If you enjoy my music then you: firstly have no taste and secondly can use it in whatever the hell you like. 

You will also almost certainly enjoy Philip Glass: https://www.youtube.com/watch?v=UtQpSGyPCBE


Absolutely no need to ask me for permission for using anything of mine. You impolite bastard.

bookings/inquiries upperclasslofi@gmail.com

@cassettenoire

The Rural Alberta Advantage's percussive folk songs about hometowns and heartbreak, and relentless tradition of touring have taken the trio from humble recognition amongst indie rock die-hards as "Canada's best unsigned band" to sold-out tours and devoted fans around the world with featured coverage from Spin Magazine, Pitchfork, The New York Times and Rolling Stone all taking note. The band has been nominated for two 2012 Juno Awards (Best New Group and Video of the Year for their song “Stamp”), long listed for the 2011 Polaris Award, and awarded the CBC Music Prize for Best Independent Artist in 2014.

The RAA has released three albums on Saddle Creek/Paper Bag Records: Hometowns (2009), Departing (2011) and Mended With Gold (2014). The trio of Nils Edenloff, Paul Banwatt and Robin Hatch will be hitting the road for set of road testing shows to preview the new material they’ve been working on and carve out these new songs in front of their fans in a live setting before returning home to record in between each run. The tour will swing through some of the band’s favourite venues across North America and Europe throughout 2016/2017.

Some words on The Rural Alberta Advantage:

““Regardless of your tastes, if you care about drums at all, Mended With Gold is a must-listen.” –Pitchfork

“The Rural Alberta Advantage are best seen live, where their acoustic crescendos and Nils Edenloff's Jeff Mangum-esque vocal acrobatics impress most.”  -Under The Radar

“There's something that just makes you want to root for them -- as Edenloff introduced "Tornado '87", a song about a twister that ran through Edmonton, one of the many Canadian bros in attendance shouted: "I LOVE TORNADOS!" That's making a connection.” – Coachella Festival coverage, Pitchfork

“The intensity of like “Stamp” and “Don’t Haunt This Place” lean on Banwatt’s marathon-runner stamina and fills, and it’s safe to say the band’s great melodies wouldn’t sound the same without him.” – “The 10 Best New Rhythm Sections”, Paste Magazine

“The crowd sang along to all the ‘oohs’ and danced to songs like The Deadroads and Frank, AB, even demanding an encore that would never materialize in a festival like this. Will this show rate among the weekend’s best? Too early to say, but it’s a strong contender.” – Montreal Gazette at Osheaga Festival

From the start, Son Lux has operated as something akin to a sonic test kitchen. The Academy Award® and BAFTA-nominated band strives to question deeply held assumptions about how music is made and reconstruct it from a molecular level. What began as a solo project for founder Ryan Lott expanded in 2014, thanks to a kinship with Ian Chang and Rafiq Bhatia too strong to ignore. The trio strengthened their chemistry and honed their collective intuition while creating, releasing, and touring six recordings, including Brighter Wounds (2018) and triple album Tomorrows (2021). The result is a carefully cultivated musical language rooted in curiosity and balancing opposites that largely eschews genre and structural conventions. And yet, the band remains audibly indebted to iconoclastic artists in soul, hip-hop, and experimental improvisation who themselves carved new paths forward. 

Distilling these varied influences, Son Lux searches for equilibrium of raw emotional intimacy and meticulous electronic constructions. Son Lux scored A24’s Best Picture winner Everything Everywhere All at Once for which they were nominated for two Academy Awards and a BAFTA. The full score album features new collaborations with Mitski, David Byrne, Randy Newman, and Moses Sumney, among others.

Veli is following