TazzyB + Stevoswifty - Roots

DJ/PRODUCER
Acceleration Digital Artist
Bounce Heaven Digital Artist
Excite Digital  Artist
1/2 Of PARAGON
1/4 Of PROJECT HAVOC
1/3 Of S.B.L
🎶🔥P.T.I.D. Vol 1-33 FREE DOWNLOAD🔥🎶                                                                                                                                
 📣#Trance🔈#Bounce🔉#Hardhouse
 🔊#Hardbounce🔊#Hardstyle             
🔥#Hardcore

        Go check these out                                    
   ⬇️⬇️⬇️⬇️⬇️⬇️⬇️⬇️   
                                                                                        ➡➡https://soundcloud.com/alan-gibson-710924723
➡➡https://soundcloud.com/stevoswifty
➡➡https://soundcloud.com/s-j-j-vennootschap-official
➡➡https://soundcloud.com/dj-oggy-1                                             
➡➡https://soundcloud.com/user-578406259                     
➡➡https://soundcloud.com/paul-johnny-johnston
➡➡https://soundcloud.com/steven-j-wilson-2
➡➡https://soundcloud.com/djstoker     
➡➡https://soundcloud.com/donkduo
➡➡https://soundcloud.com/user-148377942
➡➡https://soundcloud.com/wesley-percival-950058140
➡➡https://soundcloud.com/logan-17222564
➡➡https://soundcloud.com/w4rdy-774055299
➡➡https://soundcloud.com/m4ll3n
➡➡https://soundcloud.com/lisahigham81
➡➡https://soundcloud.com/djcduggyz
➡➡https://soundcloud.com/chris-jones-41
➡➡https://soundcloud.com/ukbounceclass
➡➡https://www.youtube.com/@projecthavoc-qw7dz


#ukbouncehouse #bounce #scouse #scousehouse #donk #bouncy #bouncyhouse #bouncehouse #uk #ukbounce #club #clubbing #donky #bumping #purebounce #btid #wiganpier #poky #hardbass






I do not own the rights to this music, Musical Content Copyright Disclaimer (Fair Use) under section 107 Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute 5 might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. This video is for entertainment purposes only. It demonstrates my skills as a disc jockey and all audio was purchased legally.
In
Copyright Statement: This track is not intended to infringe any copyright in laws in any way. This is for sole purpose of entertainment; no profit is gained from this. It is the copyrighted property of its right.

hi 
welcome 
id like to say
big thank you 
to all the listeners out their
big respect for everyone who likes my mixes. im 1/4th of Vennootschap.
i bring my monthly mixes called 
BouncyBeatz so to keep upto by clicking the follow button cheers 
Check out WkdSounds™ - Vennootschap on #SoundCloud
https://on.soundcloud.com/Bir6G1Vi6WfW4W7K9
also 
Check out Dj Ainzi (Donk House Records) on #SoundCloud
https://on.soundcloud.com/7jTLcHE54wtmU6h49

🎵 Music is my life..🎵
🎵WeAreTheBounceGeneration..🎵Yes ii 💥💥

https://youtube.com/channel/UCfc52InUVfCkhkTBLfP2sOw

Dj/Producer 🎵🎵

Dj & Music Producer links to my other pages down below.


https://www.tiktok.com/@djmoff?_t=8pCJ3hPJ60m&_r=1

https://snapchat.com/t/9ntZNAFK

https://youtube.com/@elmoff-k4u?si=jems9ZxpAYG10bmx

https://www.facebook.com/share/KXfgWw9zhFq7F3rA/?mibextid=LQQJ4d

Elmoffproductions@yahoo.com

Based in Newcastle-upon-Tyne, TazzyB is an exciting and energetic talent, creating music which is a fusion of hard dance, bounce, electro and dubstep.  Having previously achieved widespread UK success as one half of Code Red, TazzyB is now focusing on a solo career that will push his productions and DJing in new directions.

2018 Brand new label coming soon :) Hard dance and Hard Bounce 
 
Coming from a musical background – his father was drummer in the band Mirage and worked as a sound and lighting engineer – it was in his father’s discotheque in the Middle East that TazzyB first got interested in records and the various equipment used in the club.   He would often shadow the DJs, and after a move to Manchester the UK continued his involvement by working in studios.
 
An old Hammond organ with two sections of keys provided the spark for TazzyB’s own productions.  To develop his skills he would listen to songs and then play them back by ear before adding a beat.  While in Manchester he studied for a National Diploma in Music Technology to take his tracks to the next level.
 
The Code Red project bust onto the scene in 2010 with their first track ‘Commander’ being signed to legendary UK label Nukleuz.  Others soon followed on Lethal Theory, B2T, Cheeky Tracks and Awsum Bounce which instantly led to huge support from DJs such as Lisa PinUp and regular bookings at some of the UK’s leading events and venues including Bounce Heaven, Wigan Pier, Absloution, KlubbedOut and Bounce’o Licious.
 
As well as his original productions, TazzyB has also built a reputation with his cheeky under-the-radar remixes of pop acts such as Rihanna, Kelly Rowland and Black Eyed Peas.

Update 2020
Left the music scene , went into the Army to get away from all the negative and the bull shit of the scene, did years and came back out better stronger, and tried to get back into writing the harddance stuff , which was not for me, as always wrote harder stuff, helped more people along the way , and watched so many videos of @DT , partyraiser , and the quality of music is just on a different level , to keep it short , I am now writing Uptempo and hard Shit, enjoying it while working full time trying to earn a living :P