Tracklist

01. Observatories - Sapphire Waters
02. Tom Leclerc -  Diary of Lights
03. Fields We Found - Water
04. Katharina Schmidt - Particles (Excerpt)
05. Tomáš Šenkyřík - Noc
06. Steve Pacheco - Himalaya
07. Tomoyoshi Date - 土 Tsuchi (33 rpm)
08. Ghost and Tape - Reyes
09. Morimoto Naoki - Row

312. Sleepy Sunday Podcast (Elm Records)

Something That Looks Like Stars

Burnt Island

Tracklist

01. Tomotsugu Nakamura - Heliotrope
02. Suisen - Sunken Moon
03. Tapes and Topographies - Reflections in a glass eye
04. The Seaman & The Tattered Sail - Dusk
05. Andrew Tasselmyer - Perspectives
06. Ciro Berenguer - Lago
07. M. Grig - Form
08. r beny -  Echo's verse
09. Simon Scott - Nigh
10. Rafael Anton Irisarri - Daybreak Comes Soon
11. Stijn Hüwels - Tomodachi (patrick)
12. Foresteppe - s01e04

351. Sleepy Sunday Podcast (Elm Records)

Hey, you remember the Icelandic independent imprint called INNI Music, yes? It opened up with Atli Örvarsson's You Are Here back in 2020, and then there was Rose Riebl's Do Not Move Stones in 2021, followed up with Jónsi, Sin Fang, Alex Somers, Kjartan Holm's Sounds of Fischer Vol. 1 a year after, all of which have consistently made to my Best of the Year lists, in every single year. Right. So, yes, this is the same Holm from that Jónsi (of Sigur Rós fame) collaboration, this time with a solo release. Hailing from Reykjavik, Kjartan Holm is a musician and a film composer with half a dozen scores under his belt. This album, titled HORIZON, was originally written for a same-named documentary about the late Icelandic painter Georg Guðni, "whose innovative interpretations of forms and ideas paved the way for a renaissance in Icelandic landscape painting." The music, as conveyed in a piece I am premiering for you today, is capturing the vast and sprawling atmospheres, blending abstract textures with ethereal melodies in pastel haze, shifting tones, and wide brushstrokes. You don't even need to look up the paintings to see the resemblance (but I recommend that you do). Lovely tonalities to get lost in on this one, and I recommend that you pick up the album, in just a few days...

HORIZON

Limitless Pt. II

TRACK PREMIERE : Kjartan Holm - Limitless Pt. II

I could not get this track on my last album "L'immagine di me, lontano" released by Silentes label. I finally decided to complete and upload it anyway. You can listen to it freely.

Sepolto dentro di te

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR023
artist: montelune
release title: montelune #1
runtime: 19:29
location: earth

Written and produced by montelune
Mastered by James Edward Armstrong
Cover art by Harry Towell
Booklet art and design by Harry Towell

montelune #1

eR023 montelune - air

Birds

vånda - rödvingetrast (v1)

Blue Moon Wish, Guaranteed to Come True

Technology and imperfection. The raw and the processed. Curator and curated. Solo explorer and gregarious collaborator. The life and work of Taylor Deupree are less a study in contradictions than a portrait of the multidisciplinary artist in a still-young century.

Deupree is an accomplished sound artist whose recordings, rich with abstract atmospherics, have appeared on numerous record labels, and well as in site-specific installations at such institutions as the ICC (Tokyo, Japan) and the Yamaguchi Center for Arts and Media (Yamaguchi, Japan). He started out, in the 1990s, making new noises that edged outward toward the fringes of techno, and in time he found his own path to follow. His music today emphasizes a hybrid of natural sounds and technological mediation. It’s marked by a deep attention to stillness, to an almost desperate near-silence. His passion for the studio as a recording instrument is paramount in his work, but there is no hint of digital idolatry. If anything, his music shows a marked attention to the aesthetics of error, to the short circuits not only in technological systems but in human perception.

And though there is an aura of insularity to Depuree’s work, he is a prolific collaborator, having worked with the likes of Stephan Mathieu, Christopher Willits, Kenneth Kirschner, Eisi, Frank Bretschneider, Richard Chartier, Savvas Ysatis, and Tetsu Inoue.

Deupree dedicates as much time to other people’s music as he does to his own. In 1997 he founded the record label 12k, which since then has released over 80 recordings by some of the most accomplished musicians and sound artists of our time, among them Alva Noto, Steve Roden, Ryuichi Sakamoto, and Steven Vitiello. Many share with Deupree an interest in stark minimalism, but the label has also found room for, located a common ground with, the acoustic avant-garage, the instrumental derivations of post-rock, and the synthetic extremes of techno.

And collectively, the cover jackets to the 12k album releases have served as an ongoing exhibit of Deupree’s photography, its lofi aesthetic, with an emphasis on damage and wear and antiquated tech, closely paralleling his music. (His photos have also graced numerous books, design anthologies, and other recordings and projects.)

Deupree continues to evolve his sound with an ambition and drive that is masked by his music’s inherent quietude. He approaches each project with an expectation of new directions, new processes, and new junctures.

Something That Looks Like Stars

taylordeupree

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