The Black-Lavender Vogue-Pop-Being 🖤🐈‍⬛💜

I make ballroom/pop fused tracks like Like, Really Cunt, Sniffles (The Bump Dub) and way more! Get into my sound. I'm a Louisiana native born and raised (and I love to travel) and share my sound DJing, producing for myself or writing for others. 

My first album BMA was put out years ago while I was living in Houston Texas and it's an ode to my pop/ballroom sounds while also talking about mental health, but still keeping it cunt!

I do collabration tracks with Icon Sinia Alaia like the song "Love the Girls" and way more! I love the music we make together and the music I make with my other friends (like JoJo ClubKid!)

Mental health plays a big part in my music as well, so for those who need it listen to my tracks like "Breathe" and "Racing" off of my latest album Ms. Bei ! I hope you like what you hear! I produce, mix, record and write everything myself. I'm a girl who loves what she does!

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

DJ Booking: http://beatbroker.net/contact

Out Now: "Hold your Horses" on Nang 
https://www.beatport.com/release/hold-your-horses/2786081

"Extended Away" 12" single on SENTRALL
http://addtocart.dreamchimney.com/sen012

New album "Back to Business" LP/Digital 
http://beatbroker.net/back-to-business/

Also:
• Las Salinas 5AM (The Beat Broker Dub) by Plastic Fantastic on Nang
https://www.beatport.com/track/las-salinas-5-am-the-beat-broker-dub/9067257
• "Trade Secrets" on Public Release 12" Bay Area 415-Pr10 
https://www.pbvinyl.com/products/v-a-415-pr10?variant=26950454017
• 4 AOR/Disco/Rock Edits on Universal Cave UC008 12" 
http://addtocart.dreamchimney.com/uc008

your favorite stripper's favorite dj.

aka dj live dj  aka darth paul
booking inquiries: problematicnyc@gmail.com

Taul Paul is following