The Pallyman
Lyrics by Amy Molnar
To the tune of "The Wellerman"

There once was a man who ran for Premier
And the name of that man was Pallister
The votes came in, our hopes dipped down
How little did we know (huh)

Chorus:
Soon may the Pallyman come
To see everything he does is dumb
One day, when the voting is done
He'll take his leave and go

To please the rich, he slashed PST
But always complains there's no money
For teachers, nurses, children too
They're all on their own (huh)

Chorus

We weren't able to take any more
When down on our province COVID bore
He closed the schools and said "stay home,
Over us this soon will blow" (huh)

Chorus

The wave rose up, the wave crashed down,
Pally loosed the ties, said "go to town"
He should have known it was too soon
The virus said "LMAO" (huh)

Rosemary, Rosemary, Rosemary...

Now here we are, fourteen months in
And he claims teachers can get vaccin-
ated as long as they go down South
Bewildering high and low (huh)

Chorus

He hates the poor, and holidays too
We all know what we must do
Our path is clear, get out the vote
Bully boys, GTFO! (huh!)

Chorus

Soon may the Pallyman run
To Costa Rica, we're so done
On that day we'll see the sun
So take your leave and go!

The Pallyman

"Beef. It’s what’s for dinner," the baritone voices of actors Robert Mitchum and Sam Elliott told us in the 1990s. "We’re not gonna let Joe Biden and Kamala Harris cut America’s meat!" cried Mike Pence during a speech in Iowa last year. "To meet the Biden Green New Deal targets, America has to, get this, America has to stop eating meat," lamented Donald Trump adviser Larry Kudlow on Fox Business. Repeatedly, we’re reminded that red meat is the lifeblood of American culture, a hallmark of masculine power.

This association has lingered for well over a century. Starting in the late 1800s ,as white settlers expropriated Indigenous land killing Native people and wildlife in pursuit of westward expansion across North America, the development and promotion of cattle ranching — and its product: meat — was purposefully imbued with the symbolism of dominance, aggression, and of course, manliness.

There’s an associated animating force behind this messaging as well: the perception of waning masculinity in our settler-colonial society. Whether a reaction to the closure of the American West as a tameable frontier in the late 19th century or to the contemporary Right's imagined threats of "soy boys" and a U.S. military that has supposedly gone soft under liberal command, the need to affirm a cowboy sense of manliness, defined and expressed through violence and domination, continues to take the form of consuming meat.

On this episode, we study the origins of the cultural link between meat eating and masculinity in settler-colonial North America; how this has persisted into the present day via right-wing charlatans like Jordan Peterson, Josh Hawley and Tucker Carlson who panic over the decline of masculinity; and the social and political costs of the maintenance and preservation of Western notions of manliness.

Our guest is history professor and author Kristin Hoganson.

Episode 139 - Of Meat and Men: How Beef Became Synonymous with Settler-Colonial Domination

Noisechamber Volume 1 is the first compilation created by Sly5thAve and the ClubCasa Chamber Orchestra.

Alto Sax: Michael Jelani Brooks
Tenor Sax: Jason Arce
Baritone Sax/Bass Clarinet: Tim Stocker
Trumpets: Igmar Thomas, Nick Marchionne, Stephen "Pharaoh" Fowler, 
Tenor Trombones: Nadav Nirenberg, Kevin Meohringer
Bass Trombone: Max Fisher
French Horns: Lis Rubard, Jon Carroll
Tuba: Chanel Crichlow
Percussion: Brad Williams, Cooper Heffley, Jay White
Flute: Leselle Hatcher, Camille Thurman
Clarinet: John Leadbetter, Chris Reza, Brian Landrus
Additional Trumpet: Clynt Yerkes 
Additional Woodwinds: Sly5thave

All arrangements by Sly5thAve
Compilation produced by Joe Rogers & Sly5thAve 
Video produced by BKLYN1834 + Aaronisnotcool
Advised by Bob Belden

"Get Free" -- Composed by Thomas Wesley Pentz, David James Andrew Taylor, David Longstreth, Amber Coffman

Watch the "Making of Noisechamber Vol. 1" :: www.youtube.com/watch?v=2ReigzzbNic

"GET FREE" (MAJOR LAZER COVER) FEAT. THE CCCO

Sample track from forthcoming LP by The Paradise Bangkok Molam International Band '21st Century Molam' on the Studio Lam label

Kwang Noi Chaolay

i would like to wish tri angle label an incredibly sublime birthday and thank for having been invited to dj at their party . couldnt possibly been more honoured than to play in that company !!! the mix i played was my present to them : merging together some of my fav beats last year with some of my fav vocalists doing some of their best songs :

!!! this is my tune-tinder !!!

warmthnesss björk

the musicians in the mix are :
abida parveen/rabit
kate bush/lotic/vessel
mariza/rabit
chilean flutes/the haxan cloak/lotic
john tavener/haxan cloak
amália rodriquez/rabit
abida parveen/bloom
hans reichel/sudanim
baka people
mc brinquedo
c.z.
shut up and dance
hanz/virtua mima
cut hands
death grips
david hykes
kate bush/rabit
lung/lotic remix
kramphaft
jeremih
total freedom
brandy

Lost Labyrinth

taurelian

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