Mental Instrumental Metal

Copy of Instrumental Metal

Instrumental Metal

Hard, heavy and no lyrics to distract you. Good for when you need to drown out the world around you and focus on getting stuff done.

Drone.n'.Roll#2

DOOM - JJ Jr Demo

Liquid Sound Company - Acid Music For Acid People - 01 - Liquid Sound Freedom

15: "Homogeneous" by 8Dawn Productions

11: "Atlantean" by 8Dawn Productions

05: "Trojan" by 8Dawn Productions

First track off of our instrumental EP release, 'The Serpent Reign'. Out October 21st, 2014.

Did You Mean Australia? - Lair of Serpents

Tracked, recorded, mixed, mastered by whitelist studio.

https://www.facebook.com/whiteliststudios

whiteliststudios@gmail.com

Emmure - Children Of Cybertron

The Ghost Inside - Greater Distance

Grim

Emmure - Demons With Ryu

Another mixtest with the new Axe-FX II Quantum Firmware and the Metal Machinery SDX, playing a section of 'The Bad Thing' by Periphery. I've tuned up a step to BADGBE (lol, there's even the word 'Bad' in the tuning) because my 6 strings are always in standard or drop D, not drop C.

Made a few tweaks to the drums and the overall mix. I'm still trying to get the levels right and the drums also seem to jump up in volume during fills, but it's something that I'll get in time I think!

The Bad Thing Mixtest

Offshore Drills - "Red Spot Junior"
From "Red Blues EP" - 2016

All songs composed, recorded, and produced by Offshore Drills (2016)
Mixed by Thomas Desjardin, Mastered by Matthieu Bosshardt
Cover Artworks by Masked Mask

Guitar, Bass : Thomas Desjardin 
Drums, Machines : Mathieu Bossardt 
Violin : Anas Lamtaouech

Vinyl, CD, Merch, Digital download and streaming at :
Bandcamp: https://offshoredrills.bandcamp.com/
Spotify: open.spotify.com/album/4ngqn0AYYthPMZa26Q144j
iTunes : https://itunes.apple.com/us/artist/offshore-drills/1397994809
Facebook: www.facebook.com/OffshoreDrills
Youtube : bit.ly/1SKf7td
Deezer : https://www.deezer.com/en/artist/15024677
Difymusic: www.difymusic.com/offshoredrills

Join and Stay Tuned !

Red Blues EP

Red spot Junior

Offshore Drills - "Red Spot Junior"

Emma De Angelis 
Emma De Angelis 
Finders Keepers Records (FKSP013)

Finders Keepers - https://goo.gl/q7GUxB
Bandcamp - https://goo.gl/qP4CZh
iTunes - https://goo.gl/vxmg7J
Amazon - https://goo.gl/fvAjr3

As one of the most enigmatic figures of the 1970's Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business.

Born in Rocca di Papa, near Rome, into a flourishing musical environment Emma was the younger sister of future award-winning composers Guido And Maurizio De Angelis, a duo, who under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).

With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio's film commissions, such as the score for Giuliano Carnimeo's Simone e Matteo: Un gioco da ragazzi (aka Convoy Buddies). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called Underground Mood (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia "Kema" De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.

The tracks on this record provide us with a rare glimpse into Emma De Angelis’ short musical career before she became a full-time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani's Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio's instrumental theme Gangster Story from Enzo G. Castellari's 1973 thriller High Crime (which later appeared on Tarantino's Death Proof soundtrack) or the trippy title theme to Paolo Poeti's kinky 1976 drama Inhibition to spot the family resemblance.

www.finderskeepersrecords.com

Emma De Angelis

Forgiveness

Emma De Angelis - Forgiveness

Somali Yacht Club is a stoner rock trio from Lviv, Ukraine. The band mixes elements of stoner rock, psychedelic rock, shoegazing and post-metal in their music. Formed in 2010, as a jam band, but evolved to a main band for it's members. In August 2011 self-released their first four-song EP “Sandsongs”. In late 2014 are releasing first LP 'The Sun' on Bilocation Records.

The Sun

Somali Yacht Club - The Sun - 02 Sightwaster

Remixed version of Grim, the grimest song I have ever grimly recorded.

Link for tab: http://dl.dropbox.com/u/39302626/Grim.rar

Download link: http://dl.dropbox.com/u/39302626/Grim%202.0.mp3

Grim 2.0

Susan Christie
Paint A Lady
Finders Keepers Records (FKR007)

Release date - 15th February 2019

A mythical and misplaced masterpiece of lost soft rock and acidic folk funk by a one-hit wonderer lost in the wilderness for four decades. From the producer of Margo Guryan, writer behind Wool, Gerry Mulligan collaborator, Tarantino soundtracker and Wendy & Bonnie confidant, Paint A Lady now emerges from folkloric obscurity, to bring a wash of soft psychedelic colour to your vinyl collection and quench the repeat requests of a thirsty new found audience waiting for the rain.

Within certain record collecting circles, especially those who gather under the umbrella that covers fragile niches like “acid folk” and “soft rock”, it’s difficult to imagine a time when the legendary Susan Christie album didn’t exist. When Finders Keepers Records first shared the unheard 60’s songs like Paint A Lady, For The Love Of A Soldier and Echoes In Your Mind with a wide-eyed audience thirsty for organic soul and festival friendly acoustic funk, Susan’s new found fan base instantly felt like they had known these songs all of their lives, and with a single needle drop we saw the birth of what could rightfully be described as an “instant classic”. Which is why it’s hard to believe that the music on this lost 60s acetate was only pressed 12 years ago. As our lucky seventh release in an international discography that now surpasses the 100 mark (and one of a small clutch of English language recordings on the label) Paint A Lady has slowly become one of our most requested re-releases, and with this 2018 edition it is technically accurate to say that this pressing is the first-ever reissue of this elusive and essential LP.

The oft over used term mythical applies to this album on many levels. Perhaps it’s the woozy nostalgia found within the pop craft of Paint A Lady that has led to false rumours that original 1960’s copies used to exist on the collectors market, or the bizarre claim that songs like the head-nodding title track, and the acid-drenched sound effects on Yesterday Where’s My Mind were just a product of a contemporary studio band trying to create a fake folk funk red herring. As a result Susan Christie and her producer and husband of 40 years, John Hill have happily taken the repeat phrase “unbelievable” as a compliment to their songwriting skills and foresight. In all fairness, with a decade to ponder, the original 1969 song titles alone do seem custom-built for the nostalgia market… No One Can Hear You Cry might lament the unrequited yearning for a record deal which never quite followed Susan’s won one-hit wonder novelty hit I Love Onions; similarly When Love Comes might allude to the subsequent 35 year wait for the right label to eventually come along. Echoes In Your Mind and the aforementioned Yesterday… could easily allude to the haunting melodies that sat in the can on John Hill’s studio shelf while his projects for Margo Guryan, Wool and Pacific Gas & Electric sat proudly in record racks before benefitting successful French cover versions or making their way on to Quentin Tarantino soundtracks. The track Paint A lady itself, complete with it’s future-proofed sample-worthy rhythm section, seems like the perfect title for a mock rock pseudo psych contender – at which point you eventually step back and see the bigger picture. These guys were simply one drop too far ahead of their time; a family force of experimental pop perfection that late 60’s America simply wasn’t ready for. It is just over 12 years since champion record rustler Keith D’Arcy (who you’ll meet on the inside sleeve) stumbled upon one of the original acetates that led to the final release of Paint A Lady, and it’s almost a longer 50 years since Susan and John added their final touches to these recordings which tragically went into hibernation for over four decades.

https://www.finderskeepersrecords.com/shop/susan-christie-paint-a-lady-3/

Paint A Lady

Susan Christie - Paint A Lady

Download Solar Feelings : http://www.mediafire.com/?a6pfv5ju6h5dor0
Biography
One day, I was bored, so i started making Crazy music (while smoking cigarettes and drinking sodas)


Description

I'm a guy who loves music, making music, cigarettes, and sodas
Band Interests

Smoking cigarettes and drinking sodas while making music.


A.I(d) -  Final Sunset

All of the tracks a part from a couple of covers are my own original compositions.

DOOM - JJ Jr Demo

Taylor William Wright