The Mysterious Decibel - Facing Fears

Lyrics, instrumental, Vocals, Sounds, mix, song structure - The Mysterious Decibel

Vocals mastered by: Mark McClellan

Lyrics:

I'm staring, My eyes tearing through the night as I rest my head
Trying to forget what reveals itself in the light above my bed

Face the spider parallel on the ceiling
To maybe change my perception of feeling
Maybe if i stare so long
it'll become so numb
just trying to overcome
Might not need a chase of rum
Or even a hit to make me dumb

The dreaded fear that's above my head
Like the cover of a book that is barely read
Every eye, every leg, It's own demon
Should I flush it all away with the spray of my semen?

Just close your eyes
Move on closer
Open wide
Take a bite
Accept the sin
swallow it down
Take the monsters in
And turn them around

Facing Fears

Have you ever felt the feeling when you're walking down the alley
Rain is pouring down, and footsteps walk behind your back
When you turn around to look
No one's there


I'm so afraid I can't help it
I'm so tall but still so small
They all feel it, but they can't see it
They call it weakness


Have you felt the fear in a crowd?
Fighting your way through the masses
They see the fear in your eyes
Don't shed a tear for their demise


I'm so afraid I can't help it
I'm so tall but still so small
They all feel it, but they can't see it
They call it weakness


(SOLO)


They call it weakness
I call it fear

They call it weakness
I call it fear


I'm so afraid I can't help it
I'm so tall but still so small
They all feel it, but they can't see it
They call it weakness
I call it fear

Can someone help me

I'm so afraid, i'm so afraid

Can someone help me

Give Me Five Minutes

So Afraid

Video : https://www.youtube.com/watch?v=484U5K-mi24

This piece represents a sonic journey of introspection and renewal, inspired by moments of burnout and the desperate need for respite.

Close your eyes and let the music carry you away. 

Experience the gentle sway of the tide, the warmth of the sun on your skin, and the whispers of the sea breeze. Dive into a world where reality blurs with hallucinations, where the boundary between dreams and waking life dissolves

"Oceanic Fever" is a reminder to pause, to breathe, and to find beauty in moments of stillness.

Oceanic Fever

Guadalope

Hello dear Listeners,

This is the 'Radio Edit' of an improvised piece almost twice the length.

It's truly a beauty, and one of the peak experiences guitarist Tim Elliot and I have had together as Shekinah Fire.

I'm playing my ES7 Stage Keyboard and he's on his Attila Custom electric Guitar... 

May you enJoy !  

© Gary Courtland-Miles & Tim Elliot 2024
℗ Gary Courtland-Miles & Tim Elliot 2024

Beyond Belief * (Temple Edit)

Pipe Dreams All the Way Down is about the nature of reality (or realities?). It tries to capture the dizzying thought that reality might consist of endless layers of illusions, each one nested within another like an infinite set of matryoshki.

Pipe Dreams All the Way Down

Alcune note esplicative:
-English version below-

Questa danza trae ispirazione da un manoscritto databile abbastanza precisamente in un periodo compreso tra il tardo Neolitico e il Luglio 1750. 
La pergamena sulla quale è stato vergato era incorporata nella rilegatura di un volume di epoca successiva che raccoglie diverse ricette di cucina a base di cinghiale. 
La provenienza del volume sembra essere legata a un monaco cuciniere dell'ormai estinto ordine dei Frati Trigliceridi di San Circonflesso, una congregazione di cui si conoscono poche evidenze storiche.

Da un’attenta analisi del metro musicale e dei pochi appunti coreutici — che purtroppo risultano in gran parte indecifrabili, eccetto per alcuni passaggi scritti con quella che sembra essere salsa di pomodoro — si evince che i danzatori di questa singolare danza dovessero possedere un numero dispari di arti, una caratteristica che, sebbene non del tutto chiara, sembra fosse una condizione fondamentale per la corretta esecuzione della coreografia.

____________________________________________________________________________

Some background notes:

This dance is inspired by a manuscript that can be dated quite precisely to a period somewhere between the late Neolithic and July 1750.
The parchment on which it was written was incorporated into the binding of a later volume, which collects various recipes for cooking wild boar.
The origin of the volume seems to be linked to a monk-cook from the now-extinct order of the Triglycerides Friars of Saint Circumflex, a congregation about which few historical records exist.

From a careful analysis of the musical meter and the few choreographic notes — which unfortunately remain mostly undecipherable, except for some sections written in what appears to be tomato sauce — it can be deduced that the dancers performing this peculiar dance were required to possess an odd number of limbs, a characteristic which, while not entirely clear, seems to have been a fundamental condition for the correct execution of the choreography.

Giga

I See Time

After a hard day trying to put up shelves I have decided that making music (and in this case a video available on YouTube) on an iPad is easier 😊
3 * MelodyBud, Rozeta Particles, Rozeta Collider and ZOA playing…
SWAM Violin, Viola, Cello, Double Bass, Speldosa, Decent Sampler Santa Monica Waves and 2 * ANALOGyGR.
Effects FAC Alteza, Velvet Machine, TB Reverb and MixBox.

The video (containing some minor strobing and pulsing) is here https://youtu.be/5-Sga2wzEKc?si=N61dwPFqVn_8asqJ

#325 Easier than putting up shelves

Return Sailing

01 - NI - Session Guitarist - Picked Acoustic - Tonight
02 - SA - PS - Tubular Bells - Short Soft Sticks
03 - SA - PS - Xylophone - Swarmed Sticks Hot F
04 - SA - OACE - Chamber Grid

Winter Heat

In my native country I composed for symphonic and chamber orchestras, for solo instruments and also for voice/choirs. Since then, with the help of technology, I added many other genres: jazz, techno, rock, pop, ambient, ethnic, music for video, etc.*

I now live and work near Montreal, Canada where I have my own well-equipped production studio. I finally have the luxury of being able to compose purely for pleasure and explore new musical horizons.

I always remain open for collaborations on interesting and challenging projects. I can even survive deadlines and lack of proper budget :)

Feel free to contact me. I'm always happy to try new things and meet new people.

Thank you so much for listening.
Tatiana

* I graduated with honors in composition from the Odessa Conservatory. Later I added a degree in composition and orchestration for film and television from Berklee College of Music in Boston, USA. For a brief description of my studio check the About Me section of my website.

Pipe Dreams All the Way Down

Tatiana A. Gordeeva