Kisean Anderson, best known by the stage name Sean Kingston, is a Jamaican-American reggae fusion rapper and songwriter. Known for his dark lyrics, Kingston won the 2007 MOBO award for Best Reggae Act and a Teen Choice award for Best R&B track. Born in Florida, Kingston grew up in Jamaica with his grandfather, reggae producer Lawrence “Jack Ruby” Lindo. In 2007 at the age of 17, Kingston was discovered on Myspace by Tommy Rotem, of Britney Spears and 50 Cent fame, who signed Kingston with Beluga Heights Records. In a joint venture between Sony, Epic Records and Koch Records, Kingston released his first single, “Beautiful Girl”. It was an instant success, reaching number one on Billboard’s Hot 100 and topping international charts. His next single, “Me Love”, released at number one in Australia. Later that same year, Kingston toured with Gwen Stefani and Beyoncé as an opening act. The collection of singles was released as his self-titled first album later that year. In 2009, Kingston released his second album, “Tomorrow” with Lady Gaga, produced by RedOne. The single “Fire Burning” debuted at #5 on Billboard while “Face Drop” climbed to #61. In 2010, he joined the UK group Sugarbabies to record “Miss Everything” and was featured on Bow Wow’s single “For My Hood”. Over the next two years, Kingston released multiple singles featuring guest appearances from T-Pain, Nicki Minaj, Kanye West, Akon and Dr. Dre. He appeared on Justin Bieber’s single “Eenie Meenie” and his cover of “Pretty Boy Swag” and “Billionaire”. In 2011, Kingston released his free online mixtape “Kings of Kong” which featured Akon, Soulja Boy and Justin Bieber. His most recent album, 2012’s “Back 2 Life”, peaked at number 33 on the R&B Album charts and #52 on Billboard’s Hot 100. The single “Beat It” with Chris Brown and Wiz Khalifa reach number 17 on Hot R&B charts.

Klassik und Jazz erfreuen sich immer größerer Beliebtheit. UNIVERSAL MUSIC Stars wie etwa Anna Netrebko oder Till Brönner unterstreichen diesen Trend und sind beste Beispiele für den Erfolg des umfassenden Engagements auf diesem Gebiet. 

Neben der intensiven Arbeit sowohl mit jungen Talenten als auch mit etablierten Künstlern entwickelt UNIVERSAL MUSIC CLASSICS & JAZZ als Marktführer in den jeweiligen Genres kontinuierlich neue, innovative Marketing- und Promotion-Strategien, um alternative und zeitgemäße Zugänge zur facettenreichen und spannenden Welt von Klassik und Jazz anzubieten. Die Unit baut hierfür nicht nur junge Künstlerinnen und Künstler auf und begleitet sorgfältig und verantwortungsvoll ihre musikalische Entwicklung, sondern sorgt vor allem auch kontinuierlich für die Erschließung und Pflege neuer Zielgruppen. Mit grenzüberschreitenden Projekten wie der „Yellow Lounge“, die Klassik an ungewöhnlichen Orten präsentiert, oder auch dem „Verve Club“, der die ganze Vielfalt des Jazz präsentiert, leistet UNIVERSAL MUSIC CLASSICS & JAZZ hier und auf manch anderem Gebiet seit langem wertvolle Pionierarbeit. Diese und weitere Aktivitäten bringen die unendliche Vielfalt der Genres einem stetig wachsenden Publikum näher, das musikalische Entdeckungen als Bereicherung seines Lebens zu schätzen weiß.

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

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Working with the greatest artists ever since the founding of Columbia Records in 1887.

Yo-Yo Ma, Glenn Gould, Il Volo, Jonas kaufmann, Igor Levit, Alexis Ffrench, Eugene Ormandy, Leonard Bernstein, Khatia Buniatishvili, Joshua Bell, Arthur Rubinstein, Murray Perahia, Bruno Walter, Teodor Currentzis, Vladimir Horowitz, Dirk Maassen, Christian Gerhaher, Leif Ove Andsnes, Arcadi Volodos, Lavinia Meijer...and many more!

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