Thanks for the support.
Here you can find the first 100 bars of my upcoming EP.
And yes it will be called Solitude.
The EP is about fighting the feeling of being alone, and trying to be the person I once was, and try to be again.
PS. If you read this, send me a DM, feeling generous today.
The artwork is coming soon as well ;).

A New Path (Intro)[Teaser]

A New Path (Intro) [demo]

◉ Follow Magdalena Meisel:
@magdalenameisel
@https://youtu.be/wqM3c9I-eNo

Christmas Is In My Heart To Stay

Vocal  : Magdalena Meisel
Lyrics : Tina Neumann
Music : Magdalena Meisel
Production, Arrangment and Instrumentalization(s) Michael Heavner
►https://michaelheavner.com/
►https://www.linkedin.com/in/michael-heavner-b635b15/

The cover was designed by the talented Joanna Zajac-Slapnicar – artist, painter & illustrator 🎨🖌️
►https://joanna-zajac-slapnicar.weebly.com/
►https://www.instagram.com/joanna_zajac_slapnicar_artist/

Christmas Is In My Heart To Stay

Delirium Tremens

Listen on Spotify: https://open.spotify.com/track/2wv5YYQD63eBAsH3pAt2Iq?si=3d78cd1146d4409e

Melting (Instrumental)

Doomsday

Trigitaliz, the mastermind behind some of the most immersive techno sounds, has just released "The Host," a track that transcends conventional beats to weave a tale of mystery and transformation. With every thumping bassline and atmospheric synth, "The Host" invites listeners into a world where the boundary between reality and the unknown fades away. The track, infused with deep, hypnotic melodies, takes you on a journey through dark, cosmic spaces. It’s a sonic exploration, filled with tension, release, and unexpected turns, making it the perfect soundtrack for those who crave adventure through sound.

The Host

COMENTARIO DESTACADO:

The Pete Cooper Band at 0:47  · Posted 23 days ago23 days ago
Liked by artist
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by artist
That’s a lovely confident vocal in real command of the song and with the backing supporting in a sensive way. Enjoyed the quieter section. A fearless euro style song. Keyboard at the end eccellent. An all round goodie!

Si te gusto esta cancion Regalanos un LIKE en Youtube
https://youtu.be/cEyHS8U_2DE?si=U_szpi1cRSebHmoZ

Deseos de Volar

Lost Fragments

01. @denizkabu - Violas
02. Mert Eser - Kostantiniye
03. @ben_beckman - Al Niyat
04. @wassimyounesmusic - Distant Dreams
05. @pambouk - Hamayak Jan
06. Claudio Ricci - Barasu Ayo (@djdiass Remix)
07. @aladagmusic - My Religion
08. Fabian B & Marzinek - Thriller (Original Mix)

Ethnic House Vol. 12

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - II. Rigor Mortis

Blending synths, guitars, emotions and orchestral music together,
T.A.S.E tries to create inspiring and refreshing music.

All tracks are tied together by stories, and not by genres.
Debut EP coming soon.