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One Synth Challenge #188: Six-Traq by Full Bucket Music

OSC Winners

5 Star!

All Sounds created with AudioNebula Aurora fm Synth for kvr's OSC155 challenge.

Prelude to Aurora - OSC 155

Made with 11 x Sinmad synth  [https://nusofting.com/plugins/sinmad-synth]

DAW: Ableton Live : Ableton FXs: Delays, Reverb, Compressor, Equalizers
+ BeatSkillz Max 1

OSC 155

Sinmad The Shamest

An unmastered, slightly-mixed, last-minute track for OSC 155.
All parts played live.

—Synth—
Behringer Model D (5 instances)

—Effects—
ReaEq
TDR Molotok
Voxengo Tempo Delay
Xfer Dimension Expander

Recorded in Reaper

You and Everything (OSC 155)

DAW: Cubase 11 Pro
19 instances of Synister
19 instances of Valhalla Supermassive
Some Cubase native AutoPan, EQ and Compression

Synister - Winter In Berlin

My submission for OSC156, the One Synth Challenge for Februrary 2022.
All of the sounds were created out of the Synister synth by QUL at the University of Berlin.

This track was made with Reaper on Linux.
There are 17 instances of the Synister.

Ritual [OSC156]

I have resurfaced. For the 176th edition of KVR's One Synth Challenge.

This month is Wavetable by Socalabs. All sounds made with Wavetable, in Ableton Live, with Live's effects - EQ8, Compressor, Glue Compressor, Drum Buss, Delay, Echo and Saturator for clipping. There's also a bit of Valhalla Supermassive on the pad.

Surf's up - Double Tap - OSC 176

YouTube version has better streaming quality: https://youtu.be/_RndMOSLUzo

"An anomalous behavior of unknown origin..."

Created entirely with "Wavetable" synthesizer from SocaLabs

A nice free synth for those who starting experimenting with wavetables and modulation. However, some of the modulation sources seems to be not synching with the DAW correctly (particularly the trance gate).

16 instance of "Wavetable" used to create a track.

Submission for One Synth Challenge #176 featuring "Wavetable" by SocaLabs.

One Synth Challenge archive: https://sites.google.com/site/kvrosc/2023/osc-176-wavetable?authuser=0

Follow me on Twitter: https://twitter.com/infravolt

***Additionally, you can find download links on my Patreon page https://www.patreon.com/infravolt. The links for this track will be available for public till the end of November. After that, they will be available to purchase in the shop.***

Circus 76

Circus 76 (OSC#176)

A track about the creative process; sometimes ideas flow freely and you have great momentum; other times it is process driven and there is a lot of time searching for inspiration.

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Reaper as DAW. 35 x instances of Wavetable synth.

Other plugins used:
- ReaEq
- WaveBreaker
- YouLean Loudness Meter
- TB_Barricade
- TB_FIX4_v3
- TB_Reverb_v3
- TB_Evoke_v3
- Dragonfly Plate Reverb
- kHs Compressor
- kHs Delay
- kHs Reverb
- kHs Transient Shaper
- kHs Gate
- kHs Stereo
- Wider
- Baselane
- Flux Mini 2
- STFU
- OTT
- MConvolutionEZ
- MAutoPan
- ValhallaSupermassive
- Baby Comeback

New Ideas (OSC176 Wavetable)

All sounds made from scratch with Socalabs Wavetable Synth for OSC#176

Triggered - ElVicente

KVR OSC 184
Reaper 6.83
20 instances
The organ patch near the end was made by Viroo. 
ReaLimit, Raum, Replica, ReEQ, LoudMax

Not really looking for comments this time though if you really want, feel free. 

OSC184 Missed (Tonez 21/32)

YouTube version has better streaming quality: https://youtu.be/ojxE-rMtfOI

Check out other music:

Danger Zone: https://youtu.be/cHsQFK1FK7E
Dystopia Today: https://youtu.be/EYnCzPoYtKo
Inevitable Progress: https://youtu.be/-Ty6KR55HXg
Mainframe: https://youtu.be/SUqTBtzuf2s
Horizon Drive: https://youtu.be/Us2tciU2ToM

Submission for One Synth Challenge #184 featuring "ToneZ" synthesizer: https://sites.google.com/site/kvrosc/2024/osc-184-tonez-v2?authuser=0

24 instances used to create a track.

This is mostly an experimental project to test my new audio interface. I wanted to make a really loud mix and master for a long time and it seems to be the right opportunity. The synth itself has a good sound with interesting possibilities, but it's very off putting in technical terms (very high CPU load, very long project loading time, frequent crashes etc.).

This instrument is really capable of abrasive overdriven tones, so I decided to make a darksynth track with a bit of acid techno influence.

Twitter: https://twitter.com/infravolt
Reddit: https://www.reddit.com/user/Infravolt
Patreon: https://www.patreon.com/posts/all-gunz-blazing-107141518

All Gunz Blazing

All Gunz Blazing (OSC#184)

DAW: Reaper (preview)
12 instances of Tone Z 2 by Retornz

1 instance each of:
Oril River Reverb
Rea Comp compression
Airwindows Cliponly2

Purchasingly - In The Night

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

My submission for the KVR One Synth Challenge #184.
All sounds created from init using free ToneZ synth vsti.

Boopety Doopety (OSC 184 - ToneZ)

OSC#188: FullBucket's "SixTraq"

Instances: 30
DAW: MuLab (www.mutools.com)
FX: Panagement 2, Loudmax, OTT, Frontier, A1StereoControl, TDR-Nova,-SlickEQ, Deelay, RoomReverb, Supermassive, OvertoneEQ

Taron - Sixy [SixTraq]

As I think of my 14-year-old daughter, I go back to my own childhood. To my dusty, dimly lit room where I had a small synthesiser and an echo machine on some sort of an altar. I go back to my hopes and fears, my expectations, my goals, my beliefs and my love for music. Often too little time to make my own music because I couldn't stop listening to Bach, TD, Klaus Schulze, Jarre, Vangelis, Pink Floyd and Todd Rundgren.

I recognise so much in her. My beautiful 14-year-old daughter with all her hopes and fears and her love for music.

Synth: 34 instances of Six-Traq by Full Bucket
DAW: REAPER v 7.24
FX: Spring-Box and Echo Cycles, Panagement 2, Room Reverb, Deelay, SuperMassive and Tempo Delay by Voxengo. Graphic EQ, Marvel GEQ, Frank CS, Stereo Touch, A1StereoControl, TDR Nova and Limiter no6

A Quattordici Anni  (OSC #188)

Hit em style: 212 BMP, 5/4 time signature. 
https://x.com/DDDrewDaniel/status/1817910903557570569

All sounds 38 instances of Full Bucket Six Traq in Ableton Live.

TDR Nova, Kotelnikov, Molotok, Brainworx Master Deck Classic, LoudMax, Valhalla Super Massive, and Ableton plugins.

Infernal Combustion Engine (OSC 188 Six Traq)

Entry for the KVR One Synth Challenge 188 using only SixTraq by Full Bucket. No samples were used here

28 Instances of SixTraq

DAW: Renoise 3.4.4
Internal Effects: Compressor, Digital Filter, Analog Filter, mpReverb, EQ5, Stereo X
3rd Party: TDR Nova, Solaris, kHs Compressor, ValhallaSuperMassive, kHs Trance Gate, kHs Transient Sharper, jb Broadcast, Limiter6, TB GonioMeter

OSC 187

SixTraq Forest (OSC 188)

Jas wasn't alone this month cooking some hit em (5/4 time, 212bpm). I think the proposed style is better with a wash of breakbeats and distortion, but I did my best given the synth at hand. It was tough. I struggled with making a spread of decent percussions so I had to keep em mostly foundational. Please enjoy the weirdness!

SixTraq was strange to use as a vst. It took a while to get my head around the point of the workflow- likely audibly so. I mostly ignored the agonizingly hardwarelike arp/record layer functions and kept it mostly like a layered polysynth. But, it has quirks, kind of like a misshapen cousin of the Prophet 600. Props to Full Bucket for having the interest and persistence (and patience) to wrangle the code for such a thing. Also I didn't really have any bugs except for the undo thing.

-24 instances of Full Bucket's SixTraq in FL Studio.
-Mixed with Variety of Sound Plugins (BootEQ, Density, ThrillseekerVBL, TesslaSE, epicPlate, NastyDLA) and a smidge of OTT on the master for good luck.

Apophenia [One Synth Challenge 188: SixTraq]

Loris - Wake Up
Reaper 7

108 instances of Monolit

FX Used: 
Gclip
frequency spectrum analyzer
VUMeter
Voxengo SPAN
Signilizer
KHz Distortion
ReaComp
ReaPhaseRotator - to try to get the sine wave in the kick phase aligned
MCompressor
KHz Clipper
ReaXComp
ReaEQ
Khz Reverb
KHz Filter
Ozone 8 Imager
MBandPass
Mequalizer
KHz Delay
MConvolutionEZ
KHz Formant Filter
Khz transientShaper
Ohmicide - not used to its full potential
ReaLimit
MCharmVerb
Khz gain
MComb - for light accentuation on percussion
Khz Stereo
KHz trance Gate

This song took several tries to get to where i want it. Once i fleshed out the idea, i started layering sounds to get a fuller feel for the track and to decorate the space. im particularly proud of the kick which is three active instances of the synth, i crafted the envelopes down to the milisecond and used an oscilliscope to precisely dial in the timing. I had several initial approaches for the kick none of which worked well. I worked a lot on the percussion to get metallic sounds using the FM function of the synth and also using a lot of EQ to peak frequencies. I woulnd say i went full 11/10 but i went 9/10 on EQ. I also used some distortion, to about 8/10. I accentuated sounds but did not completely distroy them. A lot of texture to certain percussion was obtained by layering different sounds at different pitches and also different FM ratios etc. Playing with envelopes goes a long way. 

The bass sounds are all very simple actually and most are a few layers deep with different waveforms FMing at different ratios and pitches. I was gonna go ballistic on the basses and use EQ, clipping and even convolution to obliterated the sound. But to avoid being DQ i opted for the PG 13 version. 

the amount of automation in this project with greater than 100 instances of the synth has made it a chore to navigate. Some midi clips have 6 or 7 layers of automation and other have only one but heavily adjusted everywhere. the automation i used the most is volume. Cutting sounds so they dont interfere with other sounds and to cut reverb tails, and also to shape sounds since i did not like the way the envelopes in the synth itself worked at times. Working with audio clips would have made this much more easy. I do not think i will go this hard for OSC ever again. But then again...it was kinda fun...

The song is clipped and compressed severely. I could have pushed it harder but i did NOT!! in order to preserve that last gasp of dynamic range that was slowly waiting to die. This is not a ballad, or classical, its dubstep - or something like it. 

The song got its name from the distinct digital alarm sound that we're all so familiar with. I used it in the buildup, in the drop, everywhere...

Nothing on the master except Gclip and ReaLimiter. 

Thats all i got

Loris - Wake Up!

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

This is my OSC for May 2025 made from the sounds of Ragnarok2
made with 58 instances of Ragnarok2 and the following free vsts:


TDR Kotelnikov
BX Masterdesk Classic
Airwindows Monitoring 3
KHS Delay
DevilSpring
Deelay
TDR Nova
DearVr Pro2
Raum
Valhalla Supermassive
KHs Dual Delay
Saturation Knob
AirWindows DubSub2
Spacer
KHs Transient Shaper
ExoVerb
FreshAir
Limiter No6
KHs Haas
Pancz
STFU
TensJr
IronOxide Classic2
BusterSe
TDR Molotok
GClip
Ozone Imager 2
BussColors 4
KHs Clipper

Bitwig:
Sculpt
Focus
EQ2
Convolution
Tool
FX Layer
Key Filter
Note Transpose
Multiband fx2
Mid-Side Split
Instrument Layer
Delay-1
Filter+
Delay-2
Multinote
Fx Layer

Kiltarlity

OSC#195 - FullBucket's Ragnarök 

DAW: MuLab
Instances: 40
FX: DearVR Pro 2, Deelay, Supermassive, FrankCS, OTT, LoudMax, Magic Carpet, KSHMER EssentialKick, TDR Nova, TENSjr, IVGI2, Plateau2

Taron - Stealing the Ragnarök

made for KVR "One Synth Challenge" with Full Bucket Ragnarok 2

ZioMau - jasf2 (not so stupid)

Hi everyone, I created a similar piece to the previous one from OSC 194, but in a different sound version.
I used 31 instances (Ragnarök 2)

All effects from Studio One 6.6 + free Dreverb2
=========================================



--------------------

DAW: Studio One 6.6
31 instances - Ragnarök 2 / basic sounds from bank 1 and 2

---------------------

FX:
- built-in plugins from Srudio One 6.6
"Compressor, Binaural Pan, mixverb, Pro Eq, splitter, mixtool, limiter, analog Delay
+ free Dreverb2"

=====================

Mastering:
Mastering using built-in Studio One 6.6 effects

=========================

The joyful 90's Hard ver. (OSC #195 - All instruments in the song are from VST Ragnarök Mk2)

OSC#196: Primer 2 

Instances: 20
DAW: Reaper
FX: DearVR Pro 2, Panagement 2 (free), TENSjr, Deelay, FrankCS, LoudMax, ZL Equalizer


Taron - A Rat's Tale [Primer2]

Track i made for KVR OSC contest.
100% Synthesizer (Odin 2 by TheWaveWarden)
Made in 10 hours with one free synth and free/FL effects.

Dedicated again, to Song Ruoxuan , 愿你在天堂安息, until i accept your loss.

Photography by Irion Da Ronin.
All music rights reserved to Irion Da Ronin.

THANKS!!! ♥

✪ The last time i saw you (1st Prize awarded at KVR Audio) [FREE DOWNLOAD]

For this OSC Any Synth Challenge, I chose the PS-3300, a beautiful software emulation of a late 1970s analogue polyphonic synthesizer from KORG. Cherry Audio developed this soft synth. Every sound you hear was created using the PS-3300. I tried to create an overall sound that matches the capabilities of a studio production in 1978. This is in honour of this beautiful synthesizer and its creators.

29 instances of PS-3300 by Cherry Audio 
Reverbs: Body &Soul by TSOM, VertiVerb by Audiority and VitaliumVerb
Delays: Deelay by Sixth Sample and Dual Delay X by UVI
EQ: Claro by Sonnox and Graphic EQ by Viator
Compression: FET-76 by Arturia
Enhancer: Type B by Audiothing
Mastering: Smart:Limiter and Smart:EQ4 by Sonible

Please note: I haven't used any distortion or saturation plugin to create the guitar tone. It's all been synthesized in PS-3300

After the Rain (OSC#198-Cherry Audio PS-3300)

Little Peter (OSC #199 - All instruments in the song are from VST Synth RipplerX by tilr8/tiagolr)

All sounds made with the software synthesizer Wave Razor. A soundtrack to some movie never made.

Taron - Sixy [SixTraq]

Taronium