Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

Booking - Global Stage:
booking@globalstage.eu

Management:
oliver@bassstadt.de
Global Basss One GmbH & Co. KG / Universal Music

Played on Festivals:
WORLD CLUB DOME, Nature One, Sonne Mond Sterne (SMS), Sputnik Spring Break, Airbeat One, Helene Beach and many more.

BIO:
Ahmet was born in Kardjali, Bulgaria where he spent his childhood. His introduction into music came from his father's obsession with electronic equipment. At 10 years old Ahmet was so curious about how the electronic equipment worked that he began assembling and disassembling some parts of the electronic goods in his house. At the age of 12 Ahmet made his first steps in his music career by making his own remixes which showed his passion for music. In 1991 Ahmet's family decided to move to Turkey; that was the beginning of a whole new life for him. 
 
He was going to school in Izmir, one of the biggest cities in Turkey, and in the evenings Ahmet was working in some ordinary bars as a DJ. After graduating in 1995 Ahmet decided to continue his professional music career and started working as a resident DJ in one of the biggest clubs in Izmir called "Club Marina". Later Ahmet wanted to make a difference in his life and continued his music career in different cities in the world working as a DJ in successful parties and organizations. According to topdeejays.com in Turkey Ahmet became the #1 DJ in "DEEP HOUSE",  #1 DJ with the most followers in YouTube and multiple times #1 on Beatport Mixes
​
COUNTRIES PLAYED IN:
Belgium, Bulgaria, Croatia, Cyprus, England, Egypt, Greece, Germany, Italy, Indonesia, India, Kenya, Lebanon, Morocco, Netherlands , Nigeria, Poland, Russia, Switzerland, Turkey, Vietnam.
​
PRESS:
The Beat Bali - Kenh 14 Vietnam - Smag Live Germany

There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

Whyt Noyz Bookings:

Worldwide: Worldwide: stefan@myfavouritefreaks.com

In the space of just four years, English techno act WHYT NOYZ has risen from an unknown name to a staple of some of the world’s biggest electronic music labels.

Now a solo project of David Sidley, WHYT NOYZ was formed in 2010 by two best friends to formulate their take on sleek, hard-grooving techno – having been raised on a shared diet of electronic and black music. Hip-hop, funk and soul all played formative roles before he discovered house music thanks to the likes of Joey Negro and Masters At Work and began playing in local clubs. His passion for techno soon followed. “As I got more into the electronics of sound and this symbiotic relationship between man and machine, I began to dig deeper” he recalls. The powerful rhythmic components of the WHYT NOYZ sound also give a nod to his background as a drummer – something he has been doing since the age of 6. He began producing in 2007.

Fusing the groove of post-minimal techno with live percussive elements, deft rap samples and high-impact effects, WHYT NOYZ’s is a resolutely contemporary sound – but one that still gives subtle nods to his past. “As my creative mind has developed, so has the sound” he says of his blend of digital and analog. “It has evolved into something more considered and memorable. A sound that has a stronghold in something peak-time and driving but with melodic elements to help captivate the mind.”

Catching Richie Hawtin’s ear with early production Volcano made for the perfect start to WHYT NOYZ’s career, with the track signed to his MINUS12 imprint and featured on the label boss’ Mixmag ‘New Horizons’ compilation. This huge seal of approval set Sidley on a fast track into the upper echelons of the techno scene, with Dubfire signing the Homewerk EP to his SCI+TEC Digital imprint after they met in Ibiza. The release landed in Beatport’s Top 40 Techno Chart, and led to a follow-up (They EP).

Releases and remixes for Sian’s Octopus Black Label, Kaiserdisco’s KD Music and Monika Kruse’s Terminal M all followed, plus an appearance on Pan-Pot’s Sonne Mond Sterne compilation, cementing his reputation and vindicating Hawtin’s early belief in the WHYT NOYZ sound. Impressed by the success of Volcano, he signed the act up for a full release: Back To The Future EP. The Minus boss gave all four tracks heavy rotation during the 2013 season of his Space Ibiza night ENTER. He continues to play digital bonus track Meh Meh to this day. The EP hit Beatport’s Techno Chart Top 5, and received support from Pete Tong on Radio 1 - notably during his Glastonbury Essential Mix.

The ongoing success of the partnership with Minus led to another five-track EP in 2014 (It Grows, supported by the likes of Adam Beyer) and a string of tour dates supporting Hawtin across the world. WHYT NOYZ played alongside him at the hallowed Ten Days Off in Belgium, between him and Disclosure at Kappa FuturFestival in Italy and in front of a home crowd at the legendary fabric in London. His sets continue to garner rave reviews, with bookings at Berlin’s Watergate, Paris’ Le Tunnel (“1200 people going totally nuts, sweat dripping off the roof”) and in Ibiza, Amsterdam, Mexico City, Goa and Istanbul to name a few.

With the release of his third SCITEC Ep Dimensions and a host of remixes to boot, it looks very much like WHYT NOYZ’s rapid ascent will continue and place him amongst the big leagues of electronic music. “My goal is simply to continue producing and playing music to stay connected” he says. “As my sound constantly develops, I feel energised to keep pushing to see where it goes. It is a drug for sure.”

Quality will find its way.
Booking: jane@this-saturday.com

Part of  @AlulaTunes & @CriminalBassline & https://www.facebook.com/profile.php?id=61551209365006
FOR ALL BOOKING REQUESTS PLEASE USE:
booking@provedbooking.de

About Joseph Disco :

Joseph Disco’s early education in beat science came as a resident DJ in Cologne’s legendary club Playground, where his regular opportunities to manipulate the dancefloor like a puppeteer quickly drew him into the sphere of music production. Shortly after returning to his native Munich in 2005, he released his first project on the label: Great Stuff Recordings, and later on labels like Stil vor Talent and Platform B, both as an solo artist and with different projects. With his name established amongst electronic aficionados, Joseph has gone on to entrench himself on the scene as a steadfast proliferator of high-quality works. Sporting an ever-growing cadre of solo releases and remix work on a multitude of labels, Joseph Disco has only given a tantalizing taste of his true potential.

He has played countless gigs in and out of Germany on clubs like:  KaterBlau ,Sisyphos, Wilde Renate, Rummelsbucht, Südpol, Club Charlotte and Hive in Zurich.
He has played Rave on Snow and the Berlin Loveparade, Fusion Festival , Wilde Möhre Festival, Praerie Festival , MoynMoyn Festival , Klangtherapy Festival, Off the Radar , Grüne Sonne and many more. 
When behind the decks Joseph DJ’s like he has never done anything else..

DJ/Producer | mixing & analog mastering engineer
Booking: hannes@subwayevent-berlin.com

“One of the most beloved DJs in the world regardless of gender” — Resident Advisor
 
Sandra Collins exploded out of the California rave scene in the 90’s.  Born in Arizona but with roots in  Las Vegas, her appetite for dance music & it’s culture, drew her to the heartbeat of Los Angeles. She started DJ’ing in the early 90’s, which led to an A&R job at the LA office of EyeQ/Harthouse, the German record company co-founded by the dance music pioneer, Sven Vath.  Her production career began in 1998 with releases on LA’s Fragrant Music and the UK’s Hook Recordings. The early 2000’s saw several releases via compilations, singles , EP’s and remixes on labels such as Kinetic, Perfecto and Interscope for artists including Nine Inch Nails and Fleet Foxes.  Between her releases and relentless touring schedule, Sandra received numerous awards, including URB Magazine Best female Artist in 1999 and UK’s Dancestar Best DJ in 2003.
 
Sandra held residencies at the legendary Twilo in NYC and also at Chicago’s Crobar.  She had the honor of being one of Coachella’s inaugural DJs, playing the influential festival three times, and performed at Woodstock ‘99,  Ultra Music Festival, Global Gathering, Electric Daisy Carnival (now known as EDC), Creamfields and Burning Man, to name a few.
 
Over the years, her musical style has expanded. Her sets now include deep, progressive, melodic and tech house, following along the lines of her current productions.  Sandra pushes herself out of her comfort zone and enters a more confident and creative stage in her career, including performing vocals on her recent releases. She has been a guest DJ on several radio shows and has been feverishly working in the studio, creating an arsenal of productions with DC based production partner Micke. Sandra has a radio show of her own in the works and is inspired to score for the silver screen, while still making dance music and bringing it personally to her fans on the dancefloor on her upcoming Back2Black tour starting in December 2018. This will coincide with her next release “Four” on Perfecto Black, due out end of November.

tat2alex is following