Nice movement adding a real sense of stereo space

The distorted guitar is good, but perhaps it would sit and be happier with less distortion on the elements around it?

cool sound, I feel it too dense in some zones

I really enjoyed the rhymthmic Percussion on this track, gives it kinda an "industrial?" tune :)

I know nothing about Chromaphone, but this piece has made me want to learn about it.

I really like the sense of space you create throughout this song. There's so much depth. Bravo!

Here's another synth I haven't tried, but I like what you've done with it. The track has a lot of character, variety (I especially like this section), and is nicely mixed.

Thought I'd already commented some days ago :( Oh well... Quite a curious mixture of sounds and an almost agressive feel to this. Film theme-ish

Made for KVR OSC #155
FL Studio 20.6
14 instances of Asper

DAW FX's:
8x Fruity parametric EQ 2
1x Maximus 
1x Fruity Multiband Compressor
2x Fruity Limiter
1x Fruity Center
3x Fruity Peak Controller

Other FX's:
9x zOne ArxOne

Statistics:
Max momentary loudness -6.9 LUFS
Max short-term loudness -10.2 LUFS
Integrated loudness -14.6 LUFS
Loudness range 8.3 LU
True peak L -1.01dB
True peak R -1.01dB

Frozen Heart (Asper)

Track for the One Synth Challenge #155 Any One Synth edition using 20xDiscovery by DiscoDSP
January 2022
Daw: Renoise
Internal effects: 
Compressor
Eq 5
Eq 10
Digital Filter
Analog filter
mpReverb
Delay
Stereo X

External effects:
2xValhallaSupermassive

Commercial FX: 
Powercore Master X5

OSC#155 Any One Synth

All Systems Go (OSC 155)

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

my little dance fantasy.

made for OSC 155, using Humonica for all sounds: https://geraintluff.github.io/jsfx/#Humonica

Twigs

Level

Leonard Bowman - Level

My latest entry for KVR's One Synth Challenge, round 155.

All sounds made using AAS's Chromaphone synthesiser. It's a physical modelling synth, so it's much easier to create these plucky percussive sounds than your more common subtractive or wavetable based synths.

Everything is on the one (except when it's not) - OSC155

Track made for One Synth Challenge, using Helm synth only and Renoise as DAW. Only Renoise internal dynamics and eq-ing applied and some reverbation on the snare. Hope you enjoy it!

Acid Molasses (KVR OSC #155 Helm Synth)

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

KVR OSC #156 entry using only Synister: https://the-synister.github.io

Sinister Naps Snaps Synapses
Perhaps Like The Gaps On Maps Span Climaxes
Dreamless Downcast Eyelashes Outclasses 
All External Phenomena That Perpetually Elapses 

The Mood Finally Relapses 
Into Praxis, With All-Access
To The Feelings That Only Relaxes

While Inner Light Enhances And Advances 
Beyond Molecular Clouds And Solar Gases.
To The Point That The Ashes From These Light Flashes 
Even Surpasses The Sum Total Of All Atomic Masses

Entering The Eight Absorbtions Sweeter Than Molasses
Where The Kings Of Desire Never Lashes Nor Harasses
Stuck In Their Own Ignoble And Delusional Clashes

Leaving The Realms Of The Bashless
The Truly Rich Always Remain Cashless

Yadrichik Chaya - Beyond Molecular Clouds

Track for the KVR One Synth Challenge #OSC156 
Using 22 instances of Synister by QUL at the University of Berlin / Open Source https://the-synister.github.io/
February2022

Daw: Renoise
Internal effects:
Compressor
Eq 5
Eq 10
Digital Filter
Analog filter
mpReverb
Stereo X
Maximizer

External FX: 
WalhallaSupermassive
jb_broadcast

Everything is on the one (except when it's not) - OSC155

TapTapDoubleTap

Recent comments

Folderol

Immanencer

Kyle Benjamin

Kyle Benjamin

Related tracks