NEMESIS RECORDS 
international berlin collective

Natural expression of Love through acoustic world medicine portuguese music <3 
Full album here www.marianaroot.bandcamp.com

Contact / demos policy: https://www.ostgut.berlin/label/contact/

✥✥ World swag Godess ✥✥
⠀⠀⠀⠀⠀⠀⠀／＞　　フ
　　　　　| 　_　 _ l
　 　　　／` ミ＿xノ
　　 　 /　　　 　 |
　　　 /　 ヽ　　 ﾉ
　 　 │　　| | |💠🆙❕💠
👁New Mindset Generation 🏵
🌀Protect the next generations and ourselves! 🌀
🌐Global Love🌐
૮₍ ˃ ⤙ ˂ ₎ა
 ./づᡕᠵ᠊ᡃ່࡚ࠢ࠘ ⸝່ࠡࠣ᠊߯᠆ࠣ࠘ᡁࠣ࠘᠊᠊ࠢ࠘~~~~♡ * ‧₊˚*♡
ＩLᵒᵛᵉᵧₒᵤ♥

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Sound Art, Sound Collage, Environmental Sound, Improv

Now an established force in contemporary Techno, Mike Bierbach, better known under his stage name Rødhåd is someone who has seriously put in the work. Having cut his teeth DJing as a relatively unnoted (but well loved by those in the know) local in Berlin for 10 years, one could argue that by the time success knocked on his door, he was more than ready for playing the international stage. It was during these 10 years of obscurity when he refined his craft to become the singular DJ he is now. 

Launching his party-series-turned-label Dystopian in 2009 was what truly tipped the ball over for Rødhåd. In a time where the Berlin scene was heavily oversaturated by fluffy, miscellaneous dance music, he & his peers set out to form a platform for real techno. The reception to this was raucous. 

Although he has lauded productions and remixes to his name, DJing is his true forte. Before abandoning his day job as a draftsman in construction “The Red” (as some call him due to his gingered, bearded appearance) was known for playing very long sets in Berlin’s most notorious hideaways. 

With an album, several EPs & remixes for a multitude of different artists under his belt, Rødhåd the producer has received equal praise as Rødhåd the DJ. Dystopian has hosted most of his releases, but in 2018 he founded a new label WSNWG that serves as a home for collaborative productions, excavated in sessions at his East-Berlin studio with his peers such as Lucy, Alex.Do, & Antigone.

INTOP born in the course of an artistic path and an opening for a new vision. FPS begins a new journey through the world of music . Self-taught , there is the intention to explore new sounds , musical horizons and the creation of a new work that carries each listener on a journey of expansion and introspection.
The INTOP project was born in 2014 as a channel of this new vision and a result of his travels around the world




INTOP nasce no desenrolar de um percurso artístico e de uma abertura para uma nova visão. FPS começa uma nova jornada através do mundo da música. Como autodidacta, surge a intenção de explorar novos sons, horizontes musicais e a criação de uma nova obra  que transporta cada ouvinte numa viagem de expansão e introspecção.
O projecto INTOP nasce em 2014, como um canalizar dessa nova visão e um resultado das suas viagens pelo mundo.

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