Heard your Paste Magazine's Austin set...awesome!!! A real natural...

Weekend Showcase 4.48 features 44 remarkable new music singles from artists & bands representing 13 countries. Learn more here: https://therevue.ca/2018/12/08/weekend-showcase-4-48/ ‎

Weekend Showcase 4.48

Push It Down

Something Better

Designated Driver

I Live In Patterns

I Live In Patterns (feat. Alix Page)

Sunday Morning

"Ordinary Pleasure" is taken from Toro y Moi's album, 'Outer Peace,' out now on Carpark Records.

Available Now: https://found.ee/toroymoi-outerpeace
Tour Dates: https://found.ee/toroymoi-tour
Merch + Bundles: https://found.ee/toroymoi-store

https://www.facebook.com/toroymoi/
https://twitter.com/ToroyMoi
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LYRICS
It’s always the same as always
It’s a game that we play, no one’s safe

Maximize all the pleasure
Even with all this weather
Nothing can make it better
Maximize all the pleasure

Does sex even sell any more?
I feel like I’ve seen it all
Or maybe I’m just old
Or maybe I’m just bored

Maximize all the pleasure
Even with all this weather
Nothing can make it better
Maximize all the pleasure

Cuz this world makes a lot of noise for me 
Makes it hard for me to hear what I’m thinking 
Sometimes I don’t understand what I say 
So it’s fine if you gotta get away

Ordinary Pleasure

The Vitriots - I Don't Wanna Watch The News

Shelter

Off of "Heaven on the Rocks", the first full-length LP from Ladada.
Pre-order the 12" here:
https://goldrobotrecords.bigcartel.com/product/ladada-heaven-on-the-rocks-12

Heaven On The Rocks

Float Away

Ladada - Float Away

Don’t look, I’ve seen the ending
It’s worse than you thought
Don’t say, don’t say anything
The silence is what you want

Don’t watch, I know the future
And there are no miracles
I don’t mean
To sound so cynical 
But no one changes that much

Is it too late for me to believe in the morning’s new mercies?
Cause I’ve been dying just to see a glimpse of the morning and it’s new mercies

Elois, elois 
A god forsaken reply
If I speak to the daylight
Will you hold the sun still in the sky?
So I don’t have to watch all my heroes die
By the hand of the night
I wrote their eulogies in my scattered poetry and I buried them nearby

Here lies the paradox, a shouting match with silent God 
The push and pull of faith unseen, I nurse my bleeding unbelief 
Well I don’t know what to say to someone who knows everything
All I do is fight your words, so let’s not act like I deserve the morning and it’s new mercies

New Mercies

Chain Wallet is the sound of dreamy mythologies presented in widescreen, while simultaneously nodding back to an era where everything was in four-by-three. Picking up where the hazy, melancholic and undeniably catchy debut left off, the band now returns with a lusher – and at the same time, more eerie – sound.

While Chain Wallet’s first album was dreamed up in their rainy hometown of Bergen, the sophomore effort No Ritual found them emerging to a small cabin on a remote beach in the southwest of Norway. Here, among surfers – and while walking the beaches – they found out what kind of album they were going to make. 

While you still can catch a glimpse of Mary Chain here or Johnny Marr there, Chain Wallet are really establishing their own musical identity with No Ritual. Playing an important part in expanding the band’s sound on this record is Chiara Cavallari of the psychedelic shoegaze band FOAMMM. The guys say: “We had been wanting to collaborate with Chiara for a long time, and her ethereal presence is fortunately scattered all over the album.”

Both of Chain Wallet’s albums have followed loose and murky storylines about a conflicted protagonist. Where the first album revolved around themes like unresolved ambition and attempts of letting go of the past, No Ritual finds our anti-hero in state of spiritual limbo, while reaching out and trying to establish new symbolic meanings. The album is a post-apocalyptic dive into the mythical life of the millennial mind.

preorder/stream single

Chain Wallet - No Ritual

Night falls and I look out and I can’t make out a thing
So I burned all my bridges down just to have something to see
But you don’t need to worry darling, 
I don’t need to escape 
From this ever growing sadness that I can’t help but create for myself

Well if I knew what was good for me, I’d open up the blinds
I’d let my room be filled with sun, let it change my life
But you don’t need to worry darling, one day I’ll be just fine 
I’ll stare up into the sun til it burns right through my eyes

Is that what you want?
Is that what you wanted from me?
Is that what you want?
Is that what you needed to see?
if I see the beauty in everything
Then how am I to know just what to sing
When it all falls down
And there’s no one around

Melancholy’s always got me right where it wants
And my voice hurts from starting shouting matches with God
But you should start to worry darling
If you can’t hear the sirens calling
Out through my broken promise
Didn’t you ask me to be honest?
[chorus]

When it all falls down.
I’ve been practicing my steps
For when it all falls down again

Shouting Matches

The debut album, I Live In Patterns, out now
glassnote.ffm.to/taylorjanzen-iliveinpatterns 

“The powerful simplicity of a voice, a guitar, a restrained melody and a raw emotion has been rediscovered by songwriters like Julien Baker, Phoebe Bridgers and now Taylor Janzen.” - The New York Times

 The Winnipeg artist returns with new single “What I Do…” out via Glassnote Records. The song was produced by Luke Niccoli (Miya Folick, Joji), mixed by Neal Avron (Brandi Carlile, Bleachers, Twenty One Pilots ), and mastered by Joe LaPorta (Of Monsters and Men, Leon Bridges).

“’What I Do…’ is a song I wrote about being in a serious relationship and suddenly realizing that your issues are affecting someone else for the first time, and not entirely knowing how to change that. Musically, it’s a bit of a departure for me. I wrote it on an acoustic guitar in my bedroom, but when we got around to producing it, it seemed to take on a life of it’s own." says Janzen.

With further praise from Noisey, NPR, Paste, i-D, and The New York Times, Taylor kicked off the year as an Official Artist at SXSW where she was asked to perform at Rolling Stone's Emerging Artist Showcase.

Growing up, Taylor wasn't encouraged to speak through her feelings, so turned to songwriting as an outlet. As a result, with each song we're granted an intimate and almost painstakingly brazen glimpse into the most heart wrenching pages of her diary.  She writes candidly, touching on the topics of mental health and emotional abuse, noting that, “the music that I write is very honest, so it speaks for itself.”

We are not music snobs. We prefer music connoisseurs.

New Mercies

Taylor Janzen

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