to release this tape :
www.youtube.com/c/GoldswingMusic/videos
Download the full beat tape on Bandcamp ! : goldswing.bandcamp.com/album/cosmos-cook
Subscribe to my YouTube channel if you like my beats! : https://www.youtube.com/channel/UCS8i13zy65sUVltMpA2KbGQ/videos
And follow me on Instagram ! : https://www.instagram.com/smogzz.prod/

Cosmos Cook

Flower For Freaks

Download

Beat, mixing and mastering by Tapehead
Vocals from ‘Passin’ Me By Acapella’ by The Pharcyde

Youtube: https://youtu.be/4Tkr1jGNXPo

The first time I heard this track was on a Stretch and Bobbito show from ’92, where Stretch blended this acapella over the beat to ‘Bonita Applebum’ by A Tribe Called Quest. Straight away back then I knew this was a crazy acapella, because it sounded absolutely mad over that beat. Both originals are great, but the fact that this acapella fit so well over a Tribe beat made me know it was on a high level both rhythmically and in terms of the delivery and tone of the whole track. This is my first time remixing this acapella, and I definitely won’t be doing it again for a while, I can’t believe how well it fits over this beat. 

It’s always fun to make a beat like this, the chops are all in-between vocals, so there’s a real nice quality to how they then mesh together, with the start and end of the vocals sometimes leaking into the chops. I took chops from two versions of a similar melody, one toward the start of the song where the singer is accompanied by piano keys, and a later version when some strings come in on top of the piano as the verse builds up. I chopped each version of the melody up into similar pieces, and then combined them together into a 4 bar where I was trying to take the best of each, and create something that built in the same way the original song did, just in a much more compact melody. Because the beat was made using a love song, I had a feeling that the Pharcyde acapella might work over it. It’s just always a gamble about whether the key of the sample will match the key of an acapella like this, and I’m just too glad it matched it perfectly. 

Because of how well the acapella fit the sample I was determined to go hard on the drums, I really wanted them to have that hardcore feel without overpowering the sample, so I kept them punchy and hard hitting. I added this kick layered with some kind of wood block sound, which reminded me of the sample from the original track, which I think helps make this remix more convincing. Also, these verses are so jokes to me, the acapella has this mad infectious vibe: it’s such a relatable track which has fully stood the test of time, timeless really. I hope people enjoy this one, I’ve been bugging out over it all week.

Passin'

C0000007.WAV

Instrumental for: https://soundcloud.com/tapeheadloops/ways-of-the-world

I flipped this sample early March 2018, I’d just finished writing an essay for university about the Black Star track ‘Thieves In The Night’, and was just gassed in general. I’d chosen this module where I knew I’d be able to write about Hip Hop, and in my free time I was always making beats or listening to Hip Hop, so I felt completely immersed in the culture, and that feeling is definitely where this beat came from. I really felt like I’d gained a new understanding of the Black Star track which has always meant so much to me and makes me bug out every time hearing it, and I just felt like expressing that musically. The song is one of the maddest reflections on society and negative states of mind that trap people, so it was the introspective/melancholy vibe of the sample that made me know I wanted to flip it. I was also pretty set on putting this verse over it, there aren’t many Black Star verses out there, and at the time I didn’t have many 12” acapellas, and Deck’s lyrics fit perfectly with the mood.

I definitely rushed the original mix for this beat, at the time I made it the floppy drive on my MPC wasn’t working, so I couldn’t save beats and had to record a final mix out into audacity the same day I made them. The sample sounds nice but the drums aren’t layered very well and don’t really fit in the mix. Also the vocal is a bit quiet, so since I dropped it I’ve been a bit disappointed with it and wanted to rework it ( https://soundcloud.com/tapeheadloops/life-is-hectic-2 ). It was such a nice sample that I got multiple flips out of it, I originally picked two for when I uploaded this remix, bringing the alternate flip in for the outro after Deck’s verse. For this rework I decided to try and combine them both together, using the main loop for the highs, and filtering the second loop as a bassline to layer under it, giving the track more variation without drastically changing the loop throughout Deck’s verse, which I tried when originally remixing this but it was too jarring. I think the two melodies work well together, it gives the beat an interesting vibe, and I think it works in adding subtle variation to the track. One night while I was working on this my brother was watching an episode of the Sopranos in another room, and I had soloed the beat without the C.R.E.A.M. verse to see how the bass levels sounded on speakers, and the dialogue of the scene was fitting mad well with the beat. I had to ask him what episode it was from, and ripped the audio from a clip on youtube to use as an outro at the end of the track, chopping out the dialogue which I thought was relevant to the track.

Peace and thank you to everyone who listens.

Ways Of The World (Instrumental)

[slowed motions]

Art remember

Instrumental: https://soundcloud.com/tapeheadloops/dont-mind-me-instrumental

Beat, mixing and mastering by Tapehead
Vocals from ‘Money Folder Acapella’ by MF DOOM

Visuals: https://youtu.be/a81-toGlUWk

Back when I first flipped this sample I put the acapella from ‘Strange Ways’ over it cause I thought the beat fit DOOM’s style. Looking back though it’s clear that the vibe of the beat doesn’t really fit what DOOM’s talking about on that track, so I switched up my approach for this rework. I thought ‘Money Folder’ fit it way better, DOOM has a sort of carefree attitude on that track which I think goes with the beat, has a sort of go with the flow kind of vibe. I’ve been wanting to make this one for a long time now, I actually first put the Money Folder Acapella over this beat at the very start of the year when I was working on my first DOOM tribute track, and then left it for time as a rough concept idea. Now after spending this year really dedicating myself to music, I felt crazily motivated to revisit this idea and do it justice. I really am too grateful and humbled by all the support I’ve been getting throughout the year, and I’m now more than dedicated to keeping on and growing/improving as much as I can. To me this beat gives of that vibe of contentment and focus: knowing what you want to do and being in a blessed place doing it. It makes sense to me that I set up the ideas for this remix at the start of the year with that focus and grind to music in mind, and am now revisiting and releasing it after spending the year doing what I set out to do, if that makes sense. 

Peace and thank you for all the support and feedback, hope people enjoy the vibe of this one!

Original version: https://soundcloud.com/tapeheadloops/same-game

Don't Mind Me

thank u caramia222 for the banner !! 

here comes the last track for the year. I really appreciate all the support etc. over the last few months with my other tracks and the album!! <3

hope u guys have a great break and look forward to what i got next. a lot cool tracks coming up 2022. 

- Ultimis

worldview

Spotify: https://open.spotify.com/track/0hgPKLvkDJjYT3QpQkBv0d?si=e640c12a34ad456f
Apple Music: https://music.apple.com/us/album/who-the-is-you-instrumental/1606144794?i=1606144795
Bandcamp: https://tapehead.bandcamp.com/track/who-the-is-you

Instrumental for: https://soundcloud.com/tapeheadloops/who-the-is-you

These beats were mad fun to make, they were actually done as a sample challenge with friends, it was a Japanese funk album (I'll be finding the sample for a beat breakdown for sure), and I took these chops from a song that stood out to me. Originally they sounded nothing like this though, I was trying to flip them at the normal pitch and it sounded OK, but I wasn't really happy with it, so I decided to try pitching it down. I experimented a bit and eventually decided to go crazy and pitched it down as far as the MPC would let me, which really brought out the bass of the sample and made it into something completely different, so I chopped it up again. I was then able to get these two flips out of it, and was very happy with the outcome, I love making heavy beats like this and 9 times out of 10 it's a result of pitching a sample down loads, like what Havoc did with Shook Ones Part 2. Really looking forward to doing a breakdown of this one to show what I mean, until then: peace!

Who The ? Is You (Instrumental)

Listen 222 SmokeFacePlayer’s music ON Various Platforms 

Apple Music: https://music.apple.com/us/artist/smoke-face-player/1748017564

Spotify: https://open.spotify.com/artist/3DMYXpZfAGO12bJgDnTEND?si=yPM3FxewTVujJLR5A5uY6A

YouTube: https://youtube.com/channel/UCmjfqlbqSaXid3uqACMvG9w?si=JlmioW_wInhtMhDk

My Old Vibes

4-Track Beattape by

@jesus-ander - Opas (Track 2, 4)
@earfluvv (Track 1, 3)

Opas x earfluvv - Crossings on the moon

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace