This is amazing, very well constructed indeed!

Nice experiments with vocals, stunning, strange and fascinating...

Very interesting experimental soundscape with beautiful vocal palette of hums and gentle spoken word. Wonderful jawharp induced dream of a ghost town. Great!

deemand contained contortion tide

faces in seaweed 

video> https://vimeo.com/jessicasnail/hypnosys

complete download on bandcamp >>> https://tayploops.bandcamp.com/album/plosiv-e-motivs

image from "open confusion" zine  https://jessicagabriel.wordpress.com/2014/05/09/open-confusion/

hypno sys

das Ende vom Lied

Second sound of Chromatic Red Side EP ; this one as been so fun to do, Its pretty unusual and I really hope it gonna make it ! Love those Rock / Metal Symphonic pieces and this is actually the first one I dare to publish ! Ready for a blast ?

Don't forget to like if you do, share if you can and comment if you want !

Love you, SoundCloud family !

Amadeus On A Sleepless Night

https://www.youtube.com/watch?v=z4ZhwYgG6M8&list=PLBYucxNfbDL8tBKFU0k6-0TkhfCPzDGGw
Debut solo album released 20 May 2020 n Candy Bomber Music / Seja Records, Netherlands. Get it here: sejarecords.bandcamp.com/album/gig-economy
TIJ (THE INCONSISTENT JUKEBOX) is Barry Snaith, also one half of International Electronic soundscape duo m1nk.

Gig Economy

06. There's A Circus Going On In There

001  _ BIRTH ( Sequence 555 )

The lyric is an extract from "The Rime of the Ancient Mariner" by Coleridge
It is an amazing epic poem. It seems to me that it is an allegorical warning about the unintended consequences of cavalier interference in natural systems. Or it may just be about an old sailor.

All in a hot and copper sky,
The bloody Sun, at noon,
Right up above the mast did stand,
No bigger than the Moon.

Day after day, day after day,
We stuck, nor breath nor motion;
As idle as a painted ship
Upon a painted ocean.

Water, water, every where,
And all the boards did shrink;
Water, water, every where,
Nor any drop to drink.

The very deep did rot: O Christ!
That ever this should be!
Yea, slimy things did crawl with legs
Upon the slimy sea.

About, about, in reel and rout
The death-fires danced at night;
The water, like a witch's oils,
Burnt green, and blue and white.

And some in dreams assurèd were
Of the Spirit that plagued us so;
Nine fathom deep he had followed us
From the land of mist and snow.

And every tongue, through utter drought,
Was withered at the root;
We could not speak, no more than if
We had been choked with soot.

Ah! well a-day! what evil looks
Had I from old and young!
Instead of the cross, the Albatross
About my neck was hung.

Water, Water Everywhere

PMB4

Disquiet Junto Project 0450: Texture Analysis
The Assignment: Create a piece of music from sounds related to working with rocks.

Welcome to the 450th consecutive weekly Disquiet Junto project. Thanks to everyone who has participated, supported, and pitched in along the way.

This project is the third of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Download the field recordings made at Carlo Bernasconi AG, a company that has been working in stone for over a century. The sounds range from machines to manual tools to spatial ambience.

Step 2: Listen for aspects of the recordings that attract your ears. Focus on textures in particular.

Step 3: Create a piece of music combining elements from as few or as many as you chose in Step 2.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0450” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0450” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto and #musikfestivalbern so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, August 17, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 13, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0450” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 450th weekly Disquiet Junto project (Texture Analysis — The Assignment: Create a piece of music from sounds related to working with rocks) at:

https://disquiet.com/0450/

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

The Rocks - disquiet0450

Uploaded with AudioShare app - http://kymatica.com/audioshare

xnmiutgb

Boson Spin - Sprablato

Another collaboration with @peteswinton. Pete are working on album together where we are reworking/remixing each others tracks.

This piece was recorded in AUM using one of Pete's original tracks (called Dark Day In The City) and adapting it in the Borderlands app and adding extra texture with Droneo. A couple of Eventide Delay and Reverb effects were added to the mix as well.

Evolving Cities (with Pete Swinton)

lo_fyi sketches 
from handheld 
casse-tête tape
reek or dings

a sea grit sighed project by artist/puppeteer/clown jessica gabriel
all ins'true'mints played by moi unless otherwize stay_did

in joy

hypno sys

tay_ploops

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