Philosophy 47

Weird Dreams

Crank'd Up

Spotify: https://open.spotify.com/track/3eF4my1AZU4hQIUnIdEMxL?si=d01f135283c04370
Apple Music: https://music.apple.com/us/album/suite-for-double-k-instrumental-instrumental-single/1580205984

Instrumental for: https://soundcloud.com/tapeheadloops/suite-for-double-k

This was one of those beats that was just mad fun to make. It's always dope when you get a piano sample which is so crazy that you just stay motivated to get it chopped up asap, to flip whatever it was that made it stand out to you. With this beat the sample was so nice I ended up making a couple of loops, pitching my chops up and down to experiment with different sounds. The chops at the normal pitch were shorter, which made for a more upbeat, choppy kind of vibe. To contrast against that, I then pitched the sample down loads for the second flip, which came out more smooth and fluid cause of the chops being much longer, which worked well for the second part of the track. It obviously makes a huge difference having more than one flip in terms of variation and song progression, and it's something I always try and do now when flipping a sample.

Suite For Double K (Instrumental)

dismal (feat. Seventys)

Spotify: https://open.spotify.com/track/6iHXtWFWwcCF8F58EWMHmX?si=58de5b4342bd44dd
Apple Music: https://music.apple.com/us/album/sparkin-instrumental-instrumental-single/1582867761

Instrumental for: https://soundcloud.com/tapeheadloops/sparkin-on-the-mic/s-CEHLwCs9LTw?ref=clipboard&p=a&c=1&utm_campaign=social_sharing&utm_medium=text&utm_source=clipboard

I made this beat in late October 2019. I'd picked up a generic record compilation of music from films at a charity shop for 50p on the off chance that there would be something dope on there. The sounds on this beat are all I managed to find on the whole record, on one rhapsody track from 1945 that it had. Most of the rhapsody had nothing that stood out to me and was really hectic musically with no sampling potential, and it was a bit frustrating, because I'd spent a few hours listening to records for samples. Then for a brief moment there was a pause in the rhapsody, and these really dark and menacing bass notes played, and they instantly stood out to me so I sampled them into the MPC2000. I guess being frustrated with not finding a sample brought out an aggressive nature in this beat, it made me think of the soundtrack to Jaws or something in how sinister and angry the beat sounded. It was late October too so maybe it being near Halloween inspired the evil sound of the beat too. I was happy with the loop of the bass heavy string notes, and I layered the best piano notes from the rhapsody ontop, which added a lot to the beat and made it a lot more engaging.

Overall this is one of those beats that was born out of frustration, but once I actually had the samples on the MPC it was very simple to make, and it didn't take long to get to the finished product, which I was very happy with as it's always fun to make a really grimey hardcore sounding beat.

Peace!

Sparkin' (Instrumental)

Out on most major streaming platforms today  :) 
https://nicktruant.bandcamp.com/album/6th-batch
https://nicktruant.bandcamp.com/album/6th-batch
https://nicktruant.bandcamp.com/album/6th-batch

6th Batch

Redeyes

m00nt0ne

A  HIP HOP BREAK BEAT UNDERNEATH  ARAB GUITARS CREATES A POWERFUL EMOTION OF UPRISING AND JUSTICE. MAY THE RHYTHM INSPIRE YOU.

REVOULUTION PALESTINE

Beatmaker / Emcee
Contact: tapeheadloops@gmail.com

<--MPC2000 Classic                     

Underground Airplay

Trying to give something back to Hip Hop - really appreciate any comments or feedback.

Peace

Sparkin' (Instrumental)

Tapehead