All by Post California

«URGENCE MORT SUBITE» was composed for Nicolas Milhé's video installation «Milton», 2020.

«PromNight Technologies» contains samples from «Edward Levy» by A V G V S T, 2012.

Post California - View From A View - 4 - I Saw A Rope In Your Eye

Post California - View From A View - 1 - Starfall

Infinite Linearity. Deliberate delicious repetition, transmutant. Distorted Lazerphazer. Organ decaying in the dark.

LT92 (Lost Track restored from cassette and re-trans-mixformed)

looking into my eyes 
saying things without any sense 
trying to convince me 
that life is better than that 
life is better than that
i know you love me 
i know you would do 
anything for me 
and I would give my life for you 
you're something to die for
something to die for


Something To Die For

Created on iPad, mixed and mastered with Cubase 13 and Ozone 10

Inspired by Naviar Haiku 540:
https://www.naviarrecords.com/naviarhaiku540-face-of-the-winter-pond/

Photo by zenbytes

face of the winter pond - Naviarhaiku 540

Lines Of The Broken

Artificial Reality Construct

Tendering my confession in advance to the writer's besetting sin of oversimplification, I say: synthesizer technique has two main paths. The first -- call it the Moog approach -- sees the instrument as a tool for the creation of new (if you will) organ stops. The other, the Subotnik approach, is concerned with the generation of SOUNDS -- very few if any of which will be at all expressible in the notation which has developed over the past millennium and served us so well. The two approaches are not mutually exclusive, of course: virtually all synthesists draw from both, as their Muse, mood, and machinery may dictate.
As to my title, it goes back to a chance inspiration scrawled on a balloon at the Fillmore in '67. (Cream, Paul Butterfield, and Charlie Musselwhite, "Three bands for three bucks," eat your hearts out, endebted-out-the-whazoo youngsters!) It was a time and place where the most extraordinary things were said -- and more than might have been hoped or feared were even done -- but this wasn't one of them. But like the good man who can't be kept down (or the bad penny that keeps coming back) here it is in our present day. Lacking the euphony and heartstring-tugging of the Twelfth of Never, perhaps, but equally from that realm of the definitionally impossible, even for this age determined in so many ways to make 2+2=5.
To the technical side: all synth parts from my Roland SH-32. Rhythm (and Reality-grounding) comes from my African drums, assisted by real-world cymbals and the Yamaha DTXtreme.

the 32nd of February

Xanax

𝕭𝖆𝖉 𝕿𝖎𝖕𝖘🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - Trigger·Response - curated by ergen101
CRAQUAGES ou Craquages Collectifs, 2025
𝓑𝓾𝔂 👉🏾 https://craquages-collectifs.bandcamp.com/album/trigger-response-curated-by-ergen101

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
Dua Lity / https://www.instagram.com/dua___lity / https://soundcloud.com/duality6371209
The Boss / https://www.instagram.com/shlagga / https://soundcloud.com/shlagga

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
Craquages Collectifs / https://www.instagram.com/craquages.collectifs/ https://soundcloud.com/craquages-collectifs
ergen101 / https://soundcloud.com/ergen101 / https://www.instagram.com/ergen_101

#newmusic #electronicmusic #Deathall #DeconstructedClub #Dancehall #Bass #Breaks

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#386 📢 Dua Lity & The Boss - P.A.B. [Craquages Collectifs]

Above Ground | Somnus DJ Set

Tell the world a little bit about yourself.
The shorter, the better.
Dark Ambient, Electronic and drony stuff.

LT92 (Lost Track restored from cassette and re-trans-mixformed)

Taura Carlice