Name: Over The Rainbow (Arlen; arr. Robert Oetomo) by Tapspace
Duration: 4 min 17 s
Description: Robert Oetomo arranges this classic song from "The Wizard of Oz" for solo marimba. Available from Tapspace at http://www.tapspace.com

beautiful piece! When will this be available?

Is this song available for purchase? iTunes or something?

sipping my coffee in holiday od 1990. it makes me feel just like thaat

XINA is a 22-year-old, multi-disciplinary artist based in the Twin Cities, MN. If you ask what she does, she'll simply say "arts and crafts," an umbrella term for her expansive roles as a singer/songwriter, dancer, choreographer, producer, director, designer and entertainer.
With both hands on every aspect of the process, she creates genre-bending music with intensity and vulnerability balanced with a sophisticated mystique. By exercising her intuitive finesse across a growing body of work, XINA is proving impossible to ignore.

Cover art: William Hawk

Mid December

Second Best

1986 SANTA CLARA VANGUARD - DCI WORLD FINALS - FESTIVE OVERTURE / GATES OF KIEV

1986 SANTA CLARA VANGUARD - ALL RIGHTS BELONG TO DCI.

i don't know my place

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Robert Oetomo arranges this classic song from "The Wizard of Oz" for solo marimba. Available from Tapspace at http://www.tapspace.com

Over The Rainbow (Arlen; arr. Robert Oetomo)

Despite its association with sovereign nations involved in wartime alliances, the term “ally” has become influential in activist circles on the US left. Attention to debates over what it means to be an ally reveal the limits of the politics of allyship. They also provide an opportunity to reflect on the difference between allies and comrades. Allyship is anchored in liberal politics. People committed to revolutionary politics need to be comrades.

Over the last decade, there have been intense discussions on social media and among community organizers who can be an ally. Generally, allies are understood to be privileged people who want to do something about oppression. They may not consider themselves survivors or victims, but they want to help. So allies can be straight people who stand up for LGBTQ people, white people who support Black and brown people, men who defend women, and so on. I have yet to see the term used for rich people involved in working-class struggle. Allies don’t want to imagine themselves as homophobic, racist, or sexist. They see themselves as the good guys, part of the solution.

As is frequently emphasized in debates around allyship, claiming to be an ally does not make one an ally. Allyship requires time and effort. People have to work at it. Much of the written and video work on allyship is thus instructional, often appearing as a how-to guide or a list of pointers—how to be an ally, the dos and don’ts of allyship, and so on.  The instructions for being a good ally are mini lifestyle manuals, techniques for navigating (but not demolishing) settings of privilege and oppression. Individuals can learn what not to say and what not to do. They can feel engaged without any organized political struggle at all. The “politics” in these allyship how-tos consists of interpersonal interactions, individual feelings, and mediated affects.

The pieces on how to be a good ally that circulate online (as blog posts, videos, editorials, and course handouts) address the viewer or reader as an individual with a privileged identity who wants to operate in solidarity with the marginalized and oppressed. This potential ally is positioned as wanting to know what they can do right now, on their own, and in their everyday lives to combat racism, sexism, homophobia, and other forms of oppression. The ally’s field of operation is often imagined as social media (in knowing the right way to respond to racist or homophobic remarks on Twitter, for example); as charitable contribution (in donating to and setting up GoFundMe campaigns); as professional interaction (in hiring the marginalized and promoting the oppressed); as conversations at one’s school or university (in knowing what not to say); and, sometimes, as street-level protests (in not dominating someone else’s event). Even more often, the ally’s own individual attitude and behavior is what is targeted. The how-to guide instructs allies on how to feel, think, and act if they want to consider themselves as people who are on the side of the oppressed. Their awareness is what needs to change.

Read the full article here: https://www.liberationschool.org/from-allies-to-comrades/

Over The Rainbow (Arlen; arr. Robert Oetomo)

Tapspace

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