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Composed by Clifton Taylor for solo marimba with percussion ensemble. Solo performed by Jason Baker, percussion ensemble audio electronically rendered by Tapspace Publications.

Concertpiece For Marimba and Percussion Ensemble

Purchase a copy of the sheet music here!:
http://www.ericpeelmusic.com/gymnopedie-no.-1-percussion-ensemble

The instruments were carefully chosen to best emulate specific orchestral sounds from Claude Debussy's arrangement of this timeless piano solo. For example, chimes are used to create the sound of the bell-tone technique played by the french horns in Debussy's arrangement. A more obvious example is how timpani played specifically with a soft mallet is used to emulate the double bass.

To minimize the size of the ensemble, some players have one or two extra instruments. The timpanist for example will play suspended cymbal at times. Also, both auxiliary parts have multiple instruments. This could be an ideal first guide for handling such a part. A group of eight dedicated percussionists will find a true and felt connection to legitimate classical music.

This piece is written for two Vibraphones (3-octave and 4-octave), Glockenspiel, Chimes, Xylophone, two 4.3-octave Marimbas, Timpani, 6in Triangle, Wind Chimes, Concert Bass Drum, two Suspended Cymbals. An alternate 3-octave Vibraphone part is included to substitute ensembles with no access to a 4-octave instrument. This is reflected in the included alternate score.

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Gymnopédie No. 1 for Percussion Ensemble

Commonwealthgirrl&Berlin

Track 4 from the album "Safety In Numbers"

Night Of The Cold Noses

Sheet music available from Tapspace at http://www.tapspace.com.

Some Things - Mvt. 3 (Eric Willie)

Written for the Phantom Regiment percussion ensemble, Rochambeaux was awarded first prize in the 2001 DCI percussion ensemble competition. The dominating 7/8 feel, flashy keyboard runs, and ethnic modalities drive the three distinct sections of this groove-based work.

As an option, an 11th player may be added as a featured marimba soloist. There is a separate part for this optional soloist which can be featured over an elongated treatment of the slower, middle phrase. Other solos may be traded among some (or all) other performers during the 6/8 African section ensuring that no two performances of this piece will ever be the same. Certain to garner audience appeal!

Sheet music available at http://www.tapspace.com


Rochambeaux (Brian S. Mason)

The Cavaliers, affectionately known as the Green Machine, have been dishing out some of drum corps finest percussion programs for decades. This book contains some of the technical exercises and musical excerpts that make the gears turn for one of the worlds top marching percussion programs.

Green Beats 2009 is the latest technique book compiled by the Cavaliers percussion staff which includes a full collection of technical exercises and musical excerpts for all battery sections (snares, tenors, bass) as well as the front ensemble. Exercises are written in score form and contain written guidelines from Cavaliers staff members on how to approach the musical concepts involved. Technical guidelines pertaining to grip, stroke, playing positions, etc., include pictures and details to consider when learning the Cavaliers percussion approach.

Sheet music available from http://www.tapspace.com

DeeJay Diddles

The title It's in 4 comes in the form of an answer to a question that was posed during a parade in which this cadence was utilized to "coordinate" the footsteps of the performers. In this case, the performers were the members of the Santa Clara Vanguard, the questioner was an SCV staffer (who shall not be named), and the "questionee" was drumline instructor Murray Gusseck. The dialog went something like this: "That sounds like $&#. What $*%*#@^ meter is that in??"

Gusseck's answer became the new name for the cadence. And now It's in 4 has been refurbished and shined up with new life for your listening and downloading pleasure. Clocking in at over two minutes, this behemoth has some old school and some new school mixed together that would challenge anyone. The piece has been tweaked for increased playability and less ticks, so don't be afraid to dive in and start swimming.


It's in 4 (Murray Gusseck)

"POOF! You're loose!" was what Scott Johnson used to say to the members of SCV's 1992 drumline when they complained about needing to warm up. This old-school 60-second warmup was then marching member Murray Gusseck's tip of the aussie to Scott and the gang. Don't let the phrase "old-school" fool you though...POOF! runs the rudimental gamut in short order, so have your chops at the ready!

POOF! (Murray Gusseck)

The word "scintilla" was originally Latin for "spark." It is currently defined on dictionary.com as a minute amount; hint, trace, or particle. Newcomer Andrew Ziehm's Scintilla for marching battery ensemble has a hint of some spark, alright…lots of it. The phrase, "It's all in the details" seems apropos when listening to this sophisticated work by a very young composer.

The piece effortlessly mixes 6/8, 4/4, and 7/8 and keeps dancing the whole time. Particularly scintillating bits are during the 6/8 sections where the interplay between snares, tenors, basses, AND cymbals create not so much a theme as a vibe. Very cool stuff!


Scintilla (Andrew Ziehm)

Josh Brickey raises the battery etude bar a couple notches higher with Seven Is Heaven. Brickey masterfully weaves in and out of 7/8 time in a way that is at once both complicated and groovy. Performers must master both density and dynamics in order to get a grip on the piece. From start to finish, you'll get more than your fill of notes with this one…and a healthier understanding of odd time signatures to boot. Kudos Josh!


Seven Is Heaven (Josh Brickey)

Champion snare drummer Jeff Queen serves up a juicy plate of "get some" with this new parking lot jam for battery entitled Uncle Ted. Performers will have all aspects of their playing challenged--dynamics, density, and rhythmic integrity. Audiences will have their minds blown. Written in the spirit of early 90's warmups (only in 7/8 this time!), the piece goes from single-hand sections to chop-busting hybrid rudiment phrases the whole family can enjoy…especially Uncle Ted! Those swung 16ths are for you buddy!

DeeJay Diddles

Tapspace

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