My submission for KVRs OSC161 using Synth1 as only sound source. All sounds made from init.

Made with Ardour 6.9 on ArchLinux
37 instances of synth1 via yabridge / wine.

Effects:
-LSP Parametric Equalizer 
-ZaMultiCompX2
-Dragonfly Hall Reverb
-ACE Compressor
-LSP Sidechain Compressor Stereo
-Calf Compressor
-TAP Scaling Limiter
-LSP Sidechain Multiband Compressor Stereo
-x42-eq - Parametric Equalizer Stereo
-TAP Tubewarmth
-LSP Slapback Delay Stereo
-LSP Artistic Delay Stereo
-Texturize
-ADClip7
-Galactic

Master Chain
-LSP Parametric Equalizer 
-LSP Multiband Compressor Stereo
-ToTape5
-LSP Limiter Stereo
-ZaMaximX2
-x42-dpl - Digital Peak Limiter Stereo

Analyzers:
-Calf Analyzer
-EBU R128 Meter
-DR-14 - Crest Factor Loudness Range Meter
-LSP Spectrum Analyzer

MyLoFy - Smize

The track is made for the KVR One Synth Challenge #161 using sounds made by the VSTi Synth1. DAW, free 3rd party and some commercial FX used.

Tracks
9 * Synth 1
9 * Waves VEQ4 (Commercial)
5 * OTT
1 * TAL Dub Delay
1 * Twin Delay
1 * Waves Maxxbass (Commercial)
1 * Valhalla Room (Commercial)

Master
Stillwell 1973 (Commercial)
FerricTDSMkII
Ozone 8 Elements (Commercial, but was a free download!)

Meter
Youlean Loudness
SPAN

Stats
LUFS: -16.2
DR: 10

The Zen Pot - OSC #161 - Synth1

I finally lost the will to try to resurrect Synth1 which just kept not working in my DAW and the workarounds stopped working too. Ordinarily I would feel it's a blessing that it stopped me from tinkering with it any longer, but the mix is not quite right.

Anyway, here's my entry for the 161st edition of the One Synth Challenge - all sounds made by Synth1, when it was prepared to get out of bed.

Audio odio - OSC161

Entry for One Synth Challenge #161
14 Instances of Synth1 - all from init.

Remember You Are A Soldier Of The Light

My Submission for KVR OSC #161. Brutal feedback please!

Plugin counts:
- VST3: OrilRiver (Denis Tihanov) x1
- VST3: TDR Nova (Tokyo Dawn Labs) x1
- VST: ReaComp (Cockos) x2
- VST: ReaEQ (Cockos) x2
- VST: ReaLimit (Cockos) x3
- VSTi: Synth1 VSTi (Daichi) x36

Heist Planning

My entry for OneSynthChallenge 161

All sounds made from scratch with Synth1 vst instrument.

x19 instances of Synth1

FX List

MAXBAX
FerrickTDS mkii
LoudMax

GClip
x3 Freeclip
dBComp
KSHMR Essentials Kick
Initial Clipper
x3 FirComp
x2 ReaEQ
TAL Filter 2
SequencAIR
PreBOX
Panstation
x2 Wider
epicPLATE
HY Delay 4 Free

Nameless City (by phankiejankie303)

NEW REMASTERED VERSION ON YT: https://youtu.be/EYnCzPoYtKo

Submission for One Synth Challenge #161 featuring "Synth1" by Ichiro Toda.

KVR forum: https://www.kvraudio.com/forum/viewforum.php?f=1&sid=8a6945574871baa71b8a28dd42a9ae6c
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2022/osc-161-synth1?authuser=0
Thread, related to this round: https://www.kvraudio.com/forum/viewtopic.php?t=583839&sid=44a7bb877b5ac263c864b33ec3661db1

YouTube:  https://youtu.be/QuDxKEwqG1Q

Working with Synth1 is like meeting an old friend. You know exactly what to expect from it, yet still it can surprise you with something new. I stated my whole music making hobby five years ago with this instrument. I even found my old presets, created in 2017, which I used in this track. Some of those sounds still couldn't be matched by commercial instruments. There is some magic behind the code of Synth1, especially in the effects section. I definitely could make a whole album with it.

And it also can make one of the most realistic electric guitar sounds (among free software).

39 instances of Synth1 used. Some instruments were created by layering two or more instances. All sounds from "initial sound".

Some commercial FX were used.

Follow me on Patreon: https://www.patreon.com/infravolt

Technical details:

Produced in FL Studio 20.9.2

Native Effects:

x10 Parametric EQ 2
x11 Delay 3
x1 Love Philter
x1 Stereo Enhacer
x3 PanOMatic
x1 Wave Candy
x1 dB Meter
x2 Layer

VST Effects:

x11 AdHd "Leveling Tool"
x11 Thomas Mundt "LoudMax"
x1 D16 "Frontier"
x1 TDR "Kotelnikov"
x2 TDR "Nova"
x19 TDR & VoS "Slick EQ GE"
x1 VoS "epicVerb"
x2 VoS "epicPLATE"
x1 Eventide "Blackhole"
x2 U-He "ColourCopy"

Master Chain:

TDR "Nova"
TDR "Limiter №6 GE"

Total:

x39 Generators
x82 Effects
x28 MIDI Patterns
x28 Mixer Tracks
No Audio Clips
x24 Automation Clips

Dystopia Today

Dystopia Today (OSC#161)

‍   ‍   ‍    ‍    ‍Somewhere,
     ‍ on the edge of nowhere, 
the Gnomes of Garden gather.
      ‍  to dream a new dawn.
             ‍ ‍   A new day.
       ‍     ‍   A new world.
 
 
 
An entry for One Synth Challenge 161  - Synth 1 by Daichi Laboratory
Made in REAPER 6 using:
Synth1   (20, 11 patches , from scratch as always ; no layering just voice splitting )
TDR Nova Free( 10, doing household stuff )
ReaEQ ( 1, more household stuff  )
Black Rooster VLA-3A ( 1, slightly compressing plucks )
Hy-Delay4 Free ( 6, delaying lead and mallets )
ADPTR Sculpt ( 1, blunting transients on a delay send )
JS Time Adjustment Delay (1)
JS Channel Time Delayer (1)
Oril River ( 8, mono )
Protoverb ( 4, mono ; 1 stereo )
A1 stereo Control ( 2, what it says on the tin ) 
Sonible SmartEQ3 ( 1, being dynamically smart on master )
Pulsar Mu ( 1, compressing master somewhat ) 
PSP Xenon ( 1, limiting master )
Limiter No6 ( 1, ISP thereafter )
PSP X-Dither ( 1, final bit reduction )

Somewhere, Nowhere

JIMMY LA FLEUR HUMAN VALUE SANLOUISRECORDS 2025
AMSTERDAM 
PARIS

JIMMY LA FLEUR - Human Value

CrossWorlds

DnBad Trip. FREESTYLE VOL.1 is a concept drum and bass album built around controlled genre collisions. Each track explores drum and bass as a core system forced into contact with another musical language - from jazz and classical motifs to tribal rhythms, ambient noise and broken club aesthetics.

This is not a fusion record in the traditional sense. The secondary genres are not blended smoothly but distorted, absorbed or rejected by the DnB framework, creating tension, instability and altered perception. The album moves like a single night trip: fragmented, intense, sometimes disorienting, but always intentional.

FREESTYLE VOL.1 focuses on experimentation without commercial pressure, preserving raw ideas, unexpected transitions and imperfect beauty. Dark atmospheres, rolling breakbeats, deep bass pressure and cinematic sound design define the journey.

Recommended for listeners interested in experimental drum and bass, jungle mutations, cross-genre electronic music and narrative-driven albums.

Audio odio - OSC161

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