NOTE: this is _not_ my track, but from our friend @IV who was seemingly unable to access SoundCloud.

IV - The Sunlight and The Moon Night

This is my entry for KVR One Synth Challenge #164 using nothing but the wonderful Ghost (beta) by exacoustics:
https://exacoustics.com

All sounds made from INIT and not a single wavetable imported:
https://www.kvraudio.com/forum/viewtopic.php?t=587465

Intro: 
All of a sudden during one of his live gigs
DJ Duckpower collapses on stage…

00:15 - His whole life and all the things he did and the choices he made flashes before him. DJ Duckpower meets Lord Yama and his heavenly assistants. DJ Duckpower pleads to Lord Yama to live again so he can clean up his act. Lord Yama teaches DJ Duckpower how he ought to behave if he wants to return to life.

03:14 - DJ Duckpower recovers from his fatal accident and wakes up to life again.

03:53 - DJ Duckpower stands up on the stage and grabs a microphone wanting to explain to everybody what just happened him…

04:13 - DJ Duckpower starts to very enthusiastically teach and preach to everybody in the crowd about his near death experience by spittin' rhymes over a beat!  He tries to convey his message in various ways.

07:26 - Hardly anyone in the crowd believes in DJ Duckpower's amazing story and start leaving the place not wanting to listen…Like they were all having a (N)Ear Deaf Experience… Only one person in the whole crowd applauded.
DJ Duckpower is not the slightest affected by all of this and is still very content and thrilled with the amazing experience he had… :)

08:08 - Happy ending outro flute…..or wait…since there's really no end and also no such thing as ”death” why should the track actually end like that? DJ Duckpower starts to contemplate the following: - It's impossible to subjectivly experience annihilation! :)

09:00 - Lighting up one more fatty… ;)

DJ DUCKPOWER'S NEAR DEATH EXPERIENCE

Trench has discovered that her combine harvester goes faster when she plays drum n bass. Who knows why? Perhaps there's some sort of spiritual connection between the clutch and the bass? The build is great - the cutter starts up and there's a steady stream of grain into the hopper. When you get to the drop, it seems to be racing through the fields. 

The only problem is the breakdown...

My entry for the 164th edition of KVR's One Synth Challenge. All sounds made using Ghost, a forthcoming synth by exacoustics. As of October 2022, it's still in beta.

No machines were harmed in the making of this track.

Machine in the Ghost - OSC 164 (2nd)

Made using GHOST 0.3.6 for the KVR One Synth Challenge. Everything is done via synth, no samples or external modulation used.

This was a lot of fun to make as I used to spend a lot of time trying to make rock tracks using very old MIDI gear (like, SC-55 old) by manipulating them as much as I could. I went with a similar approach here.

OSC164

Entrance of Torment - OSC#164 (ChristopherWD)

Here's my one synth challenge track made with GHOST vst from exacoustics.

Made in bitwig with 20 instances of Ghost.

Plugins:
Free VST:
GClip
Kilohearts Transient Shaper
Limiter no6
TDR Nova
Valhalla Supermassive

Bitwig:
EQ+
FX Selector
Instrument Layer
Loud Split

Out Of Smoke

Track info Chasing Ghosts:

Used DAW: Bitwig Studio 4.4
Ghost instances: 17
Used DAW native devices: a couple of tools, eq+s, compressors, peak limiters and one reverb.
All other effects are from Ghost

Chasing Ghosts

Solidtrax - Chasing Ghosts

OSC entry for Oct 2022. All sounds made with 30+ instances Exacoustic's "Ghost" virtual synthesizer in Ableton Live.

Polygeist (OSC 164 Ghost)

Track for the KVR One Synth Challenge #OSC164 using only Ghost  by Exacoustics
Video of the project: https://youtu.be/p1eVV2923Lk
No extra waveforms added
15 instances of Ghost, 
Effects used from the synth: Compressor, Reverb, Delay, Filter, EQ

DAW: Renoise
External Effects: JB Broadcast
Effects from Renoise: Stereo Expander and Digital Filter

Machine in the Ghost - OSC 164 (2nd)

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