#Electroclash / #Bloghouse / #TrashElectro / #Darksynth / #Electronic

Phantom on the road? give this French Touch Motorwave playlist a spin. 
If you're into the distorted stuff like the Ed Banger Justice early 2000s wave era! Perfect for your night drive. 

Synthwave goodbye to boredom! 

Curated by @taterandersson
https://www.instagram.com/taterandersson

Bloghouse: Dirty Basslines & Streetlight Synths

The Dare - You’re Invited (Artemis Morte Remix)

Unreleased Submission off of the compilation 
“Let The Server Techno”
For Ed Banger Records Discord Server

Samples:
What’s Your Name Again? - Fancy

I Am Somebody (Artemis Morte Remix) - DJ Mehdi

Nobilis

'Antignosis' new album 24/11/2024
Out now:
-Bandcamp:
https://fixions.bandcamp.com/album/antignosis
-Spotify:
https://open.spotify.com/intl-fr/album/6vu3k6H5T8bxRYTg1N2BIV?si=rhKxgPl_RGe0bOls2EIO2g
-Itunes:
https://music.apple.com/us/album/antignosis/1778209860
Also on Deezer, Google Play Music, Amazon, Youtube Music etc...

Corpus Fulgurum (feat Dav Dralleon)

Tater Andersson’s Second Album

A glitchy, electrifying journey through experimental soundscapes, Slumt & Harry is a bold exploration of electronic music with a punk-infused edge. Recorded in an old military storage unit, Andersson resampled his own sounds using a treasure trove of borrowed gear, including the iconic Korg Polysix and a bucket of killer guitar pedals. The result is a raw, chaotic, and utterly captivating album that pushes boundaries and defies expectations.

Layered with gritty synth basslines, distorted guitar riffs, and a massive Peavey mixer straight out of the '80s, Slumt & Harry is a sonic collage of analog warmth and digital chaos. Every track is a testament to Andersson’s DIY ethos and relentless creativity.

This album is a celebration of Norway’s underground punk and noise scene, featuring an incredible lineup of guest artists. From SLASKERYGER and Live Aids to Martin Mentzoni and Laurits Mosseby Orkester, Slumt & Harry is a collaborative masterpiece that brings together some of the most exciting voices in the scene.

The album’s jaw-dropping cover art was created by Ricky Julian (Göttemia), and it’s hands-down the wildest, most eye-catching artwork Andersson has ever used. It perfectly captures the album’s unhinged energy and rebellious spirit.

Huge gratitude to Marching Forest, Ricochets, and Frode Fivel for lending their space and gear, and to Jon Martens Holm (The Sky's Gone Out) for the legendary Korg Polysix. And of course, a massive thank you to all the incredible guest artists who helped bring this album to life.

Slumt & Harry is not just an album—it’s an experience. Don’t miss it.

Slumt & Harry

Harry

A high-energy, punk-inspired banger that hits hard with gritty analog lasers and a vocal delivery dripping with attitude. This track is a raw, unapologetic burst of sound, perfect for fans of edgy, experimental music with a rebellious spirit.

Crafted exclusively on the MPC One, Headache comes alive with the help of iconic hardware synths like the Korg MS-20 Mini, Behringer TD-3, and Behringer Crave. Each element was meticulously shaped to create a chaotic yet cohesive sonic experience.

Cover art by Tater Andersson.

Bandcamp: https://taterandersson.bandcamp.com/
Instagram: https://www.instagram.com/taterandersson

#bloghaus #bloghouse #electroclash

Headache

TRA$HME

Tater Andersson - Headache

Tater Andersson (musician, artist, and producer) is carving out a name for himself as a rising force in Norway’s underground music scene.
Inspired by hard upbringings, local underground hip-hop and punk movement. Tater channels this inspiration in his raw electronic sound. 

Andersson's music career has span over many projects in the past, such as Munn Til Munn Metoden (2009-present), Shufflethroat and Antichrist (2010-2013) 

He has been part of many electronic music scenes, but mostly in the blog house and trash indie electro category. 

Signed to Kommuun Records

For the nerds<3:
Korg MS20-Mini
MPC One
Behringer TD-3
Behringer Crave
Korg Toneworx stereo multifx pedal (MS20)
SSL2+ pre-amp (MPC One)
Some cheap mackie mixer
Oktava MK-319 condenser mic
Various toy keyboards and modules.
Also sometimes borrow equipment from friends, but this is mostly my core equipment, subject for change tho.

I also do have a PC with Ableton Live 11, but I only use it to finalise the stems I get from the MPC one. For mastering.

No AI involved with mixing, production or mastering.

Tater Andersson - Headache

𝗧𝗔✟𝗘𝗥 𝗔𝗡𝗗𝗘𝗥𝗦𝗦𝗢𝗡