Radio Far Oeste Playlist Part. I

discover weekly sneaky

The seminal ambient album from The KLF... 
A1   Brownsville Turnaround On The Tex-Mex Border  1:47  
A2   Pulling Out Of Ricardo And The Dusk Is Falling Fast  1:29  
A3   Six Hours To Louisiana, Black Coffee Going Cold  3:01  
A4   Dream Time In Lake Jackson  2:35  
A5   Madrugada Eterna  7:40  
A6   Justified And Ancient Seems A Long Time Ago  1:08  
A7   Elvis On The Radio, Steel Guitar In My Soul  3:01  
B1   3AM Somewhere Out Of Beaumont  9:24  
B2   Wichita Lineman Was A Song I Once Heard  5:56  
B3   Trancentral Lost In My Mind  1:16  
B4   The Lights Of Baton Rouge Pass By  3:34  
B5   A Melody From A Past Life Keeps Pulling Me Back  1:41  
B6   Rock Radio Into The Nineties And Beyond  1:26  
B7   Alone Again With The Dawn Coming Up  0:16  


The KLF - Chill Out

Noise Matter

Ultrafog - 'How Those Fires Burned That Are No Longer'
Format: 12", Digital
Release Date: October 26th
Distribution: Rubadub
Artwork: Shy

PURCHASE:
https://www.rubadub.co.uk/records/how-those-fires-burned-that-are-no-longer
https://motionward.bandcamp.com/album/ultrafog-how-those-fires-burned-that-are-no-longer

After two cassette releases for the likes of Tokyo's Solitude Solutions and Barcelona's Angoisse, Motion Ward is delighted to present the debut of Kouhei Fukuzumi's Ultrafog project on the vinyl format. "How Those Fires Burned That Are No Longer" weaves through sliding metal timbres, textured air abstractions and wistful mallet sequences. This record, like all of Kouhei's work, is a take on sound as a representation of memory. Light and translucent, each song aims for a temporal snapshot that will inevitably fade into the well of thoughts and experience.

https://soundcloud.com/ultrafog

www.motionward.com

MW004: Ultrafog, 'How Those Fires Burned That Are No Longer'

maths / spring

Nuova Musica Ostinata

Non mi è piaciuto

Side A of "Ode to Mud"
(2019)
Cassette & Digital via .jpeg Artefacts
https://jpegartefacts.bandcamp.com/album/ode-to-mud

Mute Dot
Theme
Fax 1
Fax 2
Eye

Mastered by Joseph Buchan
Artwork by James Vinciguerra

"Ode to Mud" (Side A)

Following on from last year´s set of hallucinatory vignettes for Milan´s Haunter Records on "Jemi" and the dissection of the possible tearjerking sensibilities of self-help twitter bots on 'You'll Always Stay Beautiful' for Bristol´s NoCorner, @Broshuda glides on to casually deliver this glistening and equally heartfelt 7 Inch for Cologne based Imprint RDK Island.

On the A side, a reflection in the half light resonance of evening/dawn envelops the fractal heavily melodic core of 'Face2'. Floating in some ebulliently chilled out existence not that far, but still quite on its own trajectory, from some of Mouse On Mars most absorbing moments. An hypnagogic cityscape, brimming with lives, real and imagined.
On the flipside 'Voices' hypnotic melody-as-dream gives way to a smoldering state of aural unease, borderline anxiety creeping in, an "orchestra" of filtered, fading voices & realities. Gliding as a state unto itself, neither here nor there. This reality's what you make of it.

Bruno Silva (Ondness)

Release: 6th September 2019

Tracklist:
Face2 (5:04)
Voices (5:08)

Broshuda - Face2

From Paris with love here comes mix 008 by Second Circle artist and friend D.K. (@d-k-music). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Salut Dang Khoa, welcome to our podcast series. Had a nice summer?

DK: Hey! Thanks for having me. My summer was pretty cool, I was happy to play some nice festivals and gigs in Europe. I also had a little break to go on vacation with some friends in Marseille to enjoy the sea and the South coast of France.

MFM: Speaking about summer, your music has quite an exotic touch in which melody and percussion both seem to play a pivotal role. Where does that come from? 

DK: At the very beginning, it was simply inspired by the kind of house music I was listening to. But it changed through the years. I had a period when I was into industrial stuff, and I’ve been really inspired by the textures, by that sensation of mechanical groove and how the percussions were used. It kind of lead me to listen to the roots of music, and got into ritual sounds. Regarding the melodies, I don’t know man, it’s maybe because I’ve listened to too much R’n’B when I was a teenager haha.

MFM: But you're not a trained musician in one way or another? Like, can you read notes and play keys or other instruments maybe?

DK: I played violin when i was very young at the Rennes Conservatory of music for 6 years but it was a long time ago and i didn't practice since. I still can read notes but i'm super slow when it's about to play a musical score with other instruments now.

MFM: Would you say you have a D.K. workflow when in the studio?

DK: I like to have a precise idea of what I want to do before I start, even if it’s going to change completely during the process. Also, the shape of a track will really depend on what I’m listening to at the moment. I can easily get lost sometimes, producing something that is totally different of what I’m doing but I always learn some new technics. It’s a good way to find new ideas as well. Most of the time, I work on the same loop until I’m satisfied, almost all the elements of the track have to be already present on this loop, so I can have a vision of what it’s going to look like. Then, I know it will be easy to structure, edit and finish.

MFM: Interesting, for a lot of producers making arrangements seems a tough task or annoying burden even. What's your trick?

DK: I start with the  rhythm structure then focus my work on finding the main theme of a track,  and i build everything around it. If the beat and the  hook are strong enough it's usually not a tough task to make the arrangements.

MFM: You've been putting out music not only as D.K., how come?

DK: I decided to use that 45ACP moniker to focus my work more on sound textures and beats. It was maybe more heavy and club-oriented than what I used to do as D.K.. But now, I’m trying to combine everything in one project to create more contrast in my music. I’m generally interested by the opposition of textures and sounds in music. For instance, I like to mix raw percussion parts with clean drums or melancholic cold pads with naive midi melodies.

MFM: So, what can tell us about the mix? Any specific theme behind it?

DK: It’s a collage of tracks that I’ve been listening to at home recently and some edits I’ve made, from ambient and tribal to Japanese stuff. It’s obviously not what people can expect to hear me play in a festival or club but I would say that it’s more the vibe that I’m trying to create when i’m performing live.

MFM: Last but not least, any exciting news you'd like to share?

DK: I’m wrapping up my next Ep at the moment, it will be the third volume of my trilogy dedicated to club music on Antinote. I also have a release to come out soon on 12th Isle, and a couple of remixes.

MFM Mix 008: D.K.

Founder of the Blanik label and a member of the @groovedge Records crew, producer and DJ Spinelli @hormoilactg aka Esteve is a dj whose electric gesture marks a wild, unstoppable mix style between techno, jazz, experimental or house.
The fourth episode of @scenecityeu residency on @noodsradio is featuring this Lyon-based artist, in collaboration with @chezemile. Expect 90's electronic influences, jazz & house.
—
Artwork: Bureau Nuits www.bureaunuits.com
Mastering: @branksmusic

Scene city #04 w/ DJ Spinelli (30.11.19, Noods Radio)

DJ Fusiller - Sacrilège Vénération Vol. 1 (GRVTSBZH4)

A - Sacrilège Vénération Vol. 1 (Face A)
B - Sacrilège Vénération Vol. 1 (Face B)

"Arbitrary overlays, lazer beams, failed somersaults, cheeky cuts, hectoliters of red wine, freewheel tributes. At the request of Editions Gravats, DJ Fusiller (aka Fusiller aka the dude behind the insanely successful Tanzprocesz label) presents a 100% French mix for your greastest pleasure. Anti-dancefloor music for blurry emotions."

Buy at Bandcamp

DJ Fusiller - Sacrilège Vénération Vol. 1 (Extraits)

Edited and remastered version of Habala, first published in 2018. 
Made with passion and modular synths.

Habala

habala

"Interstellar Magnetic Song"  Album N°14

2- After a Night of 98 Earth Days,

Music composed in my studio with my small means :-) A very "Spacial" album but not only. To be discovered, to be listened to, very often with closed eyes and if possible with headphones or very good speakers :-)

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork  -  Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space 

❤️Love, 🕊️Peace, 🙏Respect

2 - After A Night Of 98 Earth Days

Doc Jay - End of an algorithm

Dichroic

laptop songs

tau°
serafin

(◕‿◕✿)


2025:
°30.08. italy - habitatt
°25.06. barcelona - casa espacio
°30.03. barcelona - secret mystery location [???] 

2024:

°11.10. treviso, spazio x
°13.07. berlin, infinite_drift 
°06.07. madrid, lagrima collective
°04.05. glasgow, coclear
°01.05. london, spanners club
°29.04. porto, amparo99
°27.04. lisboa, living room
°20.04. barcelona, isla6
°11.02. la garriga

◉‿◔ ∞～

maths / spring

tau contrib