Music repeats, visuals repeat, ringtones repeat, and people repeat each others musical "sentences." This show even has a fake ending. It was so convincing that at WGI prelims, the next groups was about half way from behind the curtain before they realized the fake  ending wasn't real!

Repeat (Open Class)

A groove-based piece for percussion ensemble. Sheet music available from Tapspace at http://www.tapspace.com.

The REM Cycle (Dustin Schulze)

piano with pedal sustains , alto sax , trumpet ,synth pad confront the abyss and find sadness and beauty

Dark nights of our souls

Noir - Full Show

When the Peoplemover cars were refurbished and Goodyear ended the ride's sponsorship in 1981. The ride was refurbished with new audio, and removing Goodyear's Go Go Goodyear! Jingle.  The ride remained like this till August 21, 1995. When it was closed for good, Michael Eisner the CEO of Disney at time, had set up a program to shut down classical attractions to save money for the New Tomorrowland revamp of 1998.

WEDway Peoplemover Audio (1982-1995)

Consumed M2

Sheet music available from Tapspace at https://www.tapspace.com.

Tapspace Concert Literature

Beyond the Clouds (Jim Casella)

On the surface, this show is about a group of prisoners on a chain change who break free, in search of physical freedom from the shackles of prison. On their quest to find freedom, they come to realize that the freedom they seek can only be found within. This emotional journey will be a spiritual experience for anyone who gets to experience it.

Visaudio Designs Indoor Percussion

Salvation Lies Within (Open Class)

Broken City 2019

If 20 NESes got together to play SCV's 2018 show.  Made with transcript by TheMTCrew: https://musescore.com/themtcrew/babylon

Babylon 8-bit SCV 2018 | Chiptune Drum Corps

Grade 4.5 - 5. The wind ensemble version of Summer Dances has been one of the most popular pieces I have ever written, and also happened to be the very first piece I published with The FJH Music Company. For over a decade, I have had numerous requests from orchestra directors to transcribe it for symphony orchestra. In addition to the incredible textures available with strings, I was able to go back and revisit a few sections from an orchestration point of view. The result is a piece that is truly tailored to a symphony orchestra and makes use of the elegance it possesses along with the sheer power it can command. Originally written for an outdoor festival, the piece maintains a dance-like quality throughout, even during the lyrical portions of the work.