Big Dada is a label run by Black, POC & Minority Ethnic people for Black, POC & Minority Ethnic artists

With a penchant for pushing the confines of genre limitations, Coops melds the controlled chaos of glitched-out beats and formants with heavyweight basslines and chunky synths to create his brand of Glitch Hop and Drum and Bass.

Hailing from South West UK, Coops is quickly building up a reputation for his immense production value and attention to detail. ‘Say What’ made its way to #3 on the Hypeditt Glitch Hop chart, he’s been featured on Phonic FM and EDM Blog, received support from DJ Spinforth (Scour Records), and had the opportunity to remix the likes of Audible1, Maz Totterdell, Adjua and The Bitterati.

Now based in the thriving music hub of Bristol, Coops is intent on making his mark with his hard-hitting Bass music. For bookings and media enquiries, email coopsmusic@outlook.com

Mostly solo works (unless stated other wise).

The Victim of Fate (VoF) is a solo project spanning about 43 or so years, originally used as a way to sign my artwork  in school back in the early 80's it has since expanded into various projects and interests I have held over the years from short storys/poems, pen & ink and computer generated artwork and obviously music.

Over the years I have been involved with various bands (and incarnations of the same bands, due to lineup changes etc) and while most rarely saw the light of day with the exception of "Turnstyle Life" and "Sun to Fear" (the later supported the Damned & the Stranglers in 1999), most were punk/alternative bands where as Sun to Fear went more towards electronic/gothic/industrial mainly due to Pete and my interests.

VoF was always my refuge so to speak, where I could just create music without the reliance on others (which always used to annoy me) and while I try not to classify or pigeon hole my music it does tend to fall into various categories mainly Gothic/Darkwave/Industrial/Neoclassicism/EBM. However unlike all previous bands I do not write lyrics or do vocals on most of the things I create these days (not entirely through choice more due to circumstances) so I tend to make up for it with samples from films etc.

Tara Misspixie Brown is following