Apparently they mate for life but how how do we know, they all look the same to me:) Great track and tribute to these cool birds!

Pleasant similarity with N. O. Nice stylish work!

LOOK AT THE CLOCK AND SIGH

The Weeknd Type Beat _ Back to the Future

in the matrix

After Sex

Evocative song to listen to without hurry... most serious job I've done lately, say no more.

Letra / Translated lyrics:

SI TÚ ME FALTARAS  /  IF I MISSED YOU

Abre tu risa mis ojos,  /  Your laugh opens my eyes,
olor a café por la mañana…  /  smell of coffee in the morning…
Para murmurarte un beso  /  So as to whisper you a kiss
me levanto de la cama.  /  I get up from the bed.

Aaaay! Si tú me faltaras  /  Aaaay! If I missed you
aaaay! de tedio moriría.  /  aaaay! I’d die of weariness.

Me despierta muy temprano  /  Wakes me up very early
el olor de tu cuerpo a mi lado.  /  the smell of your body beside me.
Para que se haga de noche pronto  /  So that it gets dark soon
rápidamente me he levantado.  /  I have got up fast.

Siento que mi vida se desliza por el sabor tan suave de tu cuello y de tus besos.  /
I feel my life slips along such a soft flavor of your neck and your kisses.

Puedo ser ligero como el aire y filtrarme con mi fuego en tus sueños y en tus deseos.  /
I can be as light as air and percolate with my fire into your dreams and your desires.

Busco el momento cada día de volver para gozarte, para olerte, para amarte…  /
I look for the moment every day to come back so as to enjoy you, to smell you, to love you … 

para amarte, sí, aaaay! para amarte.  /  to love you, yes, aaaay! to love you.

Juega tu lengua en mi cerebro,  /  Your tonge plays in my brain,
recorren mi espalda tus caricias.  /  your caresses cross my back.
Miro el reloj y suspiro,  /  I look at the clock and sigh,
deseando que acabe el día.  /  wishing the day to finish. 

Aaaay! Si tú me faltaras  /  Aaaay! If I missed you
aaaay! de tedio moriría.  /  aaaay! I’d die of weariness.

ER40FI07

Si tú me faltaras (de tedio moriría)

BLACK APPLE

collaboration: Hanns FafnirRockson (music) Steven Vellou (vocals)
>
THE HONEYMOON IS OVER
>
STARING DEEP INTO THE SILENT NIGHT
I HEAR YOU PACING THE FLOOR
YOU ONLY SEE ME IN A VIOLENT LIGHT
I HEAR YOU PACING THE FLOOR
>
ONE PART INSANITY, ONE PART SERENE
THIS IS MY VANITY; IT'S JUST A DREAM
>
(MY NEED TO HURT YOU, BABY,
ISN'T WHAT IT SEEMS)
>
OH, IT'S EASY TO MISTAKE
THE ACTIONS OF EMOTIONAL MINDS
JUST WHEN I THINK I'VE GOTTEN OVER YOU
OLD MEMORIES ONCE AGAIN PULL ME BACK THROUGH TIME
(I WANT TO FADE INTO THE NIGHT)
>
I'M WRITING THIS TO TELL YOU
THAT THE HONEYMOON IS OVER
WHEN TELEPATHICALLY, I TOLD YOU
MY LOVE WENT SUPERNOVA
BUT I'M CONSUMED WITH SUCH DEVOTION
SUCH DEPTH OF LOVE DISPLACES OCEANS
>
THROUGH ALL THE STAGES OF EMOTION
HEART REBOUNDING IN COMMOTION
I WRESTLE WITH THE NOTION
THAT ONE DAY I WILL DEFECT
>
STARING INTO THE SILENT NIGHT
YOU ONLY SEE ME IN A VIOLENT LIGHT
STARING INTO THE SILENT NIGHT
YOU ONLY SEE ME IN A VIOLENT LIGHT
>
THERE'S ONE THING MORE I WANT TO DO TO YOU
I WANT TO BREAK YOUR UNIVERSE IN TWO
>
I WANNA BREAK YOUR HEART
HURT YOU WITH A CRUEL REMARK
STAIN YOUR EYES A DEEPER BLUE
WATCH YOU AS YOU FALL APART
>
I WANNA BREAK YOUR WILL
MASS PRODUCE THIS BITTER PILL
INTRODUCE YOU TO THE DARK
MAXIMISE THE HURT TO OVERKILL
>
THOUGH PART INSANITY AND PART SERENE
MY NEED TO HURT YOU ISN'T WHAT IT SEEMS
DON'T MEAN TO HURT YOU
NO, I DON'T MEAN TO HURT YOU
>
(I DON'T MEAN TO HURT YOU) BECAUSE WE NEVER MET 
(I DON'T MEAN TO HURT YOU) YOU NEVER DID SUSPECT 
(I DON'T MEAN TO HURT YOU) YOU NEVER HEARD MY DIALECT 
(I DON'T MEAN TO HURT YOU) WHICH LEAVES SO LITTLE TO FORGET

THE HONEYMOON IS OVER (I Want To Break Your Universe In Two)

As already done previously, in this particular jam session I again experimented with something I would call "time-synchronized sampling of percussive sounds". I played back a list of pre-recorded Hip Hop drum breaks at 100 BPM through my humble Eurorack which was also set to 100 BPM. The next step was feeding the drum sounds through the Make Noise LxD module (which is a dual low pass gate that can function as a filter, and also be pinged to produce percussive sounds) and modulating it by a collection of different Eurorack modules. Due to the imperfections in the synchronising, the already percussive sound was "forced" into a slightly skewed percussive structure which results in these intricate glitchy raw rhythms in the first part of the track, and also towards the end. Additionally, an LFO at audio rates in conjunction with the LxD, and also the Beat Thang were used to create auxiliary drum and percussive sounds.

I often end up playing back a Youtube video during my jam sessions, which may or may not fit the session's narrative. This time, I settled on a lecture by Karlheinz Stockhausen, who is considered to be influential but also somewhat controversial composer. Additionally, he is known as one of the pioneers of electronic music. Some of the samples, I was not able to playback in a proper synchtonised fashion, so I added these samples in post-production. For example at 2:03, Stockhausen's voice is imitating electric pulses. Curiously enough, the percussive rhythm that is heard from 0:50 onwards was produced randomly by my humble Eurorack, and it is only when I played back Stockhausen's sample, I realised that his voice matches my electric pulses rhythmically. However, I simply could not play back the sample so that his and my rhythm are perfectly in agreement, even after several attempts; so I had to "fake" it in post. 

As so often the case, this jam session took a couple of hours, and I experimented with a vast amount of sounds, settings and samples, and recorded the result in stereo in Audacity, which I used in post-production to extract the best parts from that jam session in order to create this track. As always, I only used basic audio editing techniques like simple crossfades. Only a touch of soft limiting was applied, no elaborate approaches like mastering were used whatsoever. Thus, the result is raw and highly dynamic in nature, so put on your favourite headphones and turn up that volume knob, because the Loudness War is for losers!

Samples from the following material were used:
- 100 Classic Hip Hop Drum Breaks At 100 BPM FL Studio (Product Of Tha 90s) [www.youtube.com/watch?v=vxLURvusYD4]
- Lecture 5 - (Part 1/3) Karlheinz Stockhausen - Four Criteria of Electronic Music [https://www.youtube.com/watch?v=7xyGtI7KKIY]
- Several videos from the "Worship Pads" series 
[For example: https://www.youtube.com/watch?v=nRf0KcTScKI]

MAB logo by @maxim-lichtenwald, check him out!

I would like to thank you very much for coming to listen!

Organised Sounds [Jam session sections: RAW2020 - 7]

The smallest change in wind can alter the landscape of the desert. Imagine what the smallest change in your thinking can do to alter the landscape of the planet

Isolation

lnspired by @mahan-mahan and https://soundcloud.com/user-581567812
l couldn`t master it, hope you enjoy nevertheless. stay safe1
German words: THIS WORLD IS NOT REAL,

Surreal

I have reworked this old classic from Cecilia and myself and as always when you rework something it is getting very different from the original.
If you feel at the end that you hear George Zamfir - it´s not him, it´s all guitar :-)
I hope you like the track and enjoy this new fresh version.

@spacialcecilia Vocals and Lyrics
myself: guitar, bass, drum programming, keyboards and mix and mastering

Mysteries Part 1 2020 Reissue feat. Special Cecilia

Mysteries Part 1 2020 Reissue | Special Cecilia & N.o.b.S.

Puffin

Perplexing Patternity is the result of this stormy year. Kind of a purging or clean up. Lot's of hard and weird stuff happening. Trying to manage through it and find some kind of peace amidst all the craziness. Kind of old school electronic. Wanting to escape to childhood nostalgia, but maybe incorporate this hectic all over feeling and the simultaneous search for peace of mind in it. Hope it's something you'd enjoy to listen. For me it was kind of a struggle and the my feeling about whole project is kind of confused, but sometimes you just got to see it trough, I think.

Prime Point

Waste a Minute/ Paploviante September 2020
Music and Bass: Paploviante
Vocals: www.Ghosthack.de
❤️❤️❤️

Waste A Minute - ❤️❤️❤️

@janinelevinson: Inspirational additional lyrics and wonderful vocals
@rick-4-1: Real drums
@burn-it-smith: Real piano
@phil-mcwalter: Other stuff

(New Version of https://soundcloud.com/phil-mcwalter/and-so)

SOUP OF THISTLES 

Returning and turning in the widening gyre 
The falconer holds out a golden ring from the tower 
Captive and burning and full of desire 
The falcon pulls feathers from her wings to count the hours

And so
Ad infinitum 
Is the crow 
Compelled to steal
And so
Ad infinitum 
Are we drawn 
Into the wheel
Into the wheel

Turning and burning in the heat, of hearth and fire 
The feathers, the letters, the fingers form a winged spire
There’s flapping and scurrying aloft up in the rafters 
Where the bats are left to read and the finger moves on higher

And so
Ad infinitum 
We forget 
Why we were singing
And so
Ad infinitum 
The choir cannot lift the ceiling
The spinning wedding ceiling
Stealing
And so
We go

Around and around  and do it over again! 
Ad infinitum
Around and around  and do it over again! 
Ad infinitum

Returning and turning in the widening gyre 
Unseen by the hawk was Icarus flying higher
Why do we love when we know it’s trespassing
A puppet heart managed by the clock – foolish arms flailing

And so
Ad infinitum 
We watch for 
Six jet planes’ trails
And so
We prepare  our soup of thistles
And we settle down to feather 
And we wonder about the weather
Listen for the 
Falcons' bells together and
Cover our eyes with leather
Oh Icarus dear boy
Waxed and waned
Ah Amelia dear heart
Tarred and feathered...

Levinson & McWalter- June 2020

And So

Soup Of Thistles

The Dion McGregor trio is:

Kelly Prestridge - Drums, Samples

Rick Motes - Synthesizer, Effects

Darren D Danahy - Guitars, Clavinet

And features the recorded voice of Dion
McGregor
Dion McGregor voice (recorded by Michael
Barr); used with permission of Torpor Vigil
Records.

Naughty Pussy - The Dion McGregor Trio

New site after E-Ruizzo: https://soundcloud.com/esemanolain-ruizzo

Many thanks to Alex https://soundcloud.com/wouwouandthewormling
and Richal https://soundcloud.com/rickitansky for their fantastic pics !!

Puffin

Graham West

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