A truly song of the elements. The sparse delivery and lyrics take the listener back to simpler,better days. I've been absent from the cloud myself,hope you are well Lizzie.

Good to see you back on SoundCloud again, Lizzie... we have big breaks between tracks too... but not quite as long as 3 years.

Lovely song and story, I must admit I prefer to look at the song through a lightly frosted window.

I can feel the warmth from the vocals and guitar playing ✨

Nice song with a very personal feel. I also like your delicate style of drawing!

Oh this is beautiful, Lizzie. I love animals, dogs and cats.. such a wonderful track with lovely harmonies. Thank you :)

JUMP INTO A DAY MADE FOR DANCING

Fuel for Dance: Composed, arranged, performed and produced by Evandro B. Lira aka Vintage Mutation.

The aforementioned composition evokes "the duty of the Human Being to express Life with intensity", that is, "to commit oneself with heart and soul to everything one decides to do". Vivid expression is the "fuel" that drives movement and art of existence (dance).

Fuel for Dance

Original composition, all guitars, piano, synth and mix by Neno J.

Jump Into The New Dimension

So much has happened in the World since I was last active on Soundcloud, nearly 3 years ago. The onslaught every day of so many people, animals and our precious Earth suffering, and no end in sight. I have been writing and painting how I feel, but my first recording is far from this, and of another time, a short, simple, and light offering for now.
I was born and raised in a small rural town that saw large amounts of snowfall in Winter, despite being the South of Scotland. We had plenty of hills to sledge down and no need to go to the Highlands. Through the years, in the many places I have lived in, my best walks were snow filled ones with the dogs, and in the mornings setting off when everything was pure and dazzling, and your whole body felt alive. The dogs would leap about so happy, and in turn affecting us, so that we were just as daft playing with them, totally energized! I give thanks for having had this.
This is for my beautiful wee Bridie, who died nearly 2 years ago.
Good to be with you all again on the Cloud!
Lyrics
Up with the lark and away we go
Treading so lightly in the snow
Skippin, and runnin, and jumpin so high
Scenting the air, as we touch the sky

Rollin and diving, and sliding away
Playing in a magical snow filled day
Skippin and runnin, and jumpin so high
Scenting the air, as we touch the sky

We play, all day, we play

Ooooh Ahhh
We're riding high today
Ooooh Ahhh
Love's shining all the way

Music, Lyrics, Vocals, Harmonies, Guitar - Lizzie Taypen 
Cover pic - Pencil Drawing " Bridie" - Lizzie Pentland (Yes, there are daisies in winter ;) haha)

Snow Skippin Days

Piano accompaniment: @Adam4le

🎹 New on YouTube: The Phoenix Waltz:https://www.youtube.com/watch?v=kUzao17SVms

New Release! 18 April: https://gyro.to/WhatWasIMadeFor

Memorial Day Newsletter: https://shoutout.wix.com/so/cdO_XFpFk?languageTag=en

Memorial Day Piano livestreams from Classical to Jazz: Sat, 25 May 2024 (2k, stereo): https://youtube.com/live/p7Orj9A4qB0

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It has been some time... I have had a jaw procedure and if I do not exercise it, the surgery is in vain. This creates more pain in the jaw and neck and I did not practice my violin for months.

What Was I Made For? was done some time ago. However, events recently changed my ideas on the movie Barbie. While I never considered myself a feminist per se, I encountered recently the difficulty women, especially minority women, face in many fields.. Though I do not consider myself very high, a few men began to abuse, bully, sabotage me in Spotify. This will happen in all fields, but I feel especially vulnerable because it is an art form. Bullying stifles creativity..The point is we should not be treated as property. Double standards because if we stand up for ourselves, we are deemed 'aggressive'. More here: https://www.sharonelainechen.com/news

What Was I Made For?

They Won't Go When I Go (Stevie Wonder/Yvonne Wright)

No more lying friends
Wanting tragic ends
Though they do pretend
They won't go when I go

All those bleeding hearts
With sorrows to impart
Right here from the start
They won't go when I go

And I'll go, where I've longed,
To go, so long
Away from tears

Gone from painful cries
Away from saddened eyes
Along with him I'll bide
And they won't go when I go

Big men feeling small
Weak ones standing tall
And I will watch them fall
They won't go when I go

And I'll go, where I've longed
To go, so long
Away from tears

Unclean minds mislead the pure
The innocent will leave for sure
For them there is a resting place
People sinning just for fun
They will never see the sun
For they can never show their faces
There ain't no room for the hopeless sinner
Who will take more than he will give
He will give, he will give
He ain't hardly gonna give, whoa yeah

The greed of man will be
Far away from me
My soul will be free
They won't go when I go-a-whoa

Since my soul conceived
All that I believe
The kingdom I will see
They won't go when I go
When I go, where I've longed 
No one can keep me from my destiny

Cover Art: Parson's Arrival, Todd McLean

All rights reserved

They Won't Go When I Go

They Won't Go When I Go (Stevie Wonder - Cover)

***COMING WED AUG 13, BLUE ROOM W/SAX & HAMMOND***
https://soundcloud.com/bruceavery/the-blue-room-version-2?si=3976cab678424394950e6c2b27429883&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room – smoke and whisky and tears….

The original idea was a smoky, jazzy, late night club-for-lonely-hearts kind of thing.  But since my “jazz” piano always ends up honky-tonk, and I can’t seem to lose the backwoods in my voice, the final product – though still smoky & late night – is more lonely hearts beer joint than jazz club.  Jazzabilly maybe.  Redneck Blues. 
								
But there is a plan to give the song a little jazz credibility.  I play an organ solo mid-song that I actually wrote for saxophone.  I’m sending the song to my little brother, longtime Atlanta musician Herb Avery, who says he knows a sax player who’ll take it on.  So if Herbert can make that happen, I’ll upload the new version later.  If he can’t, I’ll be looking for a sax player out there.  And yes, for now I’m keeping the sax player pic posted, to remind me to get this done.

My daughter Julia helped out vocally on the choral refrain.

So here we go.  Come set for a spell in The Blue Room…..when nobody loves you.

The Blue Room (orig. version)

Astronauts say that when they see the Earth from space, it changes their way of understanding life.
We will soon make a guitar version.
Photo: NASA

Beauty Blue

Cast of Characters:
E Ruizzo-- https://soundcloud.com/ruizzoidman21centurions --Manuel-- composition, lyrics, Squier Stratocaster electric guitar, vocals, mix, and production
J.J. Terrell-- @j-j-terrell—JJ-- piano, accordion, and horn
TexMex Shaman– @texmex-shaman –Stephen– Jose Ramirez nylon stringed flamenco style guitar, and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision Bass bass

This song began all the way back when Manuel was 16 and found love that summer with a girl named Carmen. He remembered her, though, and wrote this song about her all these years later. The title of the song means "Your name has the song," and the lyrics spell out the girl's charms using the letters of her name. Check out the lyrics and the translation below. 
  Using that inspiration, Manuel came up with the song structure and the vocal melodies to a rudimentary drum track with his electric guitar. He then asked Josh if the group would be interested in taking it on. Josh, never being one to refuse a challenging piece of music, and always on the lookout for interesting musicians with whom to collaborate, accepted his kind offer and created a project for the rest of the Eclectic Collecitve to join. He started the whole thing off by adding his bass, to which Ken added his innovative drums, to which Josh redid his bass, as is the typical process in the EC.
  Next up was JJ, who you'd think he'd grown up with Spanish music the way he added the horns, accordion, and piano. Then Stephen stepped in and added his psychedelic and intricate acoustic guitar to the stew. 
  It was all done, except for the mix at this point. Manuel did the honors, and did it very expertly. Stephen mastered it to give it more volume and dynamism, too, as he always does. 
  This was the first, but we hope not the last, time the EC has collaborated with Manuel, although we're all fans of the incredible music on his page. He was a true delight to work with, giving honest, encouraging feedback and helping us shape his song to meet his vision. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by E Ruizzo:

TU NOMBRE TIENE LA CANCIÓN  /  YOUR NAME HAS THE SONG

Qué es una lágrima en el desierto?  /  What is a tear in the desert?
Cae sin ruido, se evapora y se olvida.  /  It falls without noise, evaporates and is forgotten.
No tiene tiempo de brillar, su vida  /  It has no time to shine, its life
es corta y su camino tan incierto…  /  is short and its path so uncertain...

Ce del calor del desierto y su sol,  /  ‘C’ for the heat of the desert and its sun,
a del adiós por el que lloré tanto;  /  ‘a’ for the farewell for which I cried so much;
erre del río que forma mi llanto;  /  ‘r’ for the river formed by my crying;
eme de miedo, de magia y de amor.  /  ‘m’ for fear, for magic and for love.

E de esperanza, de espacio rosado,  /  ‘E’ for hope, for pink space,
de espina clavada, de suelta emoción;  /  for stuck thorn, for loose emotion;
ene de noche de un tiempo pasado.  /  ‘n’ for night of a past time.

Carmen, tu nombre tiene la canción  /  Carmen, your name has the song
de todo aquello que has significado:  /  of all that you have meant:
Carmen de luz, de sonrisa y de adiós.  /  Carmen of light, of smile and of goodbye.

Tu Nombre Tiene La Canción (with The Eclectic Collective)

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

Just a simple song for the lonely. Old fashioned human music for this modern age.

Lyrics:
I'm bringing you my honest confessional
I'm dying out here, don't you know?
I've been walking the internet at night
I don't know why I always fall for the tawdry
I always fall for the pills
I fall for your sweetest thrills
I'm dribbling down here at the end of the bar
Falling in
(falling in and out)
Falling in and out of love
I'm in the valley of the lonely
Don't look into the corona eye
You know that I always lie

I could be anything you need
I could be that book that you've been working on...
A paperback. Dog eared and worn...
A book you put up on the shelf...
A book you read that changes your sense of self...
I'm in the valley of the lonely
Don't look into the coronas' eye
The valley of the lonely...

The Valley Of The Lonely

It seems that each season has its own "perfume of mystery".  In a typical Texas panhandle spring, it is Lilac and Russian Olive that perfume the air.  In the deep South, Magnolias are hypnotically fragrant.  In summer it is the fresh, petrichor air after a rainstorm, or a newly-mown field of hay.  In the fall there is a pungency of fallen leaves as they are raked into piles, and as the days grow cooler, smoke from a fireplace during an evening walk. It is an odor that grows stronger and crisper as winter sets in and the sweet scent of pine with the setting up of Christmas trees.  Dan wanted to capture this "perfume of mystery" with his unique composing and keyboard skills and invited me to come along. Thank you my friend for inviting me.  Hear more of Dan's beautiful and unique "French Fantasy" music @dan-t-3.

Like A Perfume Of Mystery (DAN-DT; composer, keyboards, David; guitars)

Lyrics:
She was wrong for me
I knew it from the start
I'm not very smart
I left a spare key under the mat
To my broken heart

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

My boss had an epiphany
When I was working at the mortuary
He said: Dig them holes faster!
"This business has no room for uncertainty!"

That may be
Oh, can't you see?
When I'm working for you
I just don't feel like I'm being me
When I'm working for you I ain't following my muse
And there she goes...
(There she goes!!!!)

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
Hey friends, won't you help me spread the news?

I get all my blues for free
Don't you know I'm so low I can't see?
A lousy day...
A lousy pay...
I'm a lousy lay...
I think I'm everything
That everybody say

I'm kicking it
One step ahead of the blues
I'm kicking it 
One step ahead of the blues
I'm sleeping it off in those Sunday pews

One Step Ahead Of The Blues

Whispers in the Sand

(Don't follow me here, best on my main page ;)

Snow Skippin Days

Lizzie Taypen

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Janne Hennie

Gunther Benedict

Mixing and Mastering Woods Studio Norway

樂天則

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