Spotify: https://open.spotify.com/track/2eI0R64DEMhcDjDJSOC88Y?si=2c70467dd1eb46a9
Apple Music: https://music.apple.com/us/album/scars-instrumental/1579972136?i=1579972137

Instrumental for: https://soundcloud.com/tapeheadloops/artifacts-chat

This is a rework of the first beat I ever recorded a song over back in December 2017( https://soundcloud.com/tapeheadloops/scars ). Recording over this beat back in 2017 was a huge moment in my life, in terms of working out what I really wanted and who I wanted to be. I was bugging back then, but that experience opened a lot of doors mentally, and helped me rediscover a passion which I was losing. This beat was actually really difficult to remix and remaster, the levels on the original flip are really really bad so it took a lot of work to get it to fit with the sound of my newer drums, which are mixed in a very different way. I think it paid off though and I’m a lot happier with how the beat sounds, especially the way I layered the sample in the chorus to give the track a bit more variation, because it is just a 2-bar loop, so I decided to filter it for most of the track and bring in the highs occasionally, so the loop didn’t get boring.

Peace.

Scars (Instrumental)

Art remember

hotbox

Spotify: https://open.spotify.com/track/0hgPKLvkDJjYT3QpQkBv0d?si=e640c12a34ad456f
Apple Music: https://music.apple.com/us/album/who-the-is-you-instrumental/1606144794?i=1606144795
Bandcamp: https://tapehead.bandcamp.com/track/who-the-is-you

Instrumental for: https://soundcloud.com/tapeheadloops/who-the-is-you

These beats were mad fun to make, they were actually done as a sample challenge with friends, it was a Japanese funk album (I'll be finding the sample for a beat breakdown for sure), and I took these chops from a song that stood out to me. Originally they sounded nothing like this though, I was trying to flip them at the normal pitch and it sounded OK, but I wasn't really happy with it, so I decided to try pitching it down. I experimented a bit and eventually decided to go crazy and pitched it down as far as the MPC would let me, which really brought out the bass of the sample and made it into something completely different, so I chopped it up again. I was then able to get these two flips out of it, and was very happy with the outcome, I love making heavy beats like this and 9 times out of 10 it's a result of pitching a sample down loads, like what Havoc did with Shook Ones Part 2. Really looking forward to doing a breakdown of this one to show what I mean, until then: peace!

Who The ? Is You (Instrumental)

[Keep On]

doja

blossom.

VSS20 .2. pt.1- (Instrumental)

BoomBap Beat using the AKAI MPC ONE and ROLAND SP-404.

My Beats are NOT free. If you want to use my Beats contact me on Instagram or E-Mail.

FEEL IT

Paris

Yotaro - Still Down

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

Scars (Instrumental)

Tapehead